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Guy Rombouts (1949)

Guy Rombouts

Since the early 1980s, Rombouts has blurred the existing boundaries between words and objects. The idea of having objects speak for themselves, acts as a drive and utopic horizon behind his artistic practice. The result is a body of work that is idiosyncratic, poetic as well as conceptual. The artist’s very own bounded set of ideas has become a kind of art-producing machine: his ‘concepts’ make his works come about more or less automatically. The result is never egotistic, but invariably particular and tactile.Rombouts’ work — he is the son of a
printer and trained to be a typographer — is rooted in a fascination with the shapes and the stuff language is made of. In the early ‘80s, when he made what could be viewed as his ‘primal’ work, he collected objects whose names consisted of three letters, and exhibited them in alphabetical order. Rombouts is probably best known for his Azart alphabet, which he developed in 1984 with his partner Monica Droste (1958-1998). The line-based alphabet allows words to take on an endless array of two/three-dimensional shapes.

Ever since it was first designed, it has served as a deliberately coincidental procedure for creating objects, sculptures, paintings etc.

Inspired by Azart, Rombouts has recently created new, graphic ways of translating words into images. Using the website www.azart.be, everyone can generate images in Azart.Guy Rombouts, (1949-, Geel, Belgium) seems to make a comment on how the flatness of letters and words can create a reality and make that reality non- existing without the words, in line with what the “linguistic relativity principle” suggests. Rombouts does this by inventing a new alphabet; the Azart, a name that refers to A-Z art, but also to the French word “hasard” meaning coincidence. In Azart each letter is translated by a corresponding line, on the basis of the first letter of the word which describes the line. A is angular, B is barred, C is curve, D is deviation and Z is a zigzag line. When the lines are linked together closed forms or word-images appear. What is going on quite literally on the paper when forming Azart words, goes on in our mind when forming realities of alphabetic words. The arbitrary letters of the alphabet also obtain meaning in our mind. Words written in Azart visually define them selves, forming isles of meanings, while words of the alphabet is defined by means of other words. These words, however, are formed by the same letters as the word they define. A circle of definitions are formed, referring again literally to the Azart circled words.

www.ftn-books.com has a few Rombouts titles available.

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Peer Veneman (1952)

a classic photo of Peer Veneman

It must have been written in the stars since many dutch artist swho became household names in the 80’s and 90’s were born and raised in the city of Eindhoven. There are of course Henk Visch and Piet Dirkx to whome i have devoted multiple blogs and now you can add Peer Veneman to that list. Also born and raised in Eindhoven, but this time with a different career. Where Dirkx and Visch stayed initially in Eindhoven, Veneman moved to Amsterdam and soon became part of the LIVING ROOM art scene. Here he had his first successful exhibitions and later his name would become more familiar and his works more successful resulting in exhibitions at galerie Onrust and at galerie Hafemann.

He became known in the 1980’s with colorful sculptures that somehow filled the space between abstraction and figuration. Ever since he took the liberty to make abstract and figurative works at the same time, denying the traditional gap between the two. One constant factor evident throughout all his work is his apparent refusal, even within a single piece of sculpture, to do the same thing twice. He aims to give new meaning to sculpture (form), painting (the surface) and architecture (spatial construction). Not only are the formal aspects of visual art questioned by Veneman in his work, but his connotative intentions also undergo that process as well.

www.ftn-books.com has some nice Living Room and Veneman publications available.

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Avery Preesman (1968)

 

Born in Willemstad Curacao, Avery Preesman was educated in the Netherlands. He entered the ATELIERS in 1992 without any pre education and because of his exceptional talent he soon received the second price in the Prix de Rome 1998 contest and in the same year the WOLVECAMPPRIJS. He became soon after a galerie artist of the famous ZENO X gallery in Antwerp and received solo exhibitions at the SMAK and Kunstlerhaus in Vienna and to end this lightning career of Preesman a solo exhibition at the Stedelijk Museum in 2001. Within a period of 9 years, Preesman had established himself as one of the leading contemporary artists in the Netherland. You can only admire such an artist. During the last 20 years , Preesman has been a regular contributor to the art and museum scene in Europe and beyond.

www.ftn-books.com has the 1999 NAi catalogue available. It is the catalogue which shows why Preesman has become so famous within a period of 10 years. He is a true natural.

preesman

 

 

 

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Giulio Paolini and Rudi Fuchs

The catalogue i write about is the Giulio Paolini  catalogue made for the Musee des Beaux Arts Nantes from 1987. This is not such a well know catalogue but because of its provenance i chose this one. Paolini is a well known “Arte Povera”artist and  this fame has brought him all over the world with his art. One of his admirers is Rudi Fuchs who organized exhibitions with Paolini in the van Abbemuseum and the Stedelijk Museum and because of this, he always received complimentary copies whenever there was another exhibition with Paolini. One of these catalogues i have for sale is signed by Rudi Fuchs, meaning that this must have belonged to his personal library. It is a rather obscure publication, but very nicely published with an impressive cover with the name of Giulio Paolini underneath an arch. Exhibition was organized by Henry-Claude Cousseau, but the importance of this catalogue and proof of its quality is that is was within the library of Rudi Fuchs. Signature in blue ink on the first inner page.

catalogue available at www.ftn-books.com

 

wilfried