1986….Keith Haring had his retropective at the Stedelijk Museum and made the VELUM for the entrance at that time. Since, there has been a friendship between Wim Beeren and Keith Haring. The 1990 Bulletin published by the STEDELIJK MUSEUM, had a small contribution on the memorial held at the MAZZO discotheque in Amsterdam. With the article a note written by Keith Haring addressed to Wim (beeren) was published for the first time. Here is the letter.
Johannes Itten. Not many know him, but through the years he has been acknowledged as being one of the teachers who developed the most important “color theory” in art.
Johannes Itten (11 November 1888 – 25 March 1967) was a Swiss expressionist painter, designer, teacher, writer and theorist associated with the Bauhaus (Staatliches Bauhaus) school. Together with German-American painter Lyonel Feininger and German sculptor Gerhard Marcks, under the direction of German architect Walter Gropius, Itten was part of the core of the Weimar Bauhaus.
But for me there is more about Itten. In 1957 the Stedelijk Museum devoted an exhibition to Itten. The catalogue of the exhibition was designed by Willem Sandberg , who made it one of the most iconic Stedelijk Museum catalogues from the 50’s. This catalogue is still available at www.ftn-books.com. But there si more on Itten and the Stedelijk Museum to be told, because Itten also designed one of the velums ( ceiling coverings) for the Stedelijk. It is rarely on show, but there is a nice publication on the project also available at www.ftn-books.com
I knew that i was right when i noticed about a year ago that it was a real pitty that the Velum by Keith Haring was removed by the Stedelijk Museum, but now i got notified that it is back. From this day you can marvel at this extremely large Keith Haring and wonder why it has been away such a long time. The velum by Keith Haring…… it is back !
Keith Haring had one of his first European exhibitions within the Stedelijk Museum and for this occasion he made a very large ceiling piece/ the VELUM ( 1986), which was there during the exhibitions and for some time after, but….. since the exhibition i have never seen it again! Of course it is possible i have missed it, because i dit not visit the Stedelijk Museum each day i went to Amsterdam, but it is strange that in 30 years i never have seen it again. It was an extremely large piece by Haring and should be one of the key objects within any collection, because it represents everything the art of Keith Haring has become famous for. I checked the site of the Stedelijk Museum , but could not find it in the collection. Any readers who can help?
The site Widewalls has an excellent description why Keith Haring is important and was one of the key figures in the Grafiti art movement.
The 1990s were a time of change for many social and cultural aspects on a global scale. Art particularly saw many artists bring tremendous change in this period, and Keith Haring was one of them. Drawing and painting murals in public locations, Haring was often philosophical about his approach to creating artwork, and was amazed and inspired by the interaction and feedback he would get from people around him. Although he was young, he had developed a very specific concept of what art should represent, and the ideology carried over through his work would leave an everlasting effect on the street culture in New York City, as well as art as a whole. Along with Jean-Michel Basquiat, Kenny Scharf, Futura 2000 and Richard Hambleton, among others, he was part of the young, up-and-coming group of the American artists who challenged art’s old perceptions.
Fortunately the publications on Haring at www.ftn-books.com did not disappear ( but they can get sold out).
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20