I love color field painting and what i think interesting about the works by Kenneth Noland is that he applied the color theories of Josef Albers to his own art.
Noland developed a signature style based on simplified abstract forms, including targets, chevrons, and stripes. Noland’s paintings are characterized by strikingly minimalist compositions of shape and color. In this regard, Noland’s art has influenced a wide range of contemporary abstractionists who continue to experiment with highly simplified forms and pure saturated color. The beginning of Minimalism is not far away in these works.
Noland applied Josef Albers’s theory of “the interaction of colors” to his own compositions, which explore the relationships between contrasting or complementary colors; painted in thin yet opaque layers, each tone reveals its particular characteristic weight, density, and transparency.
In the late 1960s, Noland’s approach to Color Field Painting grew even more reductive, but no less bold. Having run through multiple permutations of both the target and chevron format for the time being, Noland switched to using rectangular canvases and horizontal lines in a new series he called Stripes (1967-70). In his Targets and Chevrons, the artist tended to juxtapose color bands of equal width and to impose some form of axial symmetry on the canvas, leaving portions of unprimed canvas blank in contrast to the color. None of these features occur in Noland’s Stripes. Instead, Noland began playing with scale, color, and form on new levels. He reduced his compositions to a basic formula: parallel horizontal lines of varying widths and colors, running along the entire width of the canvas.
An interesting artist of whom not many publications are available in Europe, still there are some available at www.ftn-books.com