Cindy Sherman (1954). . the perfect selfie

 

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It wasn’t to difficult to find a good portrait of Cindy Sherman on Google, because every picture by Cindy Sherman features …Cindy Sherman. So before the craze of the selfie photography , Sherman already made “perfect” selfies, every time staged in a different setting.

She has become world famous with these photographs and had in the Netherlands on several occasions exhibitions, including the retrospective in the Boymans van Beuningen, which catalogue is available at www.ftn-books.com

One exception is that at one time in her career she wasn’t present in het photographs. In 1992 Sherman embarked on a series of photographs now referred to as “Sex Pictures.” For the first time, Sherman is entirely absent from these photographs. Instead, she again uses dolls and prosthetic body parts, this time posed in highly sexual poses. Prosthetic genitalia – both male and female – are used often and photographed in extreme close-up. Photographed exclusively in color, these photographs are meant to shock. Sherman continued to work on these photographs for some time and continued to experiment with the use of dolls and other replacements for what had previously been herself.

 

When i looked closely at these photographs i found a great resemblance with the POUPEE photographs by Hans Bellmer. I might be wrong, but because of this resemblance i find this series much less interesting than the photographs with Sherman in them.

 

 

John Baldessari sings LeWitt

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John Baldessari is a conceptual artist. Personally i am not the greatest fan of his work, but because of his approach to the the work of Sol LeWitt i have this one publication that is very special and of course typical Baldessari and available at www.ftn-books.com

baldessari lewitt

Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He has created thousands of works that demonstrate—and, in many cases, combine—the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe. His work influenced Cindy Sherman, David Salle, Annette Lemieux, and Barbara Kruger among others.