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Piet Dirkx daily …205

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Gerard Garouste (1946)

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Gerard Garouste came to fame in the early 80’s and his since had worldwide exhibition. Painting and theater decorations made him famous outside France.

In 1980, he had his first art show at the Durand-Dessert gallery, showing figurative, mythological, and allegorical paintings. This show brought him national recognition, and then, international. His first international show took place in New York City in 1982 at the Holly Solomon Gallery. Others followed, such as those at the Leo Castelli Gallery in New York and in Sperone, Italy. He was the only French artist to be invited to the Zeitgeist at Berlin. Institutional recognition came in 1987, at the CAPC of Bordeaux (Centre d’arts plastiques contemporains de Bordeaux), where he presented a combination of oils on canvas and acrylics on homespun, and then at the Fondation Cartier.

Garouste has executed works and decorations for various endeavors: paintings for the Élysée Palace, sculptures for Évry Cathedral, the ceiling of the theater at Namur, and for the church of Notre-Dame de Talant, stained glass. In 1989, he did the curtain for the Théâtre du Châtelet.

An important step for Garouste was the founding in 1991 of the association The Source, which sets itself the task of helping culturally underprivileged young people to achieve personal development through artistic expression.

He received an order in 1996 for a monumental work for the National Library of France mixing painting and wrought iron. Sculpture and engraving were attracting him more and more, as well as illustration for all sorts of writings, from Don Quixote to the Haggadah.

In 2001, he presented at the Fondation Cartier Ellipse, an arrangement of canvasses mounted on a construction of his own design.

Since 2001, he has been represented by the Daniel Templon Gallery.

The site of www.ftn-books.com has only one title on Garouste, but it is an important one and this only publication does not mean that Garouste is not important…No , Garouste is one of the most important living french contemporary artist of our days.

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Piet Dirkx daily …204

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Peter Halley (1953) and THE HORN OF PLENTY

 

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1989.. Wim Beeren curated one of the iconic Stedelijk Museum from the 80’s….The Horn of Plenty.

 

Contributions by Bickerton, Cemin, Doran, Dunham, Eckart, Ziegler, Gober, Halley, Kessler, Koons, LAsker, Prince,Rollins, Steinbach, Wool and Yarber. a great list of great artists from the eighties. One thing they had in common. They were all from New York. Koons is nowadays the most famous one, but i noticed that Peter Halley is among them and beside some smaller exhibitions . He is hardly known in Europe and specially this artist deserves far better. Still the exhibition one of those from the eighties that is remembered by many followers of the Stedelijk Museum exhibitions and it was one of the last gtreat ones which gave an overview of New York modern art in the eighties. This catalogue is available at www.ftn-books.com together with some catalogues of the artist mentioned . specially the Halley is rarely encountered in the Netherlands.

https://youtu.be/t5VS6Ruorlg

 

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Piet Dirkx daily …203

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Dutch art …Klaas Gubbels (1934)

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Many Many people in the Netherlands know the art by Klaas Gubbels. Because his art is abstract in its execution, but realistic in its subject. Coffee and Tea pots and of course chairs are in 99% percent his subjects. Because of this popularity his works and sculptures can be found all over the Netherlands. Even in my hometown of Leidschendam, one of these blue coffee pots is executed as a large blue sculpture.

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Do i like his art….no….do i consider Gubbels one of the great artists in the Netherlands…YES, because Gubbels has developed an art language of his own. Popular, recognizable and accessible. www.ftn-books.com has some nice books on Gubbbels and a very special table with a still life of wooden apples.

 

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Piet Dirkx daily …202

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Piet Dirkx cigarbox 202

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Lawrence Weiner (1942)

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Lawrence Weiner is one the the leading artists within  Conceptual Art .

The first time i daily encountered a work by Lawrence Weiner was when curator Flip Bool of the Gemeentemuseum had bought a magnificent large one for the entrance hall. I noticed the forms and strong meaning of the sentences used and learned to appreciate it.

Since, i have been collecting books on Weiner in every possible way . Other museum publications, abroad art locations, galleries and auctions all had some in them, so over the years a small collection was formed and some are available at www.ftn-books.com

Later i realized that so many publications were published in the Netherlands, because he frequently stayed over here and made contributions to many other museums in the Netherlands. Notably tothe van Abbemuseum and the Stedelijk Museum have. Both have several works by Weiner in their collections.

The last time i encountered a work by Weiner (unexpectedly) was in Ljubljana, where at the facade of the Modern Art Museum a large Weiner was fixed. It gave me the same feeling as the one in the Gemeentemuseum. It changes the way you look at something and makes you think about its text…..it is great art.

 

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Piet Dirkx daily …201 bis

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Piet Dirkx cigarbox 201 bis

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unique Jan Snoeck ceramic plate at Catawiki

This week another of the Jan Snoeck unique ceramic plates will be auctioned at Catawiki. What makes this plate very special is that the nose is a special protruding ceramic part of the plate. The auction can be found here

https://veiling.catawiki.nl/kavels/10665279