Perhaps it is because we are from the same generation, but i find the drawings and paintings by Paul van der Eerden highly attractive. Recently i acquired, beside the publications i already have in stock at www.ftn-books.com , two triptychs by Paul avnder Eerden. Both fromthe late Eighties /early nineties, one reminded me very much of the abstract US action painetrs ( this is SOld now) the other is like the best Tapies has done. devided over three frames there are 3 abstract composition froming the triptych. This one is still available.
Paul van der Eerden is collected by dutch museum adn collectors and serves to have an audience outside the Netherlands too.
In 1970 only 2 years after the first exhibition with Minimal Art at the Haags Gemeentemuseum ( Curated by Enno Develing) , there was an initiative by 3 aspiring admirers who wanted to present their choice of Contemporary Art with a focus on Minimal Art. Organized by the Kunsthistorisch Instituut in 1970 a location was found with the Nebato Fabriek in Bergeijk. The Nebato metal construction company executed some of the works by LeWitt and Judd and in the meantime the artists stayed nearby with Martin and Mia Visser. The Visser’s collected during 3 decades one of the most famous of dutch Modern Art collections and focussed in those early years on Minimal Art . From the early beginning of 1966 they started collecting LeWitt and Judd. Building this way a world famous collection of Minimal Art. It all comes together in this exhibition at the Nebato factory in 1970. Participating artists were: van Amen, Balth, van benthumn, Graatsma, Gribling, Grosvenor, Judd, LeWit, Morris, van Munster, Naumann, Slothouber and Staakman. This catalogue is rare and one of the most important Minimal Art collectibles there is. publication is available at www.ftn-books.com
There is a nice article to be found on the internet in which the relation between Visser the collector and the (minimal )artists is explained.
Another two weeks and the 2019 Formula 1 season will start with the Australian Grand Prix in Melbourne on the 17th of March.
I have a lifetime fascination with Formula 1 and from my 17th until this day i am following the complete Formula 1 season. Qualifying and the Race itself i am present and dollow the live transmission. It is rare, but sometimes both items i admire , Art and racing, are combined into sculpture or paintings. One of the artists that comes to mind is Kees van BOhemen who made a series on Racing and racing drivers in the late Sixties.
Furthermore there are of course the car manufactureres themselves who commission artist to develop and paint their cars into special editions. But Kees van BOhemen stands out for me since his use of paint and subjects leans towards total abstractiuon and it is only a small step to make a “racing” painting into an abstract painting. www.ftn-books.com has a nice selection of Kees van Boehemen catalogues available.
RemyZaugg was a Swiss painter, primarily known as a conceptual artist. He played an important role as both a critic and observer of contemporary culture, especially with regards to the perception of space and architecture.
This is how the biography of Zaugg on Widewalls starts, but there is of course much more to be told about Zaugg. Zaugg will be one of the great Swiss artists and because of the interest the dutch curators had and still have in Swiss artists ( there are many swiss artists in dutch public collections ) these artists are presented frequently in the Netherlands. Look at the history of the Gemeentemuseum ( Hodler, Gerstner, Lohse ) Stedelijk Museum ( Tinguely, Raetz and Lohse ) and the van Abbemuseum ( Lohse and Zaugg).
They all have a history with Swiss artists. The last one , the van Abbemuseum had a special exhibition on Remy Zaugg. and with this one of the first typically “RUDI FUCHS” catalogues was published. Hardly any illustrations, but functional text in a functional sober design…personally i love these catalogues and some of them are available at www.ftn-books.com. I will highlight two of them in this blog. Both are rare and typically for the van ~Abbemuseum books published in the eighties. The catalogues by Zaugg and Ian Wilson are well worth collecting.
Another forgotten artist who had his moments at the begiining of his career is Pjeero Roobjee. In the early Seventies he had his first exhibitions and until the beginning of the Eighties his work was presented frequently at renowned galleries. Just after his presentation for Belgium at the Venice Biennale in 1980 , his name almost disappeared from the exhibition calendars and only some of his literature was published .
But see….he is still working and with the same approach to painting he created his works even after 1980
It is a pity since his approach to painting was of a child like perspective, but with inserting very mature elements, he created fairy tales for adults on canvas. His works were sold through Lens fine art and d’Theeboom, which catalogues are available at www.ftn-books.com
An exhibition from 1951, an important exhibition of which i noticed that many of the sculptures are now part of the permanent collection, but what makes this publication even more special is that it is a very large publication for those days. It contains 62 pages and…… a plan for the exhibition. I had never seen the publication before but the plan makes it even more special. It shows the importance of the exhibition and the scale must have been enormous for those days. It was so large that it needed a plan not to get lost. This plan is what i want to share with you, because it is very special. The publication is for sale at www.ftn-books.com or you can exchange this for the Erwin Olaf publication…Erwin Olaf – I am. A historic publication for a future collectible photobook.
(please note that the Gemeentemuseum was open in the evening too)
When i first learned that Rudi Fuchs would become the new director of the Haags Gemeentemuseum, i started following his career back and noticed some impressive exhibitions which were held at the Castello di Rivoli near Torino a modern art museum of which he was artistic director between 1984 and 1990.
The artists that he presented at that location were soon to become household names in the years he was director and head curator of the Haags Gemeentemuseum. The “Rennweg” book with art by Nitsch, Brus, Pichler , Attersee and Rainer was one of the first from the Castello di Rivoli that was available at the bookshop of the Haags Gemeentemuseum and now the circle is completed since i recently bought a” lot” at auction…all from the former library of Rudi Fuchs and within these…the RENNWEG catalogue which is now available at www.ftn-books.com
Take a little from Marcel Duchamp and mix this with a snuff of Panamarenko….the result CARELMAN
An artist i did never had heard of until a year ago when i bought a small collection of art books and posters and Carelman was present in this collection. Some early Sixties and Seventies publications where in it too and also an early french exhibition poster ( all available at www.ftn-books.com).
It struck me that his name has not become more famous since his art is orgina and authentic and was known well before the name of Panamarenko rose to fame in the late Seventies. (useful) Objects which are rebuild into another object , making them strange and not suitable for anything else than being a rebuild object. a Parody on the Manufrance catalogue from the sixties
Carelman is best known for this Catalog of fantastic things (Catalogue d’objets introuvables) It even has been translated into 19 languages, so Carelmans objdects are well known all ver the world , still his name is almost forgotten by all.
Just because personally i think that Ossip is one of the most important contemporary artists in the Netherlands and because he has an exhibition currently at galerie Ramakers, i want to share the documentary that was broadcasted yesterday on dutch television. It shows Ossip (Snoeck) and his father Jan Snoeck at work in their studios. They both have a very personal and authentic approach to their art and the universe Ossip creates and has created with his “sculptures”
Within 24 hours two great artists have died shortly after each other. Yesterday, Karl Lagerfeld died and this morning i learned that the architect of the Groninger Museum and the founder of the Studio Alchemia mouvement has died 24 hours before. I am a great fan of Mendini and in the Nineties i was glad to hear that he was chosen to be the architect of the Groninger Museum. Since i have visited the museum numerous times and i am always impressed with the wealth of details within this great Mendini building.
Allessandro Mendini, a greart multidisciplined artist , but above all a friendly, kind personality. 16th august 1931 – 18th February 2019
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20