The first time i encountered some actual painting by Hugh Weiss, was at the timne the Venduhuis held an auction with works from the estate of Hans Sonnenberg, the former owner of the Delta Gallery in Rotterdam. Sonnenberg had a very personal way of collecting and was not affraid to present young artists like Haring and Basquiat in the Eighties and Schjolte and van Geest in the Eighties/Nineties. In the Sixties he liked a different kind of art and beside some POP ART he presenetd there was this American born artist who he liked very much…..Hugh Weiss
Hugh Weiss was born in Philidelphia in 1925, but practically lived his entire working life in Paris /France. Here he has made a name for himself and from France a contact with Sonnenberg was established, The result exhibitions at galerie Delta of which one catalogue is available at www.ftn-books.com. It is the 1965 catalogue
The works intrigue, but not so musch as that at timne of the auction i wanted to add one to my collection. I focussed instead on the Arie van Geest paintings and i was successful. Now that i look at them again in the catalogue i think it is a pity that i did not bid, but wh knows perhaps in the future there is another chance.
Rainer Fetting was one of my favorit artists in the Eighties, but i almost had forgotten him until half a year ago a beautiful and impressive painting by Fetting was auctioned at the Venduehuis. A large painting which belonged to the Hans Sonnenberg collection. A famous gallery owner who was always charmed by artists who focussed on male figures and nudes. Fetting was certaimly one of them. Fetting was considered to be part of the NEUE WILDE mouvement from the early eighties and had developed a very recognizable style of his own. Bright colors , loose in composition and technique his paintings shine after they are finished and the one from the Venduehuis is an excellent example.
His paintings are starting to appear at auctions and i am very curious what the future will bring. My personal guess is that Fetting is such an artist who is forgotten for the last 2 decades , but in a few years will be one of the great artists from the eighties. www.ftn-books.com has some excellent catalogues on this great germna artist.
Today i added to my inventory a book by Auke de Vries for his Museum Wiesbaden exhibition from 1990. i knew the title and had sold copies before, but what made this one special is that on ca. 10 of the pages yellow post-it’s were fixed with gallery prices in guilders. I leafed through the book and was surprised to find the prices to be as steep as 50.000 guilders. It was not long ago that i attended 2 auctions where several small and larger sculptures by Auke de Vries were sold , fetching prices between euro 2500 and 4000 for a larger sculpture.
I compared these with the 1990 gallery prices within the Wiesbaden catalogue and found that prices had devaluated with over 60% when compared with the actual auction prices including premium in 2017. Of course the gallery fees are between 40 and 50%, but when you consider that money has devaluated too in these past two and a half decades the devaluation of Modern Art of a very good artist like Auke de Vries is over 80% compared with the original gallery price. Should i then still buy art?……YES! because you can have tremendous pleasure from it. You search for and find good art and enjoy it at home when you bought or rent it and yes… you support the artist with your buy, but if you ask me , should i buy art as an investment? my advise would be …be careful for the artist you select, because most of them will not be worth very much after a few decades.
But when you are patient, that means a period of 20+ years, you will discover that works by the artist you admire start to appear at auction and are much more affordable and even can be bought by most collectors for as little as a few hundred euro. I can give you an example of a great Arie van Geest which recently was added to our collection for an extremely fair amount.
You only learn of the auction records by artist like Warhol, Koons and Hirst, but you can ask yourself…are these works by these artists really that special or are they a marketing product… a true hype? if i did not know who the artist is and did not know the value of a work …would i buy it ? In the case of Auke de Vries i personally would do so at the price level that i recently experienced at auction, but for the prices in the Wiesbaden catalogue i would “pass”. Art should not be bought as an investment and i dare say that the great collectors in the world never have bought art for its value, but because they admire the artist and his or her works and you should do the same, because there is still some great art to be found and bought at fair prices. www.ftn-blog.com and www.ftn-books.com have art for sale which is published in edition and is still affordable.
The coming blogs on Sunday are all devoted to SCHAAMSTREKEN . a series of artists books by Otto Egberts , all containing original drawings , executed on special papers and bound in goat leather
These Egberts books are very special and deserve to be known by a larger public and will be coming up for sale next year. It would be a pity that these great artist books are only known to a few persons. Therefore i decided to publish all pages of the 4 books in 4 separate blogs on consecutive Sundays starting from now and today is the first volume to be published within this blog series . The SCHAAMSTREKEN 1 book measures 39,3 x 10,9 cm. And contains 34 pages, 15 drawings spread over 2 pages and 2 one page drawings. The end paper has the signature and date on it in pencil. These original drawings were done in color on old Danish maps and nautical charts.
Here is the integral reproduction of volume 1
A truly magnificent artist book and one of the most spectacular books i have ever owned. For more information on Otto Egberts do not forget to visit his website www.ottoegberts.nl and other great artist books at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20