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Mario Merz (1925-2003)

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This was the first photograph i encountered on the Net of Mario Merz and i instantly was frightened. Here is an angry man if ever there was one. Mario Merz works are on show in the van Abbemuseum and the Stedelijk Museum and at the time Rudi Fuchs was director of the Haags Gemeentemuseum , there was one work on loan. What struck me at that time was the lightness and transparency of the works. Larger sized and as a work of art these works were changing the rooms in which they were shown and interacting with the space they were presented in. There is a nice example of such a presentation in the Castello de Rivoli in Torino which first exhibitions were also curated by Rudi Fuchs.

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These works take time for an art lover to be appreciated, but when you do so. There is no artist equal to Mario Merz and you forget about the “angry” old man in the photographs , but only see the sheer beauty of the works he created.

There ares ome nice examples of Mario Merz catalogues availabel at www.ftn-books.com including the first series of catalogues on the Castello di Rivoli project by Rudi Fuchs.

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Yves Klein (1928-1962)

Yesterday i learned from a dutch TV program (DWDD / De Wereld Draait Door) that there is a large Yves Klein retrospective in the BOZAR museum Brussels.

Yves Klein , touched many currents in Modern Art, even was one of the participants in ZERO, but eventually developed a style of his own using in many of his works the iconic BLUE color he developed. Was it zero, action painting or performance art? Today art lovers around the world can not answer these questions , but one can see for one self what fits most, because there is a great retrospective on his art in BOZAR/ Bruxelles until the 20th of August. His monochrome blue paintings are on show together with his action paintings of blue prints of female bodies. A great show and possibly a once in a lifetime chance to see many important Yves Klein works together.

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Nowadays Klein paintings fetch record prices at auctions all over the world, but in one of his first shows In Krefeld in 1961 nothing was sold. This was followed by an unsuccessful opening at Leo Castelli’s Gallery, New York, in which Klein failed to sell a single painting. He stayed with Rotraut Uecker at the Chelsea Hotel for the duration of the exhibition; and, while there, he wrote the “Chelsea Hotel Manifesto”, a proclamation of the “multiplicity of new possibilities.” In part, the manifesto declared:

At present, I am particularly excited by “bad taste.” I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed “The Work of Art.” I wish to play with human feeling, with its “morbidity” in a cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.

To prepare your self for the exhibition, know that over the decades excellent books on Klein were published. There are some available at www.ftn-books.com

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Inez van Lamsweerde (1963)

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Is she an art photographer, fashion photographer or staged photographer? I really do not know, but between these 3 there is not much difference in the works of Inez van Lamsweerde. Fashion or personal art photography blend perfectly. You can see many of her latest examples on her site https://www.inezandvinoodh.com/news/saint-laurent-fw-2017/ On this site her project together wth her “partner in crime” Vinood Mathadin are depicted. Here is one example from the series of photos they made for Yves Saint Laurent.

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Arguably she is one of the best fashion photographers in the world , but for me personally she is the best. Just because of the arty way she depicts her models and still shows the best qualities of the Fashion they wear. For more titles on van Lamsweerde, please visit www.ftn-books.com

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James Rosenquist (1933-2017)

 

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Sad news this morning, one of the greatest Pop Art artists, James Rosenquist, died at the age of 83 of March 31, 2017.

Rosenquist was one of the last living great Pop Art artists and a contemporary of Warhol Lichtenstein,and Wesselman. He was the lesser known of these 4 names, but what made him special and stand out from them was the use of extremely large canvasses. But also his prints were larger than normal. He holds the record for the largest print in the world measuring 35 x 7 feet!

Rosenquist works are present in all major collections of Contemporary art in the world. A large part of his inventory was destroyed during a fire in 2009 in which all his works present in the studio were destroyed.  Rosenquist will be remembered as one of the great Pop Art artist. www.ftn-books.com has some nice catalogues on him.

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Donald Judd and the Chinati foundation

Marfa Texas…that is where the Chinati Foundation is settled. The Foundation was an initiative by Donald Judd who founded this in 1979. Since buildings were eerected and exhibitions were being held with friends and admired artists. There were exhibitions with works by John Chamberlain, an installation by Dan Flavin occupying six former army barracks, and works by Carl Andre, Ingólfur Arnarsson, Roni Horn, Ilya Kabakov, Richard Long, Claes Oldenburg and Coosje van Bruggen, David Rabinowitch, and John Wesley. Each artist’s work is installed in a separate building on the museum’s grounds.

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One of the main buildings is called the Arena. It was built in the 1930s as a gymnasium for the soldiers at Fort D.A. Russell. After the fort closed in 1946, the gym floor was torn up for the wood, and sand was laid to provide an indoor arena for horses. In the mid 1980s, Judd restored the building, which was largely dilapidated. Judd left the long strips of concrete that had originally supported the wooden floor, and filled the intervening spaces with gravel. For practical considerations, Judd poured a large concrete area by the kitchen at the south end, and a smaller area at the north end of the building’s interior. These two areas comprise half of the total area of the building. Judd also added a sleeping loft and designed the outer courtyard, which includes areas for eating, bathing, and a barbecue. There are two works by David Rabinowitch installed in the building: one on the ground floor (Elliptical Plane in 3 Masses and 4 Scales, 1971-72) and one in the loft (6-Sided Bar, III, 1969). These works are on long-term loan from the Judd Foundation.

Chinati is like a Disney park for the Minimal art admirer. Everything breathes Minimal Art and the Judd designs make it even more special. There  are some very nice Donald Judd books available at www.ftn-books.com including one publication by the Chinati foundation.

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