Posted on Leave a comment

Walace Berman (1926-1976)

Schermafbeelding 2018-02-06 om 14.29.16

You have to dig in a little deeper to appreciate the art of Wallace Berman. Wallace Berman a Collage artist who was of great influence to 60’s art in California.

He was an American visual and assemblage artist and  has been called the “father” of assemblage art.

I started to take an interest in Berman when i first acquired an impressive title on Berman at a huge discount at de Slegte bookstores in the Netherlands. They had stacks and stacks of these books , because the Berman ICA exhibition was not popular at all and many of the printed books were unsold. Published in 1992, it is now 25 years ago and has not lost its importance. This is an excellent book on Berman and shows the qualities of Berman as an Underground artist and the publisher of the ground breaking magazine Semina of which only 9 issues were published .

This excellent Berman book which was published with the Berman / ICA Amsterdam exhibition was printed by the best printer (Lecturis), has an excellent design and typography and is considered by me as one of the best exhibition publications in the Netherlands from the 90’s.

 

Posted on Leave a comment

Nat Finkelstein (1933-2009)..The Warhol/Factory photographer

Schermafbeelding 2017-10-19 om 15.58.16

His claim to fame was that Nat Finkelstein was the house photographer of the FACTORY. The complex which housed the studios of Andy Warhol.

(The Factory was Andy Warhol’s New York City studio, which had three different locations between 1962 and 1984. The original Factory was on the fifth floor at 231 East 47th Street, in Midtown Manhattan. The rent was one hundred dollars per year.[1] Warhol left in 1967 when the building was scheduled to be torn down to make way for an apartment building. He then relocated his studio to the sixth floor of the Decker Building at 33 Union Square West near the corner of East 16th Street, where he was shot in 1968 by Valerie Solanas. The Factory was revamped and remained there until 1973. It moved to 860 Broadway at the north end of Union Square. Although this space was much larger, not much filmmaking took place there. In 1984 Warhol moved his remaining ventures, no longer including filming, to 22 East 33rd Street, a conventional office building)

In September 1962 Finkelstein was commissioned by Pageant magazine to do an article on the emerging Pop Art movement. The article was titled “What happens at a Happening?” it covered a Claes Oldenburg “happening” in Greenwich Village and was a break that would define his future. Two years later, while attending a party at the Factory, Finkelstein met Warhol, who had seen his photographs of Oldenburg’s “happening” in Pageant. Finkelstein offered his services as a photographer to the artist, and for the next three years he was a constant presence at the Factory. His iconic images of the include subjects such as the Velvet Underground performing live, Marcel Duchamp, Bob Dylan, Edie Sedgwick, Salvador Dalí, and Allen Ginsberg.

There are some nice Finkelstein and Warhol publications available at www.ftn-books.com

Posted on Leave a comment

Robert Crumb (1943)

Schermafbeelding 2017-02-16 om 11.47.04.png

Robert Crumb, one of the “founders” of the underground comic movement and very important for the evolution of comics. Totally independent , a very personal style and a free spirit in thoughts and subjects, he introduced , sex and drugs into comics.

Robert Crumb was born in Philadelphia in 1943. As a kid, he started drawing homemade comic books, together with his brother Charles, for the amusement of himself and his family. One of the characters he invented back then was Fred the Cat, named after the family’s pet. Eventually, Fred became Fritz the Cat, one of Crumb’s best-known characters.

Crumb left home in 1962, getting a job as a greeting card artist in Cleveland, Ohio. At the same time, he continued his comics, sending one to the public gallery section of Harvey Kurtzman’s Help! Magazine. Encouraged by Kurtzman, Crumb moved to New York to work for Help! Unfortunately, this magazine folded just after Crumb returned from an eight-month stay in Europe. Crumb stayed in New York for a while, making comics trading cards for Topps Gum, among other things, and then returned to Cleveland.

In January 1967, Crumb moved to California, where he did some comics for a magazine called Yarrowstalks. His work was so well received they asked him to do a whole comic book, and soon the first issue of Zap was ready. The publisher however disappeared with all of the original artwork. Crumb, who had not only saved xeroxes of his work, but was already halfway with the next issue of Zap, found Don Donahue and Charles Plymell willing to publish it. And so the material for the second Zap comic was published as Zap #1, after which the older material for the first issue was printed as Zap #0. All of these have become collector’s items.

Zap Comix 1 by R. Crumb

Zap Comix became a success, and soon other artists, like Rick Griffin, Victor Moscoso and S. Clay Wilson, started contributing their work. Interest in Crumb’s work resulted in ‘Head Comix’, a collection of his comics published by Viking Press, and a ‘Fritz the Cat’ book by Ballantine. Crumb also contributed to other publications from the underground movement, such as the East Village Other. When animator Ralph Bakshi turned to Crumb to make Fritz the Cat into an animated movie, Crumb eventually agreed, but soon became exhausted with the pressure and left it to his wife, Aline Kominsky, who signed the contract. Crumb hated the film so much that he killed off Fritz once and for all in a strip in The People’s Comics.

The end of Fritz the Cat

In the early 1990s, Robert Crumb and his family moved to France, where they still live today. The creator of unforgettable characters such as Mr. Natural, Mr. Snoid, Angelfood MacSpade and Devil Girl still has a tremendous production, which has been collected in many books. He has worked on a series of comic books with Charles Bukowski in the 1980’s, produced a book on Kafka with David Zaine Mairowitz and also illustrated several issues of Harvey Pekar’s ‘American Splendor’ series. Crumb’s daughter Sophie eventually also turned to comic art.

Crumb is also a talented musician. He plays banjo and mandolin, and has performed with R. Crumb & His Cheap Suit Serenaders and Eden and John’s East River String Band. He has also illustrated a great many album covers, including ‘Cheap Thrills’ by Big Brother and the Holding Company and the compilation album ‘The Music Never Stopped: Roots of the Grateful Dead’.

There are some very nice Crumb titles available at www.ftn-books.com including the rare Point d’Ironie title Flesh and Blood