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Roelof Mulder (1962)

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Roelof Mulder is a multidisciplinary artist, operating in the field of graphic design, type design, interior and exhibition design. He studied fine art at the Academy in Arnhem and he attended the Jan van Eyck Academy in Maastricht for a year in order to underline his love for the graphic arts. Mulder’s departure from the academy was quickly followed by the announcement that he was to be the first winner of the Rotterdam Design Prize.
His graphic and editorial work includes books for Droog, MVRDV architects, Marcel Wanders, Stedelijk Museum Amsterdam, E&Y, and artists Yasumasa Yonehara, Marijke van Warmerdam and Marlene Dumas. He was member of the editorial staff and designer of Forum magazine and he has been art director of Frame magazine twice. Mulder also did campaign work for fashion brands such as Takeo Kikuchi and Diesel, various exhibition and communication work for incubator Platform21, and stamps for the Royal Dutch Post.

From his early years www.ftn-books.com has a nice book in its inventory

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Helvetica (1957)

Max MIedinger

Here is in short the story on one of the greatest and most popular typefaces from the last 100 years….HELVETICA by Max Miedinger.
Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia”, the Latin name for Switzerland).

Over the years, the original Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe.

Helvetica World, an update to the classic Helvetica design using the OpenType font format, contains the following Microsoft code pages:
1252 Latin 1,
1250 Latin 2 Eastern,
1251 Cyrillic,
1253 Greek,
1254 Turk,
1255 Hebrew,
1256 Arabic,
1257 Windows Baltic,
1258 Windows Vietnamese,
as well as a mixture of box drawing element glyphs and mathematical symbols & operators.
In total, each weight of Helvetica World contains 1866 different glyph characters!

Many customers ask us what good non-Latin typefaces can be mixed with Helvetica World. Fortunately, Helvetica World already includes Greek, Cyrillic and a specially-designed Hebrew in its OpenType character set. But Linotype also offers a number of CJK fonts that can be matched with Helvetica World.

Helvetica didn’t start out with that name. The story of Helvetica began in the fall of 1956 in the small Swiss town of Münchenstein. This is where Eduard Hoffmann, managing director of the Haas Type Foundry, commissioned Max Miedinger to draw a typeface that would unseat a popular family offered by one his company’s competitors.

Miedinger, who was an artist and graphic designer before training as a typesetter, came up with a design based on Hoffmann’s instructions, and by the summer or 1957, produced a new sans serif typeface which was given the name “Neue Haas Grotesk.” Simply translated this meant “New Haas Sans Serif.”

 

The Stempel type foundry, the parent company of Haas, decided to offer the design to its customers in Germany, where Stempel was based. The company, however, felt it would be too difficult to market a new face under another foundry’s name and looked for one that would embody the spirit and heritage of the face. The two companies settled on “Helvetica,” which was a close approximation of “Helvetia,” the Latin name for Switzerland. (“Helvetia” was not chosen because a Swiss sewing machine company and an insurance firm had already taken the name.)

Over the years, the Helvetica family was expanded to encompass an extensive selection of weights and proportions and has been adapted for every typesetting technology.

Helvetica is among the most widely used sans serif typefaces and has been a popular choice for corporate logos, including those for 3M, American Airlines, American Apparel, BMW, Jeep, JCPenney, Lufthansa, Microsoft, Mitsubishi Electric, Orange, Target, Toyota, Panasonic, Motorola, Kawasaki and Verizon Wireless. Apple has incorporated Helvetica in the iOS® platform and the iPod® device. Helvetica is widely used by the U.S. government, most notably on federal income tax forms, and NASA selected the type for the space shuttle orbiters.

 

One of the greatest books. Published in Japan on the Helvetica is now available at www.ftn-books.com

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Anna Reinders (Born Landgraaf)

Anna Reinders is not very well known among the dutch art collectors, but the reason i write this blog on her is because of a recent discovery of a small portfolio containing 16 original postcard size ink drawings. What struck me most was that these drawings made me think of Lucebert his drawings. Still her style is a style of her own and if presented among works by other artists it should be no problem in selecting these from all drawings presented….meaning these are original enough. She will have a small following of admirers and for them the portfolio, which is now for sale at www.ftn-books.com will be a great addition, to his or her collection.

 

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Karianne Krabbendam (1951)

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Another artist , born in Den Haag but who lives and works now in the northern part of the Netherlands is Karianne Krabbendam. I discovered her works for the first time when we visited the “HET DEPOT” museum in Wageningen.

Her almost abstract female figure sculptures reminded me of the pre historic female god figures that were found in the last centuries. They have something modern and and at the same time classic in them This kind of art is timeless and will have admirers in the decades and centuries to come.

The Karianne Krabbendam publication is now available at www.ftn-books.com

krabbendam

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Jannes de Vries (1901-1986)

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People who studied Werkman, Siep van den Berg and Dijkstra,….probably have encountered the name of Jannes de Vries who was in the Fifties a respected artist in the northern part of the Netherlands. Member of “de PLOEG” his works resemble those of Dijkstra and were influenced by DIE BRUCKE. Later he became less abstract and painted more and more realistically, but always using a colorful painters palette.

