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Heinrich Campendonk (1889-1957)

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Heinrich Campendonk was not unknown to me , but my time at the Gemeentemuseum Den Haag, made me much more aware of the qualities Campendonk had as a painter. Being a member of DER BLAUE REITER made me study his work more than average since i love the works by the artist of this group of painters.

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Campendonk was the son of a textile merchant, stopped his textile apprenticeship in 1905. From 1905 – 1909, he received artistic education from Johan Thorn Prikker, a very progressive school for arts and crafts at the time. He became friends with Helmuth Macke, August Macke, Wilhelm Wieger, Franz Marc and Paul Klee during this time. He was born in Krefeld. He was a member of the Der Blaue Reiter group, from 1911 to 1912. When the Nazi regime came to power in 1933, he was among the many modernists condemned as degenerate artists, and prohibited from exhibiting. He moved to the Netherlands, where he spent the rest of his life working at the Rijksakademie in Amsterdam, first teaching Decorative Art, printmaking and stained-glass, then as the Academy Director.He died as a naturalized Dutchman.

www.ftn-books.com has some nice Campendonk publications available.

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Erich Heckel (1883-1970)

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Germany has a great history of Woodblock printing. Dürer was one of the arliest of great artists who used the technique but the 20th century had his own group of great aretists who used the technique. Tere were of course the rtaist of the BLAUE REITER, but there was also the group of the BRÜCker to which Heckel belonged. Heckel is arguably one of the most abstract Brücke artists, but his technique is as good as all the other together, Personally i like Heckel very much and this has resulted in a nice selection of publications available at www.ftn-books.com

Heckel and other members of Die Brücke greatly admired the work of Edvard Munch, and aimed to make a “bridge” between traditional neo-romantic German painting and modern expressionist painting. The four founding members made much use of the print as a cheap and quick medium with which to produce affordable art.

Primitive art was also an inspiration to the members of the Die Brücke. It was Heckel’s brother who introduced the group to African sculpture, and it is noted that their acceptance of primitive art, which was to fortify decisively the expressive yearnings of European artists- Was unequivocal. It is through this style that they found a source of strength in the barbaric figures.