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Ivan Puni / Jean Pougny (1892-1956)

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I had never known this before, but now that i searched for Ivan Puni i found out that Jean Pougny and Puni are one and the same person. I knew that he stayed for most of his life in France and was succesful in France  and that must have been the reason that Puni became Pougny. the catalogue i have in my inventory is one of the best ones Willem Sandberg designed in the Fifties . It is a typical Sandberg designed catalogue and one of the first with tipped in color plates.

Puni received his formal training in Paris in 1910-11 at the Académie Julien and other schools, where he painted in a derivative fauvistestyle. Upon his return to Russia in 1912, he met, and exhibited with, members of the St Petersburg avant-garde, including Kazimir Malevich and Vladimir Tatlin. He made a second trip to Paris in 1914, returning to St. Petersburg in 1915. At this point, he began painting in a Cubist style reminiscent of Juan Gris. In 1915, Puni, (Aleksandra Ekster, Liubov Popova, Ivan Kliun, Ksenia Boguslavskaya, Olga Rozanova, Nadezhda Udaltsova, Nina Genke and others) formed Supremus, a group of artists dedicated to the promulgation of Suprematism, the abstract art movement founded by Malevich. Malevich and Puni co-authored the Suprematist Manifesto, published in 1916, which proclaimed a new, abstract art for a new historical era. Puni also organized the exhibitions Tramway 5 and 0.10, both held in St Petersburg in 1915, in which Malevich, Tatlin, Popova and others participated, and to which Puni contributed constructions and paintings. In 1915-1916 Puni, together with other Suprematist artists, worked at Verbovka Village Folk Centre. In 1919, he taught at the Vitebsk Art School under Marc Chagall.

Puni and his wife, Kseniya Boguslavskaya, emigrated from Russia in 1919, first to Finland, then in 1920 to Berlin, where the first exhibition consisting entirely of his work was held at the Galerie der Sturm. While in Berlin, Puni also designed costumes and sets for theatrical productions. Puni and Boguslavskaya relocated to Paris in 1924, where his style changed once again to a variant of Impressionism. In France, he signed his work Jean Pougny in an effort to distance his new art practice from his previous one in Russia. In 1946, Puni/Pougny became a French citizen. He died in Paris in 1956.

www.ftn-books.com has Puni/Pougny titles available.

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El Lissitzky (1890-1941)

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Here is an artist who’s works were very well known from the very first beginning of his career. Suprematism being one of the key collection parts of the Stedelijk Museum, El Lissitzky soon became part of this great and important collection. Because of this large collection part, an interest in his works was aroused from the very first beginning resulting in some purchases by important collectors and acquiring works by museum for their collections. Among them; Stedelijk Museum, Haags Gemeentemuseum, Boymans van Beuningen and the van Abbemuseum.

There is so much to be told about El Lissitzky as an artist because he was a true multi talented artist. A Painter, sculptor , architect and designer all within the same person. One aspect of his career i would like to mention specially. His graphic design.

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El Lissitzky is the 9th person from the left

During his stay in Germany Lissitzky also developed his career as a graphic designer with some historically important works such as the books Dlia Golossa (For the Voice), a collection of poems from Vladimir Mayakovsky, and Die Kunstismen (The Artisms) together with Jean Arp. In Berlin he also met and befriended many other artists, most notably Kurt Schwitters, László Moholy-Nagy, and Theo van Doesburg. Together with Schwitters and van Doesburg, Lissitzky presented the idea of an international artistic movement under the guidelines of constructivism while also working with Kurt Schwitters on the issue Nasci (Nature) of the periodical Merz, and continuing to illustrate children’s books. The year after the publication of his first Proun series in Moscow in 1921, Schwitters introduced Lissitzky to the Hanover gallery kestnergesellschaft, where he held his first solo exhibition. The second Proun series, printed in Hanover in 1923, was a success, utilizing new printing techniquesLater on, he met Sophie Küppers, who was the widow of Paul Küppers, an art director of the kestnergesellschaft at which Lissitzky was showing, and whom he would marry in 1927.

There are some really nice El Lissitzky publications available at www.ftn-books.com.

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Imi Knoebel (1940)…a minimalist abstract painter

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Imi Knoebel is a minimal abstract painter, but certainly not a minimal painter, because his compositions and sculptures are far more exuberant and less structured than the ones from his minimal colleagues. The result is a “happy” kind of art in which there is place for abstraction and primary colors resulting in something pleasing for the eye. His art must in some way be influenced by the suprematistic ideas of Malevich.

Knoebel’s work explores the relationship between space, picture support and color. The style and formal concerns of his painting and sculpture have drawn comparisons with the ideas of Suprematism and the Bauhaus.

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Knoebel is now known all over the world , but not appreciated by many. It will take some time , but my prediction is that he will be as well known as Mondrian in the decades to come. A great artist , who makes great works of art. www.ftn-books.com has some publication on Knoebel in its inventory.