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Berend Strik (1960)

Berend Strik creates images with embroidery. Using thread and needle his images get an extra dimension, The result a strange picture of a realistic composition enhanced by an almost abstract image created with thread. Original , very personal and sometimes very explicit images occur. loo at the series CANDLE 1. 2 and 3 . And from a distance you see abstract elements but look closer you will see 3 explicit scenes. Strik is a highly original artist and i still feel regret of not having bought a nice embroidered “painting” when i had the chance a few years ago, but who knows what the future will bring.

Here follows the text from the Berend Strik site in which Rem Koolhaas commented on the works by Strik:

I don’t know quite why, but in this society at this point in time we are being urged to curb our enthusiasm. Enthusiasm creates vulnerability, it’s not cool and often seems rather ridiculous. Enthusiasm is a risk; you can get it completely wrong. But this afternoon I want to openly proclaim my enthusiasm for this new work by Berend Strik. I am fascinated by this work.
I won’t try to convince you; I just want to share with you why I am so enthusiastic. The painting is based on Strik’s photo of the floor in Jackson Pollock’s studio – part of a series of ‘artist’s studios’, all based in principle on an invasion of privacy. The floor is covered in smudge splashes. You can spot the outline of the canvases that once lay on the floor. Strik surreptitiously inserts his own work in that relatively clean, empty space. In this way, Strik introduces a new genre: the involuntary collaboration. It is a stroke of strategic genius, disguised as homage. Inserting yourself in a history that seemed to be closed…
Pollock was a real man in the days when white men were still popular. A carefully staged action painter. An artbeast.
His work appears macho but you can also see it as meticulous doodles, a tissue of threads made of ink and paint. Pollock’s surface is harmonious rather than wild – Berend isn’t wild either – so why does his combination have this strong conviction? Perhaps it is the planks that give this work its unique impact. Neither Pollock nor Strik – both really embroiderers – want to give their work visible structure but here the subdivision created by the planks has raised both to a more powerful level, given them more authority. It is time to take a fresh look at Berend Strik’s work – and eenwerk is a unique space – really a machine – that can function as a magnifying glass. See here the new Strik – a new force with new depths.
I hope you see what I see – in this unique one-off setup – and that your observation will have consequences for Strik’s future.

www.ftn-books.com has several titles on Strik of which the BODY ELECTRIC title is the most important one with an original embroidered cover

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Stedelijk Museum…Beatrix Ruf final vision on the collection designed by Rem Koolhaas.

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Just reread my blog on Ruf and had to change it a little bit because last week it was announced that Beatrix Ruf resigned as director of the Stedelijk Museum

A few weeks ago the Stedelijk Museum Amsterdam announced the completion of its entrance area together with the final adjustment in its presentation of its collection.

The new plan reflects Beatrix Ruf’s vision for the Stedelijk: clearer layout of the building, more works from the collection on view, more stories and topical perspectives, new entrance area to open 22 September.

Stedelijk Base, the new collection presentation of the Stedelijk Museum Amsterdam, opens on Saturday 16 December. It is one of the largest installation of the Stedelijk collections in its history, and will remain on view for at least five years. The presentation of the art works is organized in a circuit designed by OMA, the architecture practice founded by Rem Koolhaas. Stedelijk Base will present art and design from the late 19th century up to the present day. The display is a great way for people who are new to art to discover how modern art and design evolved, and allows seasoned art-lovers to experience the Stedelijk’s world-famous icons in a new context.

Stedelijk Base is the final element to manifest the vision of director Beatrix Ruf for the Stedelijk, in which the building is divided into three zones:

  • Stedelijk Base: the entire new building will be devoted to a display comprising the 750-plus works in the Stedelijk holdings, grouped around iconic pieces in the collection, and featuring a mix of disciplines.
  • Stedelijk Turns: the collection in topical and thematic presentations on the ground floor
  • Stedelijk Now: the temporary exhibitions on the first floor.

www.ftn-books.com has some nice titles available on Rem Koolhaas.

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