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Wim Crouwel (1928-2019)

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This morning i heard that one of the most influential designers from our time, Wim Crouwel, has died. The last years of his life he suffered Parkinson disease, but he was still going strong and must have looked forward to the retrospective of his works being opened later this  month at the Stedelijk Museum Amsterdam. What better way to commemorate this great artist than to show a selection of the many items designed by him. www.ftn-books.com

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And to finish one of my personal favorites. Wim Crouwel will be an example for many designers in the decades to comewerkman crouwel aa.

 

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Jochem Hendricks (1959)

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The Jochem Hendricks book that www.ftn-books.com has for sale is something special. Some reasons. First it feels and looks like an artist book, secondly it is in pristine condition and third….it contains the 33 raisor sharp LOGOS and WOLRD IMAGES Hendricks designed in 1985. The exhibition with these designs was held in 1992 in Frankfurt and curated by Jean-Christophe Ammann, making this an important exhibition. I personally did not visit this one , but seeing and leafing the book i wish i had.

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Anish Kapoor (1954)

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It was about 3 months ago that we visited DE PONT in Tilburg. Our friends from the US wanted to visit the Bauhaus Textile exhibition and Linda and I decided to make the visit to DE PONT. An important museum and it struck us both that their collection is of the greatest quality. This is quite an accomplishment for such a small museum. So the Pont is worth visiting and what strikes you immediately at the entrance is a bend mirror like sculpture that reflects the sky. It is majestic in its  appearance and of course the reflection is alway different so the sculpture present itself in a different way constantly.

A visit to remember since this is an excellent museum with ao. this Anish Kapoor, who is one of the most influential sculptors of his generation. Perhaps most famous for public sculptures that are both adventures in form and feats of engineering, Kapoor manoeuvres between vastly different scales, across numerous series of work. Immense PVC skins, stretched or deflated; concave or convex mirrors whose reflections attract and swallow the viewer; recesses carved in stone and pigmented so as to disappear: these voids and protrusions summon up deep-felt metaphysical polarities of presence and absence, concealment and revelation. Forms turn themselves inside out, womb-like, and materials are not painted but impregnated with colour, as if to negate the idea of an outer surface, inviting the viewer to the inner reaches of the imagination. Kapoor’s geometric forms from the early 1980s, for example, rise up from the floor and appear to be made of pure pigment, while the viscous, blood-red wax sculptures from the last ten years – kinetic and self-generating – ravage their own surfaces and explode the quiet of the gallery environment. There are resonances with mythologies of the ancient world – Indian, Egyptian, Greek and Roman – and with modern times. www.ftn-books.com has some nice Kapoor titles available

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Two Carl Andre additions

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At the beginning of Minimalism, 3 names rose to fame almost instantly. Sol LeWitt, Donald Judd and Carl Andre. All had their one man shows at the Haags Gemeentemuseum, but i noticed that the appreciation of Andre was not as high as the appreciation of his comrades. 30 years after his last show at the Gemeentemuseum things have changed for the better for Carl Andre. There was a very large retrospective exhibition travelling the US, Germany, Spain and France and the catalogue which was published with this exhibition is by far the the most complete on Andre ever.

Perhaps it is not the best, since i value myself the 1988 by Fuchs and Gracia Lebbink to be the best of all Andre catalogues, but it is a worthy addition to any Minimal Art library and still at a very affordable price. The second addition is the ART & PROJECT Bulletin 85, which is one of the rarest of all Carl Andre publications. Both are now available at www.ftn-books.com

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Two Tony Cragg additions

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Recently i purchased two important Tony Cragg publications at auction. These publications are published only 2 years apart (1986 an 1988) from each other and the last is possibly the most important of both. It shows the Cragg works that were presented during the Biennale of Venezia event. the British Council presented a solo by Cragg and this publication is arguably one of the best on this artist.

Both publications are now available at www.ftn-books.com

 

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Will Ferwerda (1942-2019)

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Just recently, onthe 12th of March Will ferwerda died at the age of 77. Known for his free expressionism and activist for his entire life he was one of the most colorful artists in the dutch art scene. He was locally a well known artist and many in Gorkum and Dordrecht had at some time met him.( A bit the same as Gerard Fieret in den Haag), but his art deserves so much better. It has some mysticism in it i can not explain, but when you look at he limited editions by Ferwerda ( available at www.ftn-books.com) , these images intrigue and show that Ferwerda was not an amateur , but a true and original artist.

