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Rainer Fetting (1949)

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Rainer Fetting was one of my favorit artists in the Eighties, but i almost had forgotten him until half a year ago a beautiful and impressive painting by Fetting was auctioned at the Venduehuis. A large painting which belonged to the Hans Sonnenberg collection. A famous gallery owner who was always charmed by artists who focussed on male figures and nudes. Fetting was certaimly one of them. Fetting was considered to be part of the NEUE WILDE mouvement from the early eighties and had developed a very recognizable style of his own. Bright colors , loose in composition and technique his paintings shine after they are finished and the one from the Venduehuis is an excellent example.

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His paintings are starting to appear at auctions and i am very curious what the future will bring. My personal guess is that Fetting is such an artist who is forgotten for the last 2 decades , but in a few years will be one of the great artists from the eighties. www.ftn-books.com has some excellent catalogues on this great germna artist.

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Leiko Ikemura (1951)

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Leiko Ikemura (イケムラレイコ Ikemura Reiko, born August 22, 1951 in Tsu, Mie Prefecture, Japan) is a Japanese-Swiss painter and sculptor.

It is often said that Leiko Ikemura’s work is characterised by the encounter of two cultures: it references Western art history, but the themes and formal vocabulary also immerse the beholder in the Japanese tradition, which venerates asymmetry, incompleteness, and ambiguity. “Imagination is the strongest force in my work”, says the artist, and it is precisely this exercise of completing something with one’s imagination that enables the viewer to enter into a dialogue with the Western tradition, which is oriented towards limits, an avoidance of ambiguity, and symmetry.
 
In her art, Ikemura attempts to elude rational control and to immerse herself and the beholder in sensual and emotional experience. The viewer seems to find himself in a kind of intermediate world, in horizontal landscapes with visually unlimited pictorial spaces, or in cosmic landscapes whose forms may be interpreted anthropomorphically – human creatures take on the shapes of animals, or trees or rocks metamorphose into human faces. The transitions are always fluid – in painting and sculpture, in landscape and in human portrayals.
 
Leiko Ikemura was born in Tsu, Japan. She studied Spanish literature at the University of Foreign Languages in Ōsaka and emigrated to Spain in 1972 to intensify her studies in Salamanca and Granada. From 1973 until 1978 she pursued painting studies at the Academy in Seville. After moving to Switzerland Ikemura left a lasting impression on the Zurich art scene of the Eighties. In 1983, the Bonner Kunstverein dedicated her works a major exhibition.

Leiko Ikemura lives and works in Berlin and Cologne.

This is just a short description of her life i found on the Karsten Greve gallery site, but there is much more to the work of Leiko Ikemura. Just take a look at some of her works and i hope you notice too that her works are a cross between the Japanese Anime figures and the watercolors by Marlene Dumas. The result is a personal and recognizable style. Ikemura is represented by the Karsten Greve gallery.

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Jiří Georg Dokoupil (1954)

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We are from the dame generation and perhaps that is why i appreciate Dokoupil’s painting. Always extremely colorful and becoming more and more abstract.

The association is one of “stained glass” and i would not be surprised that in the end of his career he will be invited to make some church windows ( btw. Marc Mulders made some for the Chapel in the Gouda Museum). It takes some time to get  accustomed to the art of Dokoupil, but once you get know his paintings you only can admire them. Fled to Germany from Tsjechoslovakia in 1968, he soon joined the Mulheimer Freiheit group and participated in performances and group exhibitions together with Dahn and Adamski. In the Nethertlands he had his “one man” exhibitions at the iconic galerie Riekje Swart and became part of the exhibitions organized on the NEUE WILDEN by Frans Haks in the Groninger Museum and the Centraal Museum Utrecht. From these early days on his art developed into an abstract kind of art which is personal and typical for Dokoupil. An artist to keep following and see what his next step in art will be .

There are some Dokoupil publications available at www.ftn-books.com