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Cary Markerink ( 1951)

Spent the initial dozen years of life traversing Indonesia, the Netherlands, and Germany before eventually settling in the Netherlands.

Nurtured a passion for painting, writing, film, and photography since an early age.

Enrolled in art school in the late 1970s with the intention of pursuing a career as a painter, but ultimately discovered a love for photography and changed course.

Initially gained recognition for the project Stadsstillevens (City-stills), which showcased candid street scenes of Amsterdam in a realistic style, defying the prevalent trend of social photography at the time in the Netherlands.

Co-founded Fragment Publishers with a group of friends, with the aim of reviving the dying tradition of high-quality photo-books in the Netherlands. Notable publications include works by Ed van der Elsken, Cas Oorthuys, Johan van der Keuken, Hans Aarsman, Henze Boekhout, Willem Diepraam, and Wout Berger, carefully collaborating with top-notch designers, writers, and printing companies of the era.

Frequently journeyed to the Caribbean between the years of 1976 and 1981, getting involved in the struggle for land rights of the native Arawak and Carib peoples of Surinam.

Studied at St. Joost Academy in Breda and at Rietveld Academy in Amsterdam. As a photojournalist, he works for a large number of daily and weekly newspapers, creating various reports in Suriname.

For architects Lucien Lafour and Theo Bosch, he photographs various projects. He is the founder of publishing company Fragment and was an editor for the photography magazine ‘Plaatwerk’.

As an architectural photographer, Markerink is disappointed by the lack of interest in a building in action. Every moment of the day (cold or warm, day or night, rain or sun) shows a different use of architecture, also demonstrating whether the architect has thought about these things carefully.

In 1997, the Rijksmuseum acquired extra photos from Cary Markerink and Theo Baart from the series ‘The Highway’, a look at asphalted Netherlands.

www.ftn-books.com has the Slewe publication which was designed by Irma Boom now available.

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Martin Gerwers (1963)

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I know the works by Martin Gerwers for some 10 years now. The first time i encountered them was at an exhibition at galerie de Rijk and since i have been following with great interest this German artist. His abstraction leans towards the de Stijl movement , but is so much more fragile and delicate. Thin lines and much “space” make his paintings more like minimal art paintings than DE STIJL. One thing they have in common. It is use of bright colors  for the compositions. Gerwers his works are now financially out of reach for me , but i still admire his works and hopefully one day i encounter a nice small painting at auction. If the price is right i do not hesitate and buy it for my personal collection.

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Martin Gerwers, emerged with monumental geometric abstract paintings. He has recently extended his dicipline with 3-dimensional painted objects. Made out of triangular forms from wood they take the shape of dynamic pyramids, which define the surrounding space. His work is in the tradition of Mondrian and the American colourfield painting. Gerwers’ paintings and objects evoke space through big contrasts in light and dark, thin lines and broad planes of color and subtle differences in tone.

Martin Gerwers is born in 1963 in Velen (DE). He lives and works in Düsseldorf. After the Kunstakademie Düsseldorf, where he studied with Jan Dibbets, he exhibited regularly at Konrad Fischer Galerie in Düsseldorf and Galerie Tschudi in Glarus in Switserland. Since 1999 he has been exhibiting at Slewe Gallery. His work has been collected by several private and public institutions such as the Stedelijk Museum Amsterdam.

gerwers

 

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Joris Geurts (1958)

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Just a little younger than myself, but this is an artist who grows on you. I had the opportunity to follow his works for a long time now. In the early stages of his career at gallery Art & Project and later on at Slewe gallery ( from 1995).

In the beginning his compositions did not attract me at all, but from the mid Nineties on his works develop into something very special. He creates with his composition a universe and builds it with lines, squares, oval shapes and circles making them highly recognizable and personal paintings.

Slewe gallery represents Joris Geurts now for over 2 decades and in this time they commissioned Irma Boom to make a Geurts catalogue which has become one of my favorite Irma Boom catalogues of all time.

The catalogue is a typical Boom designed book , but it is not the catalogue which draws your attention, but the paintings depicted within. This period was a highly productive period for Joris Geurts and FTN-art is lucky to have acquired 2 paintings by Geurts from these important years ( POA). The Irma Boom designed catalogue is available at www.ftn-books.com

 

Here is the text from  the Slewe gallery pages

Joris Geurts, born in 1958 in Oss (NL), makes abstract paintings, drawings and prints.They are assiociatively built up, but transparantly layered and traceble. Small squares and dots float on deep blues and greens, giving associations with the kosmos or landscape.

After his study at the AKI in Enschede, Geurts started his career at Art & Project Gallery in Amsterdam in the early eighties. Since 1995 he showed regularly at Slewe Gallery. In 2001 he had a show at Noordbrabants Museum in ’s-Hertogenbosch, on which occasion a catalog had been published Purple Blue and Lemon Yellow, giving an overview of his work, with texts by Bert Jansen and Henk van Woerden. In addition to his painting practice he also works as a composer of music. His works have been collected by several important public collections, such as the Stedelijk Museum Amsterdam, Museum Boijmans van Beuningen, Rotterdam, Rijksmuseum Twenthe, Enschede and the corporate art collections of the AKZO Nobel, ABN AMRO, KPN, Bouwfonds and AEGON.

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Gunter Tuzina…. 3 works for sale

I already showed in an earlier blog the 2 Tuzina works i have for sale, but now can add another work. This was made some years later (2002) as the 2 previous ones.

Measures 29 x 17 cm. / Mint condition .For the price please mail me.