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Kiki Smith (1954)

kiki Smith

Kiki Smith was born in 1954 in Nuremberg, Germany. The daughter of American sculptor Tony Smith, Kiki Smith grew up in New Jersey. As a young girl, one of Smith’s first experiences with art was helping her father make cardboard models for his geometric sculptures. This training in formalist systems, combined with her upbringing in the Catholic Church, would later resurface in Smith’s evocative sculptures, drawings, and prints. The recurrent subject matter in Smith’s work has been the body as a receptacle for knowledge, belief, and storytelling.

In the 1980s, Smith literally turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system. This body of work evolved to incorporate animals, domestic objects, and narrative tropes from classical mythology and folk tales. Life, death, and resurrection are thematic signposts in many of Smith’s installations and sculptures. In several of her pieces, including Lying with the Wolf, Wearing the Skin, and Rapture, Smith takes as her inspiration the life of St. Genevieve, the patron saint of Paris. Portrayed communing with a wolf, taking shelter with its pelt, and being born from its womb, Smith’s character of Genevieve embodies the complex, symbolic relationships between humans and animals.

Smith received the Skowhegan Medal for Sculpture in 2000, the Athena Award for Excellence in Printmaking from the Rhode Island School of Design in 2005, the fiftieth Edward MacDowell Medal from the MacDowell Colony in 2009, and has participated in the Whitney Biennial three times in the past decade. In 2005, Smith was elected to the American Academy of Arts and Letters. Smith’s work is in numerous prominent museum collections, including the Museum of Modern Art, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; and the Museum of Contemporary Art, Los Angeles. Smith lives and works in New York City.

www.ftn-books.com has some Kiki Smith titles now available.

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Johan Antoni de Jonge (1864-1927)

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I must have been 18 years of age and my parents started to get an interest in Art and in those days the Romantic School paintings were in fashion, so my parents visited the art gallery of Leslie Smith. A yearly show at a venue near the Vredespaleis, what was used as a showroom of “classic” furniture. I remember seeing Schelfhout, Verschuur, Leickert and Weissenbruch, but what struck me most was a small watercolor by Johan Antoni de Jonge. It was cheap compared with the other works of art, but would still become much much cheaper now that the Romantic School painters are completely out of fashion. The good thing about de Jonge as an artist is that his works are not ” sweet” they have an abstract/impressionist quality and are very pleasing to look at. Timeless and depicting everyday life in the Netherlands. Scheveningen, the country side and beach scenes are among his favorite subjects. They have all one thing in common. The artistic quality is there and makes you want to participate in the scene and experience life around the turn of the century.

The book on Johan Antoni de Jonge is available at www.ftn-books.com

de jonge

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Ray Smith (1959)

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I first encountered the paintings by Ray Smith in 1992 at the Barbara Farber gallery, which catalogue is also available at www.ftn-books.com. These paintings are intense and “Rock and Roll”. Ray Smith could easily be seen as the child of Picasso and Frida Kahlo.

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He is a contemporary American artist, best known for his segmented paintings and sculptures combining elements of Cubism, printmaking, art historical reference, and collage into postmodern compositions. Often relating to Surrealism in his unreal juxtapositions, Smith’s work is also characterized by a unique kind of magical realism. He frequently utilizes anthropomorphic animals in his work in a manner akin to Pablo Picasso’s Guernica, stating about the creatures in his work: “They are beasts, but they are directly attached to a blueprint of our own existence.” Born in 1959 in Brownsville, TX on family land that was part of Mexico before the Texas Annexation, Smith grew up in Central Mexico, and continued to retain a cultural and geographic tie to the country. After attending art schools in both the United and Mexico, Smith ultimately settled in Cuernavaca while continuing to travel regularly to New York. Smith’s work can be found among the collections and exhibition histories of the Whitney Museum of American Art in New York, the Centre Pompidou in Paris, and The Metropolitan Museum of Art in New York.