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AFRO ( Basaldella) (1912-1976)

For his career the year 1950 was quintessential.

n the year 1950, the collaboration with Italian-American gallery Catherine Viviano in New York was initiated. In 1952, he joined the Gruppo degli Otto, which also included Renato Birolli, Antonio Corpora, Mattia Moreni, Armando Pizzinatoi, Giuseppe Santomaso, Giulio Turcato, Ennio Morlotti, and Emilio Vedova. This group participated in documenta 1 in 1955 and documenta 2 in 1959 in Kassel, Germany.

Along with these artists, Afro participated in the 26th Biennale of Venice, where he was awarded a prize for his work, Villa Fleurent (1952). He also participated again in 1954 and 1956. In 1956, he won the award for the best Italian painter. In 1960, he won the Guggenheim Prize in New York with his work, L’isola del Giglio. Throughout this entire period, until his passing, Afro continued to exhibit his work, especially in Italy, the United States, and France.

www.ftn-books.com has the AFRO BURRI FONTANA book nowe available.

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Magnum and LES GRAND TRAVEAUX 1989

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The French Republic commissioned the “creme de la creme ” of french photographers from the Magnum agency to contribute to a very prestigious photography project.

The publication was designed by Roman Cieslewicz and in it were contributions of the very best French photographers (Burri, Berry, Franck, Riboud and Kalvar) of the Magnum agency.

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Photographs of all the prestigious architectural projects which were commissioned by Georges Pompidou and François Mitterrand. The renovation and rebuilding of the Musee d’Orsay, Le Grande ARCHE, L’Opera and many others made this decade of the Eighties stand out and because there were so many projects realized it is important that the greates of French photographers documented these. This publication is now available at www.ftn-books.com

 

 

 

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Alberto Burri (1915-1995)

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A blog on Burri since i acquired a very MIce 1961 catalogue by Galerie de France on Burri. Numbered 495 from an edition of only 1600 copies and in excellent condition.

Burri i have known for his MATTER paintings. A bit created like the ones Jaap Wagemaker made in the Netherlands. But there is so much mofre . His “paintings” are like three dimensional sculptures and make in some way a bridge to the zero art from a decade later.

He remained a reserved artist, ceaselessly working and creating, initially in a small studio in Via Margutta but frequently moving out. As a matter of fact, Milton Gendel – an American journalist who visited Burri’s studio in 1954 –, later reported: “The studio is thick-walled, whitewashed, neat and ascetic; his work is ‘blood and flesh,’ reddened torn fabric that seems to parallel the staunching of wounds that Burri experienced in wartime.”

Burri’s first solo figurative artworks exhibition took place on 10 July 1947 at the gallery-cum-bookshop La Margherita, in Rome, presented by the poets Leonardo Sinisgalli and Libero De Libero. However, Burri’s artistic production flowed definitively into abstract forms before the end of the same year, the use of small format tempera resulting from the influence of such artists as Jean Dubuffet and Joan Miró, whose studio was visited by Burri during a trip to Paris in the winter of 1948.

In the sixties Burri has had several exhibitions all over Europe and one, in 1961, was at the galerie de France. Who made a beautiful catalogue for it.

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Jaap Wagemaker (1906-1972)

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Jaap Wagemaker, fascinated by Cobra, but never wanted to connect to the mouvement. Instead he searched for his won style. Influenced by and admiring Burri he discovered an interest in Oceanic art too. This influences he mixed into a style of his own. Building layers of paint and other materials into 3D paintings. Giving them a feel of assemblages, using materials that only few had used before. Bolts, paper, sand, wood everything could have a place in the paintings as long as it had an abstract function. This is how his painting became recognizable and in the last decade or so, his paintings are sought after and fetch prices higher than average.

Now that Zero is hardly affordable and kinetic goes the same way. It is time to focus on something different. I am sure that Minimal will fill this void, but this kind of material painting comes in a close second. Jaap Wagemaker publications are available at www.ftn-books.com including the impressive one Wim Crouwel designed for the Jaap Wagemaker exhibition at the Stedelijk Museum.

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Rene Burri ( 1933-2014)

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The world renowned Magnum photographer René Burri (born in 1933), whose legendary portrait of Che Guevara has been a photographic icon for many years, caught a number of important artists of the 20th century through his lens. The great photographer also realised numerous individual portraits and reportages on his friend Jean Tinguely and his work between 1967 and 1991. Camera in hand, Burri observes the artist at work in his atelier “Le Cheval Blanc” at Soisy-sur-École and during construction of the monumental sculpture “Le Cyclop”, literally peering over his shoulder. In the photographic series showing Tinguely installing his works at the World Exhibition in Montreal, in Basel or in Venice, the photographer manages to capture the artist’s spontaneity and essence – his fascination with movement – in almost cinematographic shoots. He was recognized as one of the true great photographers of the 20th century and in his birthland  Switzerland numerous exhibitions were organized with the photographs of Burri. Among them , arguably the best exhibitions at the Tinguely museum in Basel, where the series on Tinguely were exhibited.

The exhibition poster for the Tinguely exhibition is available at www.ftn-books.com

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