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Jan Fabre and BIC art

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Fabre’s fame began when he was making 100% blue drawings with a BIC ballpoint pen ( 1980). It was the early eighties , but before that he shook the art scene with making drawings with his own blood ( 1978) .Since he made stage designs for plays and dance, movies and many more drawings and objects and of course sculptures….extremely large sculptures. Jan Fabre is considered one of the greatest living artist in Europe.

A short introduction to one of the greatest Belgian artist from this time. For me Fabre and Panamarenko will be remembered as the great Belgian artist from the last part of the 20th century. Both imaginative in their own way and both highly original with an own signature.

There is a huge list of all his activities during the last 3 decades, but the best way to get an impression of Jan Fabre is to read what Wikipedia says about him and visit his site afterwards

site: www.janfabre.be

There is a large selection of Fabre titles available at www.ftn-books.com

Wikipedia text:

Fabre is famous for his Bic-art (ballpoint drawings). In 1990, he covered an entire building with ballpoint drawings.

He explores the relationships between drawing and sculpture. He also makes sculptures in bronze (among them The man who measures the clouds and Searching for Utopia) and with beetles.

His decoration of the ceiling of the Royal Palace in Brussels Heaven of Delight (made out of one million six hundred thousand jewel-scarab wing cases) is widely praised. In 2004 he erected Totem, a giant bug stuck on a 70-foot steel needle, on the Ladeuzeplein in Leuven.

In 2008, Jan Fabre’s The Angel of Metamorphosis exhibition was held at the Louvre Museum.

On 26 October 2012, several media reported how during a shoot in the Antwerp town hall for a forthcoming film on Fabre, living cats were thrown repeatedly several meters spinning into the air, after which they made a hard landing on the steps of the entrance hall. Animal welfare executive chairman Luc Bungeneers said he was having a meeting with his party chairman when he heard howling cats. “To my horror, we found cats were being assaulted in the name of art”, Bungeneers said. “It went on for several hours.” The filming was eventually aborted after protests from the crew’s own technicians. Later that day, Fabre claimed all cats were still in good health and it was a conspiracy of the political party NVA.[1][2][3][4] Mr. Fabre has received 20,000 emails slamming his act. He has also been attacked seven times by men carrying clubs whilst out jogging in the park and been forced to sleep in a different location every night. Antwerp’s deputy mayor for animal wellbeing and the animal rights organisation Global Action in the Interest of Animals also launched complaints about Mr Fabre’s controversial act.

On February 2016, Jan Fabre was appointed by the Greek Ministry of Culture as the Creative Director of the annual Athens – Epidaurus Festival.[5] He resigned less than two months later, on the 2nd of April 2016, after a huge controversy over his plan to turn Greece’s major arts festival into “a tribute to Belgium” and devote eight of the festival’s ten productions to those from his homeland.[6]

In September 2016 Fabre made an attempt to not break cyclist Eddy Merckx‘s 1972 hour record at the Tête d’Or Velodrome in Lyon. Fabre completed a total of 23 km in an hour, compared to Merckx’s record of over 49 km. The attempt was commentated on by Merckx, fellow cyclist Raymond Poulidor, and veteran cycling commentator Daniel Mangeas[7] and was performed as the opening of his “Stigmata” retrospective exhibition organised by the Musée d’art contemporain de Lyon.[8] Fabre described the attempt as “how to remain a dwarf in the land of giants”.[9]

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Picked a book from the shelf and it is…. MAN RAY

The book i picked is the book published by the Boijmans van Beuningen Museum and it reminded me of the exhibition we visited 2 years ago in which the sculptures by Brancusi were combined with the Man Ray’s the Boijmans had on loan and from their own collection. Impressive exhibition in which the Brancusi’s stole my heart. The setting and the sheer volume of the sculptures made this the best “outside Paris” exhibition on Brancusi i have ever seen. Man Ray and Brancusi both have been presented regularly in the Netherlands during the last 50 years, but there are only a few works in the collections of the Dutch museums. The Kroller Muller has bought one some 20 years ago. A “head”, but this was the last acquisition by a dutch museum .

So the fact that both were combined in the Boijmans van Beuningen museum was a sheer joy. I started with mentioning Man Ray, but ended with Brancusi ….and yes ,this is also how i feel about these artists in my personal ranking….first there is Brancusi and then there is Man Ray.

wilfried

www.ftn-books.com

 

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Richard Serra….The Matter of Time

Yesterday, when i researched for the blog on Museum  Voorlinden, i noticed that one of the rooms of the museum contains a Richard Serra. There are several in the Netherland to be found. Kroller Muller, Stedelijk Museum, van Abbemuseum  and Boymans van Beuningen all have their Serra’s, but these are “peanuts” compared with The MATTER OF TIME in the Guggenheim /Bilbao. This is by far the ultimate Richard Serra. Placed on the surface of about 3 football fields and with a maximum height of approx. 24 feet, this is really huge. Not only huge but also very impressive. You walk around and through it and when you are surrounded by the high steel walls, it feels like a maze.

