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Jean Gorin (1899-1981)

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It took me almost 20 years to first see an actual work by Jean Gorin. I knoe if his great catalogue which was designed by Wim Crouwel for the 1967 Gorin exhibition. But at that time i was far too young to appreciate art in general, but since i took an interest in art, i took an interest in constructivist art and certainly Gorin is one of the great artists when you look and take in consider the reliefs produced by the other artist from his generation.

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He was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs. His art developed along the same line as the art of Cesar Domela developed , resulting in complex reliefs that are now collected and appreciated worldwide. His appeal is still growing and personally i think his art is far better than the works Cesar Domela produced in the same period of his life.

I have to devote some special text on this publication, since the Crouwel designed catalogue is very special. It has the typical 60’s Crouwel dimensions, but what makes this one special is the embossed /relief printed cober, making this one, one of the very special Stedelijk Museum 60’s catalogues. Other titles are available too at www.ftn-books.com

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Cesar Domela (1900-1992) a member of de STIJL

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Cesar Domela an abstract constuctivist who has deservedly created himself among the best of DE STIJL artists. He was a friend of Piet Mondriaan and Theo van Doesburg, but after a few years of DE STIJL compositions he developed a stijl of his own. Wall reliefs were his specialty with curls and filled in colorful spaces these compositions became highly recognizable as Domela’s. During my time at the Gemeentemuseum i never witnessed the special Domela exhibitions , but know that the publications published with these exhibits are thought to be the best on Domela and his works. In meantime other publications have appeared, but these Gemeentemuseum publications still are the best.

www.ftn-books.com has a nice selection of Domela publications including a signed print in an edition of 150 cps.

Here is part of the biography the Gemeentemuseum publishes on its site:

www.gemeentemuseum.nl

When he died in 1992, Dutch artist César Domela left behind an oeuvre that was as substantial as it was varied. Part of it passed into the possession of his daughters, Lie Tugayé-Domela Nieuwenhuis and Anne Dutter-Domela Nieuwenhuis. They are now donating thirteen of the relevant works to the Gemeentemuseum Den Haag. The gift forms an important addition to the museum’s existing Domela collection, expanding it to provide a complete overview of the work of this multifaceted artist. From 24 November, the public will have its first chance to view this exceptionally important donation, which comprises paintings, reliefs and one sculpture, as part of a major retrospective devoted to Domela.

César Domela was born in 1900 as the youngest son of the well-known Dutch socialist politician Ferdinand Domela Nieuwenhuis. At an early age, he moved to Italy, where he rubbed shoulders with a number of avant-garde artists. Soon after that, he met Mondrian, Van Doesburg and other members of the De Stijl group, of which he himself became the youngest member in 1924. However, Domela’s artistic development took a different direction from that of most of his fellow-members. He devoted himself increasingly to the development of reliefs: three-dimensional paintings, in which he ascribed a major role to the diagonal. He also experimented with photomontages for use in the world of commercial advertising. His work was well received and in 1936 it was included in the Cubism and Abstract Art exhibition at the Museum of Modern Art in New York.

After the Second World War, the reliefs came to dominate his output. In 1960 the Gemeentemuseum Den Haag purchased work by him and held a retrospective. Twenty years later, this was followed a second major retrospective of his work. Today, the museum possesses an extensive collection, focusing until the present donation principally on the photomontages and advertising material. This special relationship between the Gemeentemuseum Den Haag and César Domela is one reason why his daughters have decided to donate thirteen of their father’s works to the institution; another is the fact that the works form an excellent complement to the museum’s wider holdings. The Gemeentemuseum Den Haag is extremely proud to have been offered this gift and delighted that the Domela collection, which is so valuable a part of its core holdings, will now provide a complete overview of the artist’s entire career. The gift coincides with the official opening at the Netherlands Institute for Art History (RKD) of the César Domela archive, bequeathed and donated to the Dutch State and given into the safekeeping of that institution.