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Jean-Michel Basquiat at the Beyeler (2010)

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This is the exhibituion i remember most of all the exhibitions we visited during the last decade. It was a “one of a kind” event, which will never be repeated at such a scale. The exhibition covered over 100 Basquiat paintings and certainly not the smallest of them all. The entire FONDATION BEYELER  ( except the Giacometti/Monet room) was devoted to one of the greatest of all painters from the 20th Century. At the time i had the foresight to take some extra Beyeler publicity folders with me and now i have decided to sell 3 of those to collectors. For this original publicity folder please take a look at www.ftn-books.com

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Piet Dirkx daily …665

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Piet Dirkx cigarbox 665

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Piet Dirkx daily …515

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Piet Dirkx cigarbox 515

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Raoul Hausmann (1886-1971)… DaDa and photomontages

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For me Hausmann stands for Dada and photomontages. He , together with Hannah Hoch ( his longtime lover) developed a style of photomontages typical for Dada. Combining classical elements together with industrial elements set on o a colorful background these photomontages are among the very best from that period.

The photomontage became the technique most associated with Berlin Dada, used extensively by Hausmann, Höch, Heartfield, Baader and Grosz, and would prove a crucial influence on Kurt Schwitters, El Lissitsky and Russian Constructivism. It should also be pointed out that Grosz, Heartfield and Baader all laid claim to having invented the technique in later memoirs, although no works have surfaced to justify these claims.

At the same time, Hausmann started to experiment with sound poems he called “phonemes”] and “poster poems”, originally created by the chance lining up of letters by a printer without Hausmann’s direct intervention. Later poems used words which were reversed, chopped up and strung out, then either typed out using a full range of typographical strategies, or performed with boisterous exuberance. Schwitters’ Ursonate was directly influenced by a performance of one of Hausmann’s poems, “fmsbwtazdu”, at an event in Prague in 1921.

Raoul Hausmann and Dada publications are both available at www.ftn-books.com

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Lotti van der Gaag ( 1923-1999)…the forgotten Cobra artist

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A 100% percent Cobra artist who has almost been forgotten by the public is Lotti van der Gaag. She began with sculpture on advise of Bram Bogart with who she was living in the late 40’s. In 1950 she moved to Paris where she met Karel Appel and Corneille with whom she stayed befriended during her entire life although Corneille had his objections of her joining the COBRA group. In 1974 she started with painting using the same fantasy figures she already had developed in her sculpture. When you look at these early paintings you can only draw one conclusion….Lotti van der Gaag is a Cobra artist!

What i did not know is that she was married to Kees van Bohemen , who has made a name for his  abstract expressionist paintings in dutch art. www.ftn-books has a few Lotti van der Gaag publications.

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Piet Dirkx daily …355

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