Piet Dirkx cigarbox 227
Piet Dirkx daily ..227
Piet Dirkx cigarbox 227
Alberto Magnelli (1888-1971)
Born in Florence / Italy, Magnelli stayed his entire life true to a mix of abstract art mixed with futurism. Not the most likely combination because in a time when his artists friends were making futurist paintings he chose the opposite road and made brightly colored still lives. Still, there are many examples of paintings in one can see shapes and movements appear in them.
Magnelli has not become the world famous name in art people and admirers had hoped for , but his works show quality and are still showed whenever there is a an exhibition on italian painting of the first half of the 20th century. A nice french catalogue is available at www.ftn-books.com and he is one of the artist who appeared in the catalogues on italian art which were published by the Stedelijk Museum in the 50’s and 60’s.
italian art
italian art
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Piet Dirkx cigarbox 226
Giovanni Nicolai (1984)
Down under in Italy, in the region of Bari works a young artist by the name of Giovanni Nicolai. I did not know him, never met him, but we recently contacted each other about a purchase. He mailed me that he was a fan of Massimo Rao and because of this fascination was inspired by him which resulted in very personal and somehow typical italian classical portraits. He sent me some examples and i was very much convinced that these works deserve to be known outside Italy too. Therefore this blog with some examples of his works. It is Modern art with some abstraction but also a very classical touch within them.
The small faces of the portraits resemble a little bit the lean figures by Alberto Giacometti, but the atmosphere breathes Massimo Rao.
Not the surrealist setting of Massimo Rao, but recognizable poetic portraits. Very nice to look at and subtil in their execution. If you want more information on Giovanni Nicolai do not hesitate to contact me and i will gladly supply you with his email address. The publications on Massimo Rao are available at www.ftn-books.com
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Piet Dirkx cigarbox 225
Brice Marden (1938)
It took some while for me to appreciate Brice Marden, that was because the first works i encountered by him where his monochromatic paintings, which i did not like very much at that time ( now i do!), but influenced by Robert Rauschenberg ( he was his assistant during a couple of years) , multi panelled and more colorful paintings began to emerge from his studio.
That was the same period i became interested in Brice Marden. There was a nice exhibition in 1981 in the Stedelijk Museum Amsterdam, which Crouwel designed catalogue is now a true collectors item ( available with other Marden publications at www.ftn-books.com ).
The list of collections in which Brice Marden is present is almost endless and contains all major Modern Art Museums in the world. One has to be mentioned, because The MOMA was the first to present a large retrospective on this young artist. It was in 1975 and this early interest resulted in having one of the largest Marden collections in the world.
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Piet Dirkx cigarbox 224
Matisse and Sandberg
Sandberg as a curator admired Matisse as an artist and Sandberg as an artist must have been inspired by Matisse, when he made his famous paper cuttings because of his illness. Matisse himself called it “painting with scissors”. Could this have been the inspiration for Sandberg to use modelled torn papers for his book designs? Because these torn pieces of paper together with the lay-outs made the Sandberg publications highly personal and iconic. There is of course a difference, but the period in which these works of art existed is the same so it is not unlikely that his paper torn pieces were inspired by Matisse. The designs by Sandberg are now in, what are considered, classic publications and now used worldwide as examples of great design .
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Printed on paper, they easily survived 50 years or longer, however it is totally different with the Matisse cut-outs. These have to be restored now to conserve them for future generations and i know of two projects which have taken place in the last 10 years. There is of course the large cut out composition LA PERRUCHE ET LA SIRENE 1952/53 from the Stedelijk Museum Amsterdam collection which was totally restored and made future proof for the decades to come and there was a project in the Beyeler in which one could follow the progress of the restoration /conservation of a large canvas titled ACANTHES, 1953.
Both works are on show again in all their splendor and show exactly why Matisse is possibly the greatest artist from last century. Great art in great museums and for those that want to read on both artists…visit www.ftn-books.com for some nice publications.
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Piet Dirkx cigarbox 223
Niele Toroni (1937)
Born in Switzerland in 1937, Niele Toroni rose to fame in an era that other Swiss artists were very much under the influence of constructivism…. Lohse and Honegger among them. Toroni left that stage behind him and developed a minimal style of his own. The main difference between these two and Toroni is that Toroni progressed his art into a form of MINIMAL ART in which he altered the space by painting with a regular space between them brushstrokes in squares onto a surface using one specific color. He usually uses one specific brush no 50. The imprints made with this n°50 paintbrush are repeated at regular intervals of 30 cm. His works are found in many modern art museum collections including the Stedelijk museum and the Gemeentemuseum Den Haag. In which one of the 4 Staircases is painted by Toroni ( the others by LeWitt, Forg and Tuzina).
These four staircases are there for over 25 years now and have proven to be very important In Situ works of art. All artist have become famous contemporary artists and really make one look at these staircases with different eyes. They are not ordinary staircases any longer , but works of art and part of a great collection.
Books on Toroni can be found at www.ftn-books.com
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