I had never seen a sculpture by Geoffrey Dashwood before until i saw in an art magazine one of the super birds by Dashwood. At least 4 times as big as a human being and oh so impressive. I must say the sculptures remind me of the ones made in the Netherlands around the 20’s in last century. Specially the bird sculptures by Mendes da Costa have the same way of simplifying as Dashwood does.
But i can understand the attraction of these beautiful sculptures. They are likable and at the same time they have a true artistic quality. By no means these are cheap, affordable sculptures. Since the book that www.ftn-books.com has for sale includes the price list from the Sladmore gallery in 2005. Price range between 5000 and 50.000 ( monumental owl) British Pounds. But certrainly do not hesitate to visit a n exhibition when it is held nearby.
Here is the biography from the Dashwood official site
Geoffrey Dashwood was born in Hampshire, England in 1947. At the age of fifteen he won a scholarship to study fine art at Southampton College of Art, but left after a brief period, preferring to study directly from nature.
He worked in varied occupations to support himself and experimented in various art mediums and techniques in his spare time. His last employment was with the Forestry Commission where he was engaged as a keeper in the New Forest. He also became the unofficial artist in residence for his employers. Dashwood left the Forestry Commission in his mid-twenties to pursue a freelance career in art and he soon received commissions for illustrations and design work, whilst concurrently drawing and painting independently.
In the 1980s Dashwood discovered a gift and a passion for sculpture. His earliest works were small, highly realistic studies in the mainstream of traditional English wildlife art and comparable in style to the famous 19th century French Animalier School of Sculpture. Although these early works brought him commercial success, he became increasingly dissatisfied with the constraints of realism and the lack of personal expression the genre afforded him.
Dashwood started to experiment with larger life-size and monumental works and began to eliminate all superfluous details, creating boldly modeled pieces. He refined his sculptures to attain smooth, tactile, pure forms, further enhanced in bronze by the application of coloured and multi-coloured patinas. In these sculptures he combined his own aesthetic ideals, establishing a distinctive style which is now internationally recognised as being quintessentially Dashwood. His affinity for and empathy with birds and his unique ability to express these emotions to others through his sculpture is undisputed. Dashwood’s work is exhibited and collected worldwide.
A sculptor, not that very well known outside Germany, but a sculptor who nevertheless has its own museum. The Wilhelm Lehmbruck museum in Duisburg has a nice collection, but the Lehmbruck name is kept alive by practically all large museums in Germany.
Personally i do not know the fascination , because in my opinion Lehmbruck has not freed himself of making classical sculptures. He did not make the full transition into modern sculpture as for instance Giacometti did. Perhaps this is explained from the short life he had and he did not have the time to develop himself completely. If you look at that way, Lehmbruck took the first steps into modern sculpture but never had the time to complete his ideas on modern sculpture. www.ftn-books.com has some nice Lehmbruck publications available.
I knew the name and person of Klaar van der Lippe, because of her presence in a dutch survival television series, but it was not until 4 years ago that i came across a publication on van der Lippe published with in the series on new dutch sculptors ( also Baerveldt). The book shows in an excellent way why her works is important. In an almost casual way she alters her surroundings. Rearranging, replacing almost everything within sight , creating a new space and sculpting it into something very “Klaar van der Lippe”. The book which is now for sale at www.ftn-books.com shows some of these projects .
I came accross this artist some years ago when i go interested in sculpture from the mid sixties. Chadwick, Jacobson and certainly Alecxander Calder were my heroes, but then there was also Hiquily …….Philippe Hiquily was a French artist and designer known for biomorphic furniture and sculptures. He was able to combine modernist design, insect physiognomy, and human sexuality, to produce unique Surrealist works. Born on March 27, 1925 in Paris, France, he attended the École des Beaux-Arts in Orléans and later the École Supérieure des Beaux Arts in Paris. In Paris, Hiquily mingled with prominent artists, including Jean Tinguely and Germaine Richier. In 1959, he received the Critic’s Prize for his sculpture at the Paris Biennial. That same year, he showed work at New York-based gallery The Contemporaries, where he met the American artist Robert Rauschenberg. Hiquily died on his 88th birthday on March 27, 2013 in Villejuif, France. Today, his works are held in the collections of The Museum of Modern Art in New York, the Centre Georges Pompidou in Paris, and the Museum of Contemporary Art in Montreal.
Now i have finally a very nice publication on Hiquily in my inventory available. Silkscreened cover and very well worth collecting.
Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:
This is the catalogue which started it all for Carel Visser in the Netherlands. After having had his exhibition at the Art & Project gallery in 1974. Visser was considered to be one of the great talents in the dutch art scene. the result…. museum exhibitions like this first one at the van Abbemuseum in 1975
and in the following years consecutive exhibitions at the art & Project gallery, the Stedelijk Museum, Kröler Muller museum, Haags Gemeentemuseum and Museum Boymans van Beuningen. All these contributed to the fame of Carel Visser in the Netherlands resulting in many more gallery exhibitions, commissions and exhibitions abroad too. Carel Visser has become now one of the recognized leading sculptors and the catalogue which is now for sale at www.ftn-books.com is arguably one of the most important ones in the long list of publications Carel Visser has made during his career.
Last week i spend 2 days in Madrid and visited the Reina Sofia museum, because i wanted to show my son and his friend the “Guernica” painting by Picasso. The painting was shown for the first time in the spanish pavillion in 1937. The Republican government sought to garner international support by assembling modern works by sympathetic artists that express powerful and overt political outrage, including a large painting of an upraised fist by Joan Miro and unveiled on the ground floor was Picasso’s Guernica. But not only because of the art the building was important. Its architecture was certainly avant-garde for that time. Simple materials and influenced by le Corbusier the building itself was far ahead of its time.
The Spanish Pavillion in the Paris International Exhibition of T937 aimed at getting support from the international community in their detense of the Spanish Republic. The Government commissioned the Pavillion to the architects Josep Lluis Sert and Luis Lacasa, who designed a modern and low-cost building, with elements and materials From the traditional Spanish culture. It was consciously built as a modest and cosy space, featuring referents of a modern architecture inherited from Le Corbusier. A reasoned sample of art, culture and propaganda was shown in it, with an intention of bearing witness to the horrors of war while highlighting the optimism and ongoing productivity of the Government. The building housed the works of Alexander Calder, Josep Renau, Joan Miro, Julio Gonzalez, Alberto Sanchez and José Gutierrez-Solana amongst others. Yet, the most internationally acclaimed piece was Picasso’s Guernica, commissioned by the Government as a main artistic appeal.
The above text comes from the model kit of the Spanish pavillion 1937 which is now available at www.ftn-books.com
I wrote two earlier blogs on Mendini. One in 2016 and one in February this year to commemorate his accomplishments after his death at the age of 87.
Last week i found one of his earliest dutch publications. An important one, because it preceded the commission of designing the Groninger Museum. Probably the exhibition was held to introduce Mendini to the dutch people of Groningen and prepare them for the adventurous building Mendini would design for the Groninger Museum.
This publication is from 1988 , published together with Politi editore and it is filled with the typical Mendini designs of which elements would be used outside and within the Groninger Museum. I love this book, which is now for sale at www.ftn-books.com
Jan Maaskant is a dutch sculptor who name rose in some way to fame when he was selected by Rudi Fuchs to contribute to the Documenta 7 in 1982. Influenced by Brancusi and Laurens his works to me feel more close to the Minimal Art of Sol LeWitt and Carl Andre. An excellent example of one of his Minimalistic sculptures can be found in the garden of the Gemeentemuseum Den Haag near the Schamhart pavillion / Fotomuseum.
Maaskant has a long history with the Gemeentemuseum and because Hans Locher ( former director) was an admirer like Rudi Fuchs was, a publication was initialized. Jan Maaskant received an unplanned publication. An important book, published in a small edition. The book sold badly , but is now one of the hardest to find Gemeentemuseum publications. The book is available at www.ftn-books.com
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Maaskant is als beeldhouwer autodidact. Hij werd aanvankelijk beïnvloed door beeldhouwers als Henri Laurens, Constantin Brâncuşi en Julio González, maar vanuit het gesloten, compacte beeldhouwwerk ging hij naar de compositie van de open vorm, samengesteld uit zelfstandige elementen, waarbij een grote rol is weggelegd voor maat, afstand, richting en indeling.
A truly visionary artist Fritz Wotruba was. He is almost forgotten, but deserves to be recognized as one of the great European artists who shaped modern art and combined this with great architectural designs. Wotruba is like a cubist sculptor, but his shapes consist of parts put together and seen from nearby it seems as they have no relation with each other. But from further away figures emerge.
His sculptures are magnificent, but when you once have seen his architecture you are completely sold .
This is the discipline in which he excels and is a one of a kind artist. Fritz Wotruba has had several exhibitions in the Netherland in the 50’s and the 60’s, but is after these events almost forgotten. Instead in Austria he is still one of the greatest Modern Artists. Catalogues of these events are available at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20