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Claude Monet and Keith Haring

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Worlds apart in their art but with one common factor in their lives. Because of the blog on Liebermann, i Realized that there were many famous artist who visited at one time in their life the Netherlands and worked together with dutch artists or were in residence to refresh their point of views and make some impressive works of art. So did Claude Monet who visited more than once de Zaanse Schans to make some impressive and beautiful impressionist paintings

and one century later there was Keith Haring who stayed a month in Amsterdam and during that time he made the “velum” in the Stedelijk Museum.

There are more examples to be found but these two sprung to my mind when i thought about the frequent times Liebermann spent his summer holiday in the Netherlands.

On both artists there are some nice publications to be found at www.ftn-books.com

 

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Teodoro Wolf Ferrari (1878-1945)

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It is hard to find work by Teodoro Wolf Ferrari, but here and there in Italy there is a chance you wil encounter his works in local Museums. Are his paintings known outside Italy….NO!

TWF always stayed a typical Italian painter who’s works were very rarely exported outside Italy, but very slowly his works becomes known outside Italy too. His works always remind me a little of Hodler and Klimt, but maybe this is because they were produced in the same time bracket as the ones by these 2 artists.

on the left Ferrari and on the right Klimt.

 

You even can distinguish an influence of Scandinavia paintings, but i doubt that he ever visited Scandinavia. It is rare to find publications on Ferrari, but ftn-books has one available at www.ftn-books.com

wolf ferrari a

 

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Atta Kim (1956)

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I am fascinated by the art of young Korean artists and this resulted a few years ago in a purchase of a large painting by Jungwook Kim which is still hanging left from my desk and is a constant pleasure to look at and admire. Another Korean artist is Atta Kim. A Korean photographer who’s photographs are almost in every case presented as a project.

THe only book i have by Atta Kim is ON AIR but this publication has every quality to become a classic in the world of photography books. His works have a dreamlike quality and fit perfectly in the art which come from South Korea these days. On “you tube” there is a short film on this book and you can have a very n ice impression of a Atta Kim publication when you watch this 3 minute video.

The ON AIR book is available www.ftn-books.com

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Assouline is a very special publisher

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In 1994, Prosper and Martine Assouline published their first book, La Colombe d’Or, on the history of their favorite hotel in the South of France, with photographs by Prosper and text by Martine. The publishing house began as a family company in the basement of the couple’s apartment in Paris and one year later, the firm opened its first office on rue Danielle Casanova in Paris. The company later opened more offices, first in New York, and then in Venice, Geneva, Istanbul, and London. The company’s first book series was the Memoire collection of books focusing on individuals and companies in fashion, jewelry, design, and art. Initial publications included books about AzzedineAlaïa, Chanel, Vionnet, and Dior. As of 1997, about half a million editions from the Memoire collection had been sold, with 27 titles on Paris in addition to others.

Assouline has partnered with fashion companies, including Poiret, Chanel, Pucci, Dior, Goyard, Coach, Andrée Putman, and Valentino to create special editions and trunks.Assouline titles have been published in multiple different languages. In 2001, Assouline published Lee Radziwill’s memoir, Happy Times, the first book of the Icons collection, which focuses on travel and style. Assouline also produces the “Impossible Collection” of books and the “Ultimate Collection”, a series of limited-edition hand-bound oversize volumes with hand-tipped illustrations.

In 2002 Assouline published the book Bright Young Things by Brooke de Ocampo.[17] Then in 2007, the company owners relocated to New York City, and that same year they began to partner with the Council of Fashion Designers of America. In 2011 Prosper Assouline was awarded the Chevalier des Arts et des Lettres from the French Ministry of Culture for his work in publishing. In 2012, Assouline produced a waterproof book on the subject of the South Pole, as well as Gaia, a book of photos taken on the International Space Station by Guy Laliberté.

In 2015, Assouline launched a “Haute Couture” furnishings collection called “Assouline Interiors”. Assouline also produces accessories, bookbags, and bindery. They have also designed private libraries and lounges in New York City in buildings including 432 Park, The Caledonia, and The Shephard. In 2016, the French Institute Alliance Française awarded the Assoulines with the Art de Vivre award for their publications.

(this is the full text as found on Wikipedia)

www.ftn-books.com has some nice Assouline publications available

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Kenneth Noland (1924-2010)

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I love color field painting and what i think interesting about the works by Kenneth Noland is that he applied the color theories of Josef Albers to his own art.

Noland developed a signature style based on simplified abstract forms, including targets, chevrons, and stripes. Noland’s paintings are characterized by strikingly minimalist compositions of shape and color. In this regard, Noland’s art has influenced a wide range of contemporary abstractionists who continue to experiment with highly simplified forms and pure saturated color. The beginning of Minimalism is not far away in these works.

Noland applied Josef Albers’s theory of “the interaction of colors” to his own compositions, which explore the relationships between contrasting or complementary colors; painted in thin yet opaque layers, each tone reveals its particular characteristic weight, density, and transparency.

In the late 1960s, Noland’s approach to Color Field Painting grew even more reductive, but no less bold. Having run through multiple permutations of both the target and chevron format for the time being, Noland switched to using rectangular canvases and horizontal lines in a new series he called Stripes (1967-70). In his Targets and Chevrons, the artist tended to juxtapose color bands of equal width and to impose some form of axial symmetry on the canvas, leaving portions of unprimed canvas blank in contrast to the color. None of these features occur in Noland’s Stripes. Instead, Noland began playing with scale, color, and form on new levels. He reduced his compositions to a basic formula: parallel horizontal lines of varying widths and colors, running along the entire width of the canvas.

An interesting artist of whom not many publications are available in Europe, still there are some available at www.ftn-books.com