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Gemeentemseum Den Haag..From Rodin to Bourgeois

It was an exhibition i was really looking forward to. I know the collection of sculptures the Gemeentemuseum Den Haag has very well and thought they would make a superb exhibition with them. Last weekend we visited the exhibition and….i must say i was disappointed. The statues and sculptures were grouped  and i could distinguish themes and periods within the groups, but what struck me most is that there were too many sculptures on too little space. For me sculptures must have space around them. That is the reason sculptures outside work so well. In the Gemeentemuseum there were too many on too little space and on top of it, the epic spider by Louise Bourgeois was not shown within the exhibition, but was squeezed into one of the smallest cabinets of the museum.

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This sculpture exhibition competes with too many other exhibitions at the same time and far too many objects within the exhibitions, made the museum visit one of the least attractive ones of the last years.

I love the museum, but this collection deserves far better than the way it now is exposed to the public. Far too many objects. No space between them….no air to breathe at all . The SCHATKAMER in which the STIJL period is exhibited on the ground floor is one of the worst museum spaces i know of in the Netherlands and now that the inner garden is (unfortunately) covered( see photos), because they wanted a space to drink coffee ( beside the restaurant), read some magazines and sell some books( beside the museumstore), the beautiful Bourgeois sculpture is now squeezed into a cabinet and is no longer a part of the sculpture exhibition FROM RODIN TO BOURGEOIS, because it is placed out of the exhibition on the other side of the building. So please free the inner garden space from everything in it and make this an exhibition space and put the Bourgeois, Nauman, Carl Andre in it or better…. use it for the Sol LeWitt,Serieel project nr. 1: Groep B (1966-1970). These sculptures really deserve some space and a better exposure. That would be a real “tribute to Sol LeWitt”. Go and see what space can do for a beautiful sculpture. Visit the Serra in the Guggenheim in Bilbao or the Giacometti in the Beyeler and see how it must be done to present them in the best way possible. Space and air is what these great sculptures need.

A last remark, the Museum shop is turning into a souvenir shop. If that is what they feel the museum needs, the museum certainly must follow that path, but i feel strongly that it is nice to learn something about the great art which is shown in  a museum and for that you need other products than scarves, cups, pencils and the occasional postcard. For books on the Gemeentemuseum and its collection and exhibitions there is still another place to visit ….please visit www.ftn-books.com and find here the publications this great museum has published over the last 60 years.

One positive thing about the current exhibitions. The Tomas Rajlich exhibition is exquisite ( blog next week) and the Ravesteyn room with the Givenchy dresses and the Audrey Hepburn filmclips in the background is great.

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the PIET DIRKX DAILY wishes you a Merry Christmas

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Alexander Calder (1898-1976)

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Born in the 19th century . Calder has become for me one of the pioneers in Modern Art. The public knows Calder by name for his mobiles, but for me Calder is the first artist who explored the extreme sizes in sculpture. Later, this was followed by Serra, but Calder must have been one of the very first to make sculptures bigger than a building. A few of these can be found in STORM KING, but these are not the only ones. These very large sculptures are scattered all over the world.

From Denmark to Brazil, the Calder statues are the highlights among other statues in sculpture parks all over the world. It is a pity there is only one large sized Calder in dutch collections. It is the “anteater” from the collection of the Rijksmuseum.

So do not miss them when you are abroad or there is a special exhibition on Calder because they are among the very best in Modern sculpture. I am fortunate to have some great classic Calder publications within the inventory of www.ftn-books.com

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Barcelona and Antonio Gaudi

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In the next 2 weeks many people will visit the city of Barcelona. 2 instant tips…first if you like cigars, go to Gimeno on the Ramblas, secondly beware of pickpockets. They operate in groups in the crowded streets like the Ramblas but also in the Subway. They group around you, press against your body without no reason and somebody within the group of pickpockets, steals your wallet. But that said, this blog is not about the negatives of Barcelona, but the great places you can visit. 2 absolute musts are the Fundacio Antoni Tapies and the Fundacio Joan Miro. These are two of the smaller sized museum in Barcelona. Both you can visit within a visit  of 1,5 hours and then you have seen the best Museums in Barcelona ( my opinion) and most importantly on the same location you can see the magnificent Mies van der Rohe Barcelona Pavilion.

But Barcelona is much much more and one of the highlights you will encounter every time you turn a corner in the city center is the great architecture. Of course there is Gaudi , but also Jujol. Musts are the casa Mila,the Park Güell and the ver going on project of the Sagrada Familia and by Jujol there is his famous Centre Jujol Can Negere.

If you want to prepare your visit there are some nice publications at www.ftn-books.com

 

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Jan Hoet (1936-2014) and Chambres d’Amis.

(drawing by Marlene Dumas )

It has been already almost 3 years that Jan Hoet died, but since his death no one has taken his place. He was truly innovative with his exhibitions and next to Rudi Fuchs , they probably were the best from their generation of curators of Contemporary Art.

His international reputation was first established by “Chambres d’Amis,” an innovative exhibition he organized in Ghent in 1986. In that show, about 50 American and European artists were invited to create works for 50 private homes in Ghent, which were then opened to the public for several weeks. Followed a few years later by Open Mind and his Documenta IX in which he performed as a boxer established his name as one of the very best in his field. His last great project was over the edges. 4 giant exhibitions spread over 2 decades made him one of the absolute best.

The Museum in Gent , his long lasting love SMAK, which he served as a curator and director from 1975 until 2003 was his laboratory for the greater projects he organized outside this Museum rooms. www.ftn-books.com is fortunate to have some very nice titles of his exhibitions. including the Chambres d’Amis which is getting scarce these days.

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