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Yves Klein (continued)

We are relocating!
In the coming weeks we will be occupied with packing and moving our internet store inventory. The entire collection needs to be transferred from Leidschendam to Oegstgeest, and this will take some time.
If all goes according to plan, we will be fully operational again on November 21st, but until then, it may happen that we are unable to immediately assist you with your order. We ask for your understanding, but as soon as possible, your order will be fulfilled with the utmost speed.

Yves Klein imitation The French painter Yves Klein was one of the founders of the artists’ movement Nouveau Réalisme, which was founded in his house. Yves Klein did not receive any art education. He became famous for his blue monochrome paintings, which he first exhibited in galleries in Milan and Paris in 1957.
International Klein Blue
In 1956 he exhibited a number of monochrome paintings. At this time he decided to only use the color blue from then on. This color was called ‘International Klein Blue’ (IKB) by Klein. The artist is said to have been searching for this color for years. He would eventually find it by adding the fixative Rhodopas to ultramarine blue. This blue became his trademark. He first showed these works in 1957 at Galerie Apollinaire in Milan and Galerie Iris Clert in Paris.
Education
Yves Klein was born on April 28, 1928 in Nice. He was the son of the artist couple Fred Klein and Marie Raymond. After high school, he briefly attended the National Maritime School. He then studied at the School of Oriental Languages from 1944 to 1946. Klein did a bit of everything. He viewed his life as a work of art in itself. During these years he met Arman and Claude Pascal.
Happenings
In the early sixties, he used blue-painted models to make prints on the canvas. This ‘painting’ took place during happenings, with a band playing music. Yves Klein exhibited in Paris, Düsseldorf, London, and the United States. In 1957, he released 1001 blue balloons at the opening of an exhibition.

Bij een andere opening kregen de bezoekers aan de galerie een drankje, waardoor na afloop hun urine blauw kleurde.

Op 21 januari 1962 trouwde Yves Klein met de kunstenares Rotraut Uecker, de zus van kunstenaar Günther Uecker, die lid was van de kunstenaarsgroep Zero. Klein kreeg in mei 1962 een hartaanval tijdens het filmfestival van Cannes. Later werd hij nog twee keer door een aanval getroffen. Yves Klein overleed op 6 juni 1962 op 34-jarige leeftijd in Parijs aan de gevolgen van deze hartproblemen. Enkele maanden later werd zijn zoon Yves Armand geboren.

www.ftn-books.com has sseveral Klein catalogs now available.

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Yves Klein (1928-1962)

Yesterday i learned from a dutch TV program (DWDD / De Wereld Draait Door) that there is a large Yves Klein retrospective in the BOZAR museum Brussels.

Yves Klein , touched many currents in Modern Art, even was one of the participants in ZERO, but eventually developed a style of his own using in many of his works the iconic BLUE color he developed. Was it zero, action painting or performance art? Today art lovers around the world can not answer these questions , but one can see for one self what fits most, because there is a great retrospective on his art in BOZAR/ Bruxelles until the 20th of August. His monochrome blue paintings are on show together with his action paintings of blue prints of female bodies. A great show and possibly a once in a lifetime chance to see many important Yves Klein works together.

Schermafbeelding 2017-04-04 om 11.45.04

Nowadays Klein paintings fetch record prices at auctions all over the world, but in one of his first shows In Krefeld in 1961 nothing was sold. This was followed by an unsuccessful opening at Leo Castelli’s Gallery, New York, in which Klein failed to sell a single painting. He stayed with Rotraut Uecker at the Chelsea Hotel for the duration of the exhibition; and, while there, he wrote the “Chelsea Hotel Manifesto”, a proclamation of the “multiplicity of new possibilities.” In part, the manifesto declared:

At present, I am particularly excited by “bad taste.” I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed “The Work of Art.” I wish to play with human feeling, with its “morbidity” in a cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.

To prepare your self for the exhibition, know that over the decades excellent books on Klein were published. There are some available at www.ftn-books.com