He used his colors like in the days of the Fauves exagerating reality and creating a colorful world which was in reality much less colorful.

www.ftn-books.com has now some Jannes de Vries publications available.

jannes de vries

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Who is Who ….in Modern Art, version 1995

For those who want a crash course in Modern Art it is sufficient to study the english/ Japanese catalogue RIPPLE ACROSS THE WATER . A  publication  with over 350 pages, published on the occasion of the exhibition with the same name  in 1995. Some names: Francis Bacon, Jan Fabre, Marlene Dumas, de Cordier, Nauman, Pistoletto etc……..

Not only very worth collecting, but also published as an artist book. This makes the publication an absolute ” must have ” for those that take an interest in Modern Art of the last 50 years.

 

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Carlo de Roover (1900-1986)

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de Roover is a Belgian artist who moves in his works between realism and abstraction. At one time one encounters a nice nude painting and a few months later  one finds from almost the same year, an abstract painting. For me personally i think his abstract paintings are far more convincing than his realistic ones. It does not mean that his realistic paintings are not good, but i find them  to be “13 in a dozen” and not that attractive. However his abtract art is different and some of his paintings are nice enough to collect.

Carlo de Roover is hardly known outside Belgium , so if yiou are interested in this artit it is best to focus on Belgina collections and auctions. One exception…. www.ftn-books.com has the 1979 ICC catalogue now available.

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Haags Gemeentemuseum ( continued )

In the mid Eighties , financing the museums in the Netherland required some changes. One of the changes was we looked for cheaper printing possiblilties and found these with a Belgium printer and lithographer. Snoeck Ducaju became one of the new partners of the museum together with de Buck for the lithography. Both have become household names in the printing world, but at that time it was a kind of a gamble, since the distance made it much harder ( only telephone and fax were available). Still the first results were excellent. Just look at these 2 timeless beautiful publications , designed by Donald Janssen and printed by Snoek in 1986 and 1987. Many others would follow but these are still standing out and are proof of the quality publications published in those years.

Both are available at www.ftn-books.com

 

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Lovis Corinth (1858-1925)

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Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.

Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group’s president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth’s subject matter also included nudes and biblical scenes.

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Corinth was born Franz Heinrich Louis on 21 July 1858 in Tapiau, in Prussia. The son of a tanner, he displayed a talent for drawing as a child. In 1876 he went to study painting in the academy of Königsberg. Initially intending to become a history painter, he was dissuaded from this course by his chief instructor at the academy, the genre painter Otto Günther. In 1880 he traveled to Munich, which rivaled Paris as the avant-garde art center in Europe at the time. There he studied briefly with Franz von Defregger before gaining admittance to the Academy of Fine Arts Munich, where he studied under Ludwig von Löfftz. The realism of Corinth’s early works was encouraged by Löfftz’s teaching, which emphasized careful observation of colors and values. Other important influences were Courbet and the Barbizon school, through their interpretation by the Munich artists Wilhelm Leibl and Wilhelm Trübner.

Except for an interruption for military service in 1882–83, Corinth studied with Löfftz until 1884. He then traveled to Antwerp, where he greatly admired the paintings of Rubens, and then in October 1884 to Paris where he studied under William-Adolphe Bouguereau and Tony Robert-Fleury at the Académie Julian. He concentrated especially on improving his drawing skills, and made the female nude his frequent subject. He was disappointed, however, in his repeated failure to win a medal at the Salon, and returned to Königsberg in 1888 when he adopted the name “Lovis Corinth”.

In 1891, Corinth returned to Munich, but in 1892 he abandoned the Munich Academy and joined the Munich Secession. In 1894 he joined the Free Association, and in 1899 he participated in an exhibition organized by the Berlin Secession. These nine years in Munich were not his most productive, and he was perhaps better known for his ability to drink large amounts of red wine and champagne.

Corinth moved to Berlin in 1900, and had a one-man exhibition at a gallery owned by Paul Cassirer. In 1902 at the age of 43, he opened a school of painting for women and married his first student, Charlotte Berend, some 20 years his junior. Charlotte was his youthful muse, his spiritual partner, and the mother of his two children. She had a profound influence on him, and family life became a major theme in his art. Another of his students was Doramaria Purschian.

www.ftn-books.com has some titles on Corinth available.

corinth glockner

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Stephen Gilbert ( 1910-2007)

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Stephen Gilbert (right, together with Constant)

Stephen Gilbert (15 January 1910 – 12 January 2007) was a painter and sculptor from Scotland. He was one of the few British artists fully to embrace the avant garde movement in Paris in the 1950s.

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At one time he even was considered to be one of the members of the COBRA mouvement, but now, some 60 years after COBRA most critics think Gilbert knew the Cobra artists but do not consider him to be one them. Still his paintings and drawings deserve to be appreciated. His almost child like works are close to Cobra, but some of his more abstract works are typical for the end of the Fifties.  It really depends upon the work. Some are great art and others are far from that qualification.  The galerie 1900-2000 tried to push his works into the art market in 1987 with a special Stephen Gilbert exhibition ( catalogue avaiable at www.ftn-books.com), but was not successfull. If you like his works, the works by Stephen Gilbert cab be found at smaller auction houses for still reasonable prices than the great CObra names fetch for thier art.