So start with the local smaller ones , work your way up to the midsize Serra’s and finally go to Bilbao see the Guggenheim Museum by Frank Gehry, enjoy the tapas in the old market square and finalize your visit by loosing yourself in one of the great ( certainly the greatest in size) sculptures of Modern Times. The matter of Time by Richard Serra.

www.ftn-books.com has some nice books on Serra available.

This is the text from the official site of the Guggenheim Museum on this great sculpture by Richard Serra:

Richard Serra

The Matter of Time

Richard Serra has long been acclaimed for his challenging and innovative work. As an emerging artist in the early 1960s, Serra helped change the nature of artistic production. Along with the Minimalist artists of his generation, he turned to unconventional, industrial materials and accentuated the physical properties of his work. Freed from the traditional pedestal or base and introduced into the real space of the viewer, sculpture took on a new relationship to the spectator, whose experience of an object became crucial to its meaning. Viewers were encouraged to move around—and sometimes on, in, and through—the work and encounter it from multiple perspectives. Over the years Serra has expanded his spatial and temporal approach to sculpture and has focused primarily on large-scale, site-specific works that create dialogue with a particular architectural, urban, or landscape setting.

Snake, a work made for the inauguration of the Guggenheim Museum Bilbao, consists of three enormous, serpentine ribbons of hot-rolled steel that are permanently installed in the museum’s largest gallery. The two tilted, snaking passages capture a rare sense of motion and instability. Snake is now joined by seven commissioned works-creating the installation entitled The Matter of Time—Serra’s most complete rumination on the physicality of space and the nature of sculpture.

The Matter of Time enables the spectator to perceive the evolution of the artist’s sculpted forms, from his relatively simple double ellipse to the more complex spiral. The final two works in this evolution are built from sections of toruses and spheres to create environments with differing effects on the viewer’s movement and perception. Shifting in unexpected ways as viewers walk in and around them, these sculptures create a dizzying, unforgettable sensation of space in motion. The entirety of the room is part of the sculptural field: As with his other multipart sculptures, the artist purposefully organizes the works to move the viewer through them and their surrounding space. The layout of works in the gallery creates passages of space that are distinctly different—narrow and wide, compressed and elongated, modest and towering—and always unanticipated. There is also the progression of time. There is the chronological time it takes to walk through and view The Matter of Time, between the beginning and end of the visit. And there is the experiential time, the fragments of visual and physical memory that linger and recombine and replay.

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Klaas Gubbels….something special

Possibly you know Klaas Gubbels of his sculptures, lithographs, paintings etc. on teapots and chairs, but it is a rare occasion that you encounter a Gubbels out of the ordinary. A few years ago i encountered a 3D table with 4 wooden apples on it. The table ( used as pied de stalle) and the apples were all made of wooden pieces and glued together . On the Pied de stalle the signature of Klaas Gubbels. A handmade Gubbels was mine! A true find because this was something very special and at the same time typical for Gubbels. My guess is it was made in the mid eighties and was rarely exhibited because it came straight out of a private collection. So this is to share this special Gubbels with you and of course there are some nice Gubbels publications at www.ftn-books.com if you want to learn more on Klaas Gubbels.

 

wilfried

www.ftn-books.com

 

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Joost Barbiers and Land Art Delft

A logical combination!

Honestly… i must say that i had not heard from both, but because we were traveling a few weeks ago Wageningen  ( Hotel de Wereld) and visited the local museum HET DEPOT, in which sculptures related to the human body are exhibited, we came across Joost Barbiers’s his work. Immediately , me and Linda liked it very much. The use of material which is left unworked and partly rough and in most cases  in the same sculpture is polished in other parts ,is beautiful.

The museum HET DEPOT itself can be highly recommended too, but i will discuss this in another blog.

After a few days we came home and i contacted through the site of Joost Barbiers (http://www.joostbarbiers.nl) the artist and was replied by his wife who told me that Joost had passed away in November 2015 and that all of his remaining works were exhibited in LAD/ Land Art Delft ( http://www.landartdelft.nl ). This announcement came as a shock, because we did not expect that, but we also learned that the remaining works from his studio were transported to LAD .

Another great project of which i had never heard before. Included in the mail was an invitation to attend the opening of the exhibition of Joost Barbiers, but because of a tight time schedule on that Sunday i could not attend, so i decided to go early and visit LAD. What a nice surprise!….. a landscape with wild flowers, birds and Land Art makes this a beautiful place to visit, experience great art and….walk the dog. The statues of Barbiers are presented in the best possible way in these surroundings and show why this artist is one to have a bigger audience. Rough and cultivated go hand in hand and these sculptures blend into the landscape as if these sculptures have always been there.

Besides the sculptures by Barbiers ( ca. 20 sculptures ) many other can be found there because LAD has a program with artists in residence who work there and leave there sculptures behind.

Conclusion….do not visit Delft solely to see the original scenery of Vermeer, but visit Land Art Delft too and be amazed by the Barbiers sculptures.

Wilfried

www.ftn-books.com