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Christopher Knowles (1959)

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Christopher Knowles (born 1959) is an American poet and painter. He was born in New York City on May 4, 1959, and has received a diagnosis of possible brain damage. He is often referred to as autistic. In 1976, his poetry was used by Robert Wilson for the avant-garde minimalist Philip Glass opera, Einstein on the Beach. Wilson describes his discovery of the then 13-year-old Knowles in the extended notes to the Tomato Records release of Einstein on the Beach

In early 1973 a man … gave me an audio tape … I was fascinated. The tape was entitled “Emily Likes the TV”. On it a young man’s voice spoke continuously creating repetitions and variations on phrases about Emily watching the TV. I began to realize that the words flowed to a patterned rhythm whose logic was self-supporting. It was a piece coded much like music. Like a cantata or fugue it worked with conjugations of thoughts repeated in variations…

The first time I heard about Knowles was when the Boymans van Beuningen museum presented an exhibition on the artists and the BEBERT publishers published one of the best books from the Eighties on this hardly known artist.

For this occasion Jannes Linders, a Rotterdam photographer made the press material. Knowles name did not grow , but the book and his great art remain and are available at www.ftn-books.com and so are the press ( original)  photographs .

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Beuys published by Bebert

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Pablo van Dijk is an illustrious name in dutch publishing. van Dijk founded the publishing house Bebert ( named after the cat of Celine).

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This publisher took the initiative to publish many , now famous and widely collected, art publications. There were the Pandora boxes ( named after his former wife Pandora) containing a multiple of works by contemporary artists. Among them Mapplethorpe and Vautier, but there were also lesser prestigious publications commissioned by art institutions and one of them was EEN GESPREK. An interview with Joseph Beuys by longtime admirer and collector Frits Bless. The book was published on the occasion of the van Reekum exhibition in 1987. A typical Bebert publication, spiral bound with carton cover and with an original photograph on the cover by Caroline Tisdall.

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The edition….only 1000 copies so pick this up while there are still copies available. Two are available at www.ftn-books.com