Posted on Leave a comment

Dan Reisinger (1934-2020)

Schermafbeelding 2020-11-30 om 15.02.21

At auction i bought a small collection of design books , previously owned and collected by Ben Bos, one of the founding members of the Total Design agency. Bos was presented with this chinese edition on Dan Reisinger who wrote a personal note and letter to Ben Bos. These are both included and the book is now fro sale at www.ftn-books.com.

Born in 1934 in Kanjiza, Serbia, Reisinger lost several family members in the Holocaust, including his father. He survived the Nazi occupation in a hideout and as a teenager became active in the partisan Pioneer Brigade, immigrating with his mother and stepfather to the new State of Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. He later attended Jerusalem’s Bezalel Academy of Art and Design as the youngest student accepted to the school at that time.

In 1954, Reisinger served in the Israeli Air Force, where he put his design skills to use art directing military publications. During this time in the Air Force he attended a class on postage-stamp design taught by the British graphic designer Abram Games, who became his mentor and friend. Subsequently, Reisinger travelled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, from 1964–66, he studied stage and three-dimensional design at the Central School of Art and Design. He designed posters for Britain’s Royal Mail, and worked for other clients while making intermittent visits to Israel. In 1966 he returned permanently to Israel and established his Dan Reisinger Studio in Tel Aviv. The same year he was commissioned to design the Israeli Pavilion at the Expo ’67 in Montreal.
Reisinger soon became one of the most prolific Israeli designer of his generation and won many prizes. He designed a new logo for El Al (1972), and the 50-meter-long aluminium-cast relief of a biblical quotation in Hebrew on the exterior of Yad Vashem, Israel’s official memorial to Holocaust victims in Jerusalem (1978). He designed three Israel Defense Forces (IDF) decorations: the Medal of Valor, the Medal of Courage and the Medal of Distinguished Service. He also created the logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima National Theatre, and the symbol and posters of the 9th-15th Maccabiah Games.

He had his first solo exhibition at the Israel Museum Jerusalem and Tel Aviv Museum of Art in 1976-77, and has since exhibited his works in Israel and around the world in numerous group and one-person exhibitions. In 1998 Reisinger was awarded the Israel Prize – one of the state’s highest honours – the first designer to be the recipient of such an award, exactly 40 years after his first award, the 1958 Brussels Expo first medal for poster design. For his 70th birthday, the Hungarian Government honoured Reisinger with a comprehensive one man show at the Museum of Applied Arts in Budapest.

Posted on Leave a comment

Han Yajuan (1980)

Schermafbeelding 2020-11-15 om 15.09.08

Sorry…..no this is not an Istagram post by a chinese influencer , but the portrait is of Han Yujuan.

韩娅娟
As part of the post-1978 generation, Han Yajuan (born 1980) is concerned with China’s socio-cultural transformations and new materialistic trends. Her works mostly employ a cartoon style based on Japanese anime, and explore the multi-dimensions of women’s lives.

Schermafbeelding 2020-11-15 om 15.13.42

Han Yajuan was born in Qingdao in 1980. She obtained the Bachelor of Fine Art at Oil Painting Department of China Academy of Art, and master’s degree at Central Academy of Fine Arts. She has lectured in the School of Media and Animation of China Academy of Art, and attended short-term study in Royal College of Art in Britain. Now she lives and works in Beijing and Hong Kong. She has held numerous solo exhibitions worldwide, including: China, USA, UK, Japan, Netherlands, Italy, Australia, Spain and Turkey. Her works have also participated in over a hundred national and international group exhibitions, including: “Story about the Orient-Art Invitational Exhibition of Asian Youth” in National Art Museum of China; “Go Figure! Contemporary Chinese Portraiture” at Australia National Portrait Gallery and Sherman Contemporary Art Foundation; “Future Pass” toured in Palazzo Mangilli Valmanara in Venice, Rotterdam Wereldmuseum, National Taiwan Museum of Fine Arts and Today Art Museum in Beijing. Han Yajuan’s work primarily deals with issues of female identity and self-awareness, she was ranked 7th in Reuters’ “The Hot-Young-Artists League Table”, and can be counted amongst some of the worlds’ most prestigious private and institutional art collections, such as The Uli Sigg Collection, CAA, and M+Museum.

