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Theo Eissens (1952-2015)

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I had never heard of Theo Eissens until i received the catalogue by Eissens SPRING BRUNNEN, which is now available at www.ftn-books.com. He photographs his surroundings and alters it by putting colored grids as an overlay on his photgraphs. It makes the works having a typical Eissens signature.

The catalogue which is for sale is the 2008 catalogue, but on 22 March 2015 the exhibition Theo Eissens – Berlin Calling opened at the Livingstone gallery with a series of new works: unique silkscreened images on canvas of abandoned and burdened places in and around Berlin.
Berlin played an important role in the life of Theo Eissens (Amsterdam 1952-2015). The title of this publication refers to the frequent trips he made from Amsterdam to Berlin and vice versa, and the recurrent long and short periods he lived and worked there, starting in 1992.
He worked at the Bethanien ( the same place as RONALD DE BLOEME worked at ) and exhibited with artists like A.R. Penck and Bruce McLean (1996, Galerie im Parlement, Druckwerkstatt Bethanien, Berlin) and was able to immerse himself in German (art)history.


In 2004 his focus shifted from prints on paper to works on canvas and wood panel. His ‘new’ concept involved photography combined with abstract and geometric shapes in acrylic paint. His extensive experience with printing techniques enabled him to use a silkscreen to literally transfer a photograph onto canvas and merge the image with parts painted in acrylic.
This development in his work led to the 2008 catalogue and exhibition Spring Brunnen. .

In 2015 Theo Eissens died unexpectedly, leavind us an important but small collection of impressive art works.

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Ronald de Bloeme (1971)

 

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It took me a very long to finally acquire a Ronald de Bloeme painting for our collection , but finally we found one and added it on the 2nd of October 2018. It is one from the series “Oil On Postal bags” and comes from the former Hans Sonnenberg collection.

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This collection was split up and auctioned some months ago and this work found in the end its way to our collection. It is an impressive painting and shows exactly why de Bloeme becomes more and more important in modern art. The series of postal bag paintings was partially painted at the time he was in residence at the Kunstlerhaus Bethanien where he made several of these large paintings. Postal bags stitched to each other and with their original postal prints still on them, de Bloeme made a composition on them in which points, arrows, dots, numbers and stripes are attached to each other, making a composition in which you can see that the subject is COMMUNICATION in all its appearances and the essence of this series of paintings. The feel of the canvas is totally different than expected.  You expect a coarse surface, but this is not the case. The surface feels like nylon and it looks and feels more like a sail or a tent canvas.

The painting that we now hold in our collection has all these symbols included. Planes, dots, postal bags from czechoslovakia, Turkey and India symbolize the routing of the planes and the dots could stand for all the places that are reached in these countries. Of course this is my personal interpretation, but it is for certain a very impressive and important painting.

The painting is depicted in the Ronald de Bloeme Bethanien catalogue on page 33 and it is available at www.ftn-books.com