Why this writer… “instant” poet in a blog on art. This is because this famous dutch writer who had a weekly platform in the DE WERELD DRAAIT DOOR program also has a very personal view on art. He published together with the Kröller Muller Museum a book in which he wrote personal texts for items which are in the permanent collection of the Museum. The book is titled “DIJKSHOORN KIJKT KUNST” and is now available at www.ftn-books.com.
I the coming months i will place some examples from the book. Short personal texts put together by Dijkshoorn with great art. Here is a first . It is a text combined with the “Potatoes” painting by van Gogh.
Yesterday i learned from a dutch TV program (DWDD / De Wereld Draait Door) that there is a large Yves Klein retrospective in the BOZAR museum Brussels.
Yves Klein , touched many currents in Modern Art, even was one of the participants in ZERO, but eventually developed a style of his own using in many of his works the iconic BLUE color he developed. Was it zero, action painting or performance art? Today art lovers around the world can not answer these questions , but one can see for one self what fits most, because there is a great retrospective on his art in BOZAR/ Bruxelles until the 20th of August. His monochrome blue paintings are on show together with his action paintings of blue prints of female bodies. A great show and possibly a once in a lifetime chance to see many important Yves Klein works together.
Nowadays Klein paintings fetch record prices at auctions all over the world, but in one of his first shows In Krefeld in 1961 nothing was sold. This was followed by an unsuccessful opening at Leo Castelli’s Gallery, New York, in which Klein failed to sell a single painting. He stayed with Rotraut Uecker at the Chelsea Hotel for the duration of the exhibition; and, while there, he wrote the “Chelsea Hotel Manifesto”, a proclamation of the “multiplicity of new possibilities.” In part, the manifesto declared:
At present, I am particularly excited by “bad taste.” I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed “The Work of Art.” I wish to play with human feeling, with its “morbidity” in a cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.
To prepare your self for the exhibition, know that over the decades excellent books on Klein were published. There are some available at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20