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Robert Burda (1942)

Robert Burda

Robert Burda has participated in painting therapy since 1976 and in art therapy since 1984. The different stages and events of his life are collected in his portfolio. Robert Burda begins with a drawing, and then emphasises detail with colour. An eidetic disposition allows him to recall emotionally charged experiences precisely as they occurred. He is also able to elevate himself, to view a situation from above and paint it as if from a bird’s eye view. An important aspect is the way he maintains a temporal or spatial distance to the events and the fact that he puts himself into the scene. Then he writes his name, as if to say “I was there”.

The creative atmosphere of his paintings can be sensed in the juxtaposition of light and dark, which itself penetrates the darkness with a structure created through different blacks. Robert Burda sees and forms himself within the contexts both of the group and the hospital, and appears, in the tension between light and dark, to be connected with the whole of creation.

www.ftn-books.com has some Burda titles available

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Outsider Art of atelier de Herenplaats

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By chance i found a publication by atelier de Herenplaats. An artist studio for the mentally deficient and i was really surprised to find some great art within this publiucation. This Art Brut/Outsider Art is matured and must be considered as true art. The spontanious compositions delight and i have read on the site of de Herenplaats that many of their artist have had their ( international) presentations in galeries and museums.

de Herenplaats site can be found on this address: www.herenplaats.nl

and www.ftn-books.com has the Herenplaats publication now for sale in its shop.

visjes

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Arnulf Rainer (1929)….übermalungen and OUTSIDER ART/ ART BRUT

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This what you first think of when you think of Arnulf Rainer…. he was the first to make ….übermalungen/overpaintings.

And has become world famous with them. Because of this fame and entrance to many collections and art dealers he has become probably the most important collector of Outsider art.

Ever since the early 1960s, he has been collecting Outsider Art: work by people on the fringes of society, including psychopaths, schizophrenics and other mentally ill people.

Arnulf Rainer was still very young when he first encountered Surrealism (an art movement in which madness is regarded as the ultimate expression of creativity). The experience motivated him to collect documents and photographs relating to art and mental illness. Rainer decided to train at the Academy of Art in Vienna, but abandoned the course almost instantly when he found that the teaching staff regarded his art as degenerate. An encounter with Breton, the founding father of Surrealism, also proved disappointing. These experiences in the early 1950s confirmed his belief that he needed to seek inspiration far outside the walls of the established art world. He developed his well-known ‘übermalungen’ (overpaintings), in which he reworked the surface of paintings or drawings by himself or by fellow artists.

In the 1960s he began purchasing works of what would later be dubbed Outsider Art or Art Brut. Via his Czech wife, a psychiatrist, he bought works of art from psychiatric institutions in Poland, Hungary and Czechoslovakia. In Vienna, he became friendly with psychiatrist Dr Leo Navratil, who was working at the Klosterneuburg Hospital (now known as Guggin) and offering talented patients, such as Hauser, the chance to concentrate on their art full-time. Rainer bought drawings and paintings by Guggin artists. Navratil in his turn held exhibitions and produced publications and invited Rainer to speak at international medical conferences.

In the early 1960s, Rainer made various drawings while experimenting with hallucinogenic drugs and alcohol to produce a state of mental confusion. He also became interested in the ‘catatonic phenomena’ – the voluntary adoption of bizarre and inappropriate attitudes – sometimes associated with schizophrenia. In 1968 he made his first ‘Face Farces’: black-and-white photographs showing himself in all sorts of uncomfortable positions, with his face contorted into a variety of grimaces, the contours and lines of the image being accentuated with felt-tip and chalk. If you consider the influence of outsider art to the works of Rainer himself , you must conclude that the influence is very strong, but that the Rainer art stands on its own.

There are some very nice Arnulf Rainer titles to be found on www.ftn-books.com