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Henri-Edmond Cross (1856-1910)

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Why I did not think of Cross before I do not know, but it is a fact that Cross is at least as import as Maximilien Luce (he painted the portrait above this blog) and Henri Le Sidaner. His name did not become the household name like the ones of Seurat and Signac became, but his works are not less important than the ones by these. Cross his works are more intimate and reflect nature mainly of the French South Coast.

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Cross became in his time one of the artists who embraced neo-impressionism and the pointillist way of painting.

Cross’s paintings of the early- to mid-1890s are characteristically Pointillist, with closely and regularly positioned tiny dots of colour. Beginning around 1895, he gradually shifted his technique, instead of using broad, blocky brushstrokes and leaving small areas of exposed bare canvas between the strokes. The resulting surfaces resembled mosaics,and the paintings may be seen as precursors to Fauvism and Cubism In the Pointillist style, minute spots of paint were used to blend colours harmoniously.

What most people do not know is that Henri Matisse was a great admirer of Henri-Edmond Cross and that the influence of Cross can be discovered in the early paintings of Matisse. This alone makes Cross of importance in Art’s history.

www.ftn-books.com has a nice title on his sketches available

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Leo Divendal (1947)

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Leo Divendal…… Photographer, publisher, gallery owner, writer, musician, artist book maker, bookseller and antiquarian.

Why this blog on Leo Divendal, first of ll it is rare that so many talents have come together within one person and…..then there is of course the connection with the Gemeentemuseum where Divendal curated some 20 years ago, together with Willem van Zoetendaal some exhibitions in the Fotokabinetten.

The second reason is that i bought a Divendal special publication recently. Het Glazen Oog is a Divendal special from 1991 which features some of the greatest dutch photographers from last century.

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This and other publications are now available at www.ftn-boooks.com

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But possibly the main reason is that i noticed that Divendal and i have the same approach to art and artists and that the both of us like the same artists and have an admiration for them. Here is the link to the Leo Divendal site ( https://www.leodivendal.nl/atelier/) in which you can discover all those nice publications which many of them are also available at http://www.ftn-books.com