Jan Leering, director at that the time of this exhibition , had an admiration for Ad Reinhardt and presented and purchased for the collection of the van Abbemuseum some important works by Reinhardt. The result of this admiration was a very important exhibition in 1972/1973 with the works by Reinhardt and an exhibition catalogue designed by Jan van Toorn. This catalogue is now available at http://www.ftn-books.com and it is one hard to find . Condition is still good+ of this important catalogue and it shows perfectly why Reinhardt is considered as one of the greatest painters from the US. Impressive , timeless paintings by a gifted artist. A nice extra is that the catalogue comes with hand out “invitation”
If it had not been for the exhibition “SPIRITUAL IN ART ” in the Haags Gemeentemuseum, i probably would not have known Ad Reinhardt. Of course now i know him because of the Bottrop / Quadrat exhibition which was very impressive, but for most people in Europe Ad Reinhardt is far less familiar. His works are spread all over the world and can be admired in public Museums. The Stedelijk Museum only has a handful of prints which makes his works hard to find in the Netherlands. Still whenever one encounters a Reinhardt painting it always impresses me . Perhaps that is the reason why i bought some 9 years ago a beautiful Geert van Fastenhout, which is far more affordable than the steep prices Reinhardt fetch at auction nowadays , also a painting with the symbolic cross. An item which is frequently used by Reinhardt too.
left Reinhardt/ right van Fastenhout
In execution and intensity both painters are equal to each other. The difference…..van Fastenhout is known in France, Japan and the Netherlands, whereas Reinhardt is now known all over the world. www.ftn-books.com has recently added a beautiful German catalogue by the Kunsthalle Dusseldorf from 1972 , which includes an impressive original silkscreen with the depicting of the black/grey crosses.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20