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One week ….Lefebre gallery … day 4

Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1

lefebre 5

from top to bottom /left to right:

Klaus Fussmann, 1976

Start , 1965

Hans Hartung, 1971

Salute to Hans Hartung, 1975

Serge Poliakoff, 1981

Jan Voss, 1970

Yuri Kuper, 1981

Tom Phillips, 1978

Klaus Fussmann, 1983

The series i have available at contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to and i will quote you your best preview price.

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A great Museum Alphabet book / 1995


museum alphabet.jpgIn the very long period that i am now active  as a bookseller and collector i have seen many Alphabet books published and sold by the most famous of museums. Arguably one of the best, and certainly a personal best was the one designed by Gracia Lebbink. ( i only have a personal copy in my collection) but recently i bought another MUSEUM ALPHABET book which is nice and adventurous. It is the book published by the Museum of Fine Arts in Boston. The museum published a 30 page hard paged book with details of some of the highlights within the collection, making the very youthful in a playful way familiar with the Museums collection. The book was designed and “written” by Gisela Voss and published in 1995 and is well worth collecting.  There is nothing to be found on the internet on the author, but this book is one of a series of other books she made for the Boston Museum .This book is now available at

museum alphabet b

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Jan Voss (1936)… more complex over the years

Schermafbeelding 2017-09-01 om 11.38.35

I have seen developing Jan Voss’s work over almost 4 decades now and with each new decade and exhibition, it looks to me that his works are getting more complex. The fundaments of his art are the same , but he squeezes more elements in the same drawing/painting. Brightly colored these are a joy for me to look at, but unfortunately for Voss, his work was only noticed by some curators in Belgium, France , the Netherlands and Germany and outside these countries his work is hardly known. It is in these countries his admirers can be found. For decades, Jan Voss has experimented with various different techniques, materials and groups of works. The underlying theme in his work is creating order in the midst of a perpetually moving chaos of complex situations – chaos and order, construction and decay of uncertain situations, similar to the conditions that exist in everyday life. Today, this state is bombarded by a number of signs and meanings which also play a major role in Jan Voss’s art.

There is one publication i would like to mention and which is of course available at It is the catalogue Jan Voss made for the Haags Gemeentemuseum, NADRUK. The exhibition was curated by Gerrit Jan de Rook and the book that was published with this exhibition was a true artist book of which the original edition was only 1000 copies, but i know for a fact that over 600 copies were destroyed, because they could not be sold. The remaining part was sold over the years at Sales and other special occasions. This artist book from 1984 is completely designed and filled by Jan Voss. A book in which he gives his Voss interpretation of the collection of the Gemeentemuseum. For those of you that have an interest in Voss, now is the time to pick up his works and books , still affordable and a great investment for the future.