www.ftn-books.com has the scarce Yujuan catalogue from her exhibition at Kerseboom Modern art now available.

yajuan a

Posted on Leave a comment

Ah Xian (1960)

Schermafbeelding 2020-01-20 om 09.39.22

I am not the greatest fan of Chinese art, althought i have learned to appreciate some of the artists and their works. One of the last to admire was the artist Ah Xian whose works were exhibited in the “stijl zalen” of the Gemeentemuseum Den Haag. They blended like they were meant to have been made for this location. Specially the “GOUDLEER” and Chinese rooms were a feast to the eye. Now i have acquired the exhibition catalogue for this exhibition. It is the one that sold out almost instantly. available at www.ftn-books.com

Schermafbeelding 2020-01-20 om 09.31.30

Chinese artist Ah Xian lives and works in Sydney where for nearly two decades he has explored aspects of the human form using ancient Chinese craft methods including porcelain, lacquer, jase, bronze, and even concrete. The artist often uses busts of his own family members including his wife, brother, and father onto which he imprints traditional designs with a vivid cobalt blue glaze. via Colossal.

ah xian

Posted on Leave a comment

Adriaan Rees (1957)

One of the most astonishing and surprising books i came across during my search for art books in the last year is certainly this Adriaan Rees book. Published in english and chinese. Containing cut outs, double pages , velvet cover this is a true artist book. Central theme within the book is the sculpture SCREAMING IN A BUCKET . Adriaan Rees is an exceptional sculptor in many ways.  Here is the text he wrote on himself and published it on his site.

EXPLORING WANDERER

Adriaan Rees (1957, Amsterdam) lives and works in China and Amsterdam. Rees is famous for his large-scale projects and assignments for public space. He makes sculptures and installations in many materials such as ceramics, bronze, glass, textiles, plaster and stone. He also works with photography and video.

When he works with clay, traces of his hands and the use of extreme power can easily be seen at the surface. He is approaching his sculptures almost as a landscape or a human body, sometimes in a sensual, sometimes in a brutal way. He is an artist who is not predictable, someone who always surprises with new ideas and approaches, a cosmopolitan artist.

Exploring wanderer, 2015

From 2000 Rees increasingly travelled to Asia, specifically to Japan, Korea and China. He is intensely affected by these cultures and settled in Jingdezhen, China where he works in his own studio among the thousands of craftsmen locally.

Tradition and innovation, humor and seriousness, monumentality and intimacy, vulnerable and tough, traditional and contemporary, religion and war, fantasy and reality. All this you can find in his sculptures: it is a dialogue between cultural traditions like Europe and Asia.

His work can be found in collections around the world, in museums, private collections and in public space. Rees teaches in The Netherlands, Germany, Finland, USA, Japan and China and frequently gives lectures about his own work, art and art in public space.

He also works as an art advisor and curator. Since 2008 he is the initiator and project leader for the Exchange project 400 years Delft – Jingdezhen. This project brings artists, designers, archaeologists and museums from both cities together. Famous are the Blue Revolution shows in museums in Delft (NL) and Jingdezhen and Donguan (CHN). The shows attracted more than 40.000 visitors in Delft, more than 80.000 in Jingdezhen and more than 200.000 in Donguan.

Rees was the curator of these shows.

The Adriaan Rees book is now available at www.ftn-books.com

Posted on Leave a comment

Ren Hang (1987-2017)

schermafbeelding-2017-02-26-om-12-04-48

It is sad to learn that the Chinese photographer Ren Hang ended his life yesterday at the age of only 29 years.

A very promising young photographer, a talent like Araki and Ryan McGinley, who dared to be different in his approach to contemporary (nude) photography. As FOAM remembered in a short blog. Provoking and poetic at the same time and totally different from his Chinese colleagues. A talent which can be recognized immediately.

The exhibition in the FOAM museum in Amsterdam is well worth visiting and lasts until the 12th of March

https://www.foam.org/nl/museum/programma/ren-hang

and to get a great overview of his works, please visit chose the year and click on the photograph for some highly original and great photographs by Ren Hang.

http://renhang.orghttp://renhang.org

schermafbeelding-2017-02-26-om-12-03-08