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Oxenaar…the year 1985…the artists : David Nash and Sjoerd Buisman

It is in 1985 that David Nash and Sjoerd Buisman are both invited by Rudi Oxenaar to make a contribution to the 50 years anniversary of the Nationaal Park de Hoge Veluwe.

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On the occasion of the 50th anniversary of the Hoge Veluwe National Park, the ‘Steyn-park’, designed by Henry van de Velde, is restored, ‘both in terms of the afforestation and foliage and the paving’. Furthermore, the artists David Nash and Sjoerd Buisman are invited to realize two projects each in the grounds of the Hoge Veluwe. These Growing sculptures are subsequently acquired by Oxenaar.

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I witnissed at one time one of these growing sculptures by Sjoerd Buisman. He realized a project at the pondds of the Gemeentemuseum , by splanting sticks into the grounds of the water. Over time these sprouted into bushes along the shores of the ponds. Since i could witness the progression and growing of this sculpture it fascinated me more over time. The total length of the project was about 3 month. Ther book on the project is available at www.ftn-books.com

 

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Jan van Munster (1939)

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Jan van Munster stands for me personally as the artist who experimenst with Neon and Pyrographics and using these to create Minimal objects and sculptures. I noticed his works for the first time when a work of him was presented at the Gemeentemuseum Den Haag. It weas a neon sculpture and made in an edition of a few copies and for sale at the museum shop. Unfortunately i did not have the insight at that time to buy it, but the memory remains, because it was the first van Munster i had seen. This is not the easiest of art to admire, but once you follow his career and search back throught the decades that he has made his art, you conclude that he always stayed true to his origins. One of the characteristics that keep reappearing is that he uses frequently two elements on his covers of the catalogues that are published with his works.

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First…many of his covers are embossed and second. ….in many cases there is a special Pyrographic made/burnt into the cover of his catalogues, making these original, one of a kind works of art at a more than reasonable price. www.ftn-books.com has some nice van Munster titles available.

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Charlotte Posenenske (1930-1985)

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The works of Charlotte Posenenske (Wiesbaden, 1930-Frankfurt am Main, 1985) consist of series in an unlimited edition. According to a number 0f rules, they can be made and repeated – also by others – and combined with each other. With her radical and ‘democratic’ ideas about material, production and authorship, Charlotte Posenenske influenced and shaped conceptual and minimalist art of the sixties.

Minimalist series

Charlotte Posenenske began as a painter, but she felt limited by the flat surface and soon moved on to creating spatial works. The forms of Series B (1967) are hung as reliefs on the wall, but also placed as objects in the spatial environment. This is followed in 1968 by Series D and Series DW, whose format and shape are reminiscent of ventilation shafts.

Participation

Although Charlotte Posenenske did not consider herself to be a political artist, she had a clear and strong vision of societal relations, which in her view had to be rational, concrete, accessible and democratic. With her work she wanted to set a standard for this: the materials which she used like cardboard and steel are cheap, the works are sold for a fixed low price and the assembly and installation of her modular systems can be done by ‘everyone’: buyers, exhibition makers, and even the public. Posenenske’s social engagement is also expressed through the installations she created in public spaces, such as airports, train stations, conference rooms and on the street.

Contemporary artists and Posenenske

Disappointed in the social scope of art, Charlotte Posenenske left the art world in 1968 to study sociology. Her work and views remain however points of reference for younger generations of artists. The text above comes from the Museum Kroller Muller site. This Museum has a retrospective exhibition on Posenenske until the 15th of September

www.ftn-books.com has some nice publications in which Posenenske made some contributins. Since there is a longtime connection between the Netherlands  and the artist it happens that some of the most important publications have been published in the Netherlands. Specially the former Art & Project has presented her works on several occasions.

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Lawrence Weiner (1942) + discount

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Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.

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But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time  and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10%  on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.

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