Posted on Leave a comment

Pierre Bonnard (1867-1947)

Schermafbeelding 2019-02-08 om 14.50.39

A wish of mine was for a very long time to add a Bonnard painting to my collection, Knowing at the same time that it is an unrealistic and certainly impossible wish. I have been looking for Bonnard paintings in all major museums. found them and they always impress. They have some realistic elements, a lot of abstraction and truly magnific atmosphere. Bonnard catches the light as no other painter does. A brushstroke and technique which resembles the pointillist technique of painting and with this technique he created a style of his own. the result highly recognizable paintings which always fascinate.

Schermafbeelding 2019-02-08 om 14.40.43

Schermafbeelding 2019-02-08 om 14.41.21

Schermafbeelding 2019-02-08 om 14.41.35

It took a very long time before finally his works were considered to be the very best from the century. There were two exhibitions in the late Nineties which contributed to this recognition ( Tate and Moma)

Wikipedia describes why his paintings are one of a kind:

Bonnard is known for his intense use of color, especially via areas built with small brush marks and close values. His often complex compositions—typically of sunlit interiors and gardens populated with friends and family members—are both narrative and autobiographical. Bonnard’s fondness for depicting intimate scenes of everyday life, has led to him being called an “Intimist“; his wife Marthe was an ever-present subject over the course of several decades She is seen seated at the kitchen table, with the remnants of a meal; or nude, as in a series of paintings where she reclines in the bathtub. He also painted several self-portraitslandscapes, street scenes, and many still lifes, which usually depicted flowers and fruit.

Bonnard did not paint from life but rather drew his subject—sometimes photographing it as well—and made notes on the colors. He then painted the canvas in his studio from his notes. “I have all my subjects to hand,” he said, “I go back and look at them. I take notes. Then I go home. And before I start painting I reflect, I dream.”

He worked on numerous canvases simultaneously, which he tacked onto the walls of his small studio. In this way he could more freely determine the shape of a painting; “It would bother me if my canvases were stretched onto a frame. I never know in advance what dimensions I am going to choose

www. ftn-books.com has some nice Bonnard titles available