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Jean Miotte (1926-2016)

Jean Miotte stands as a distinguished figure of lyrical abstraction within the New School of Paris. From the outset, he has favored gestures and action as a means to convey emotion, bearing witness to his complex relationship with sensitive reality. His discourse is rooted in a semantical understanding where he views the sign as the “I” who paints; as he declares, “I am painting.” Miotte’s approach exists at the intersection of two extremes: on one hand, a writing that reaches the pinnacle of thought and sensation, and on the other, a joint and exuberant spontaneity that immerses oneself in a Zen spirit. This calling to the void became more prominent in 1962 after regular visits to New York, where he formed bonds with Rothko and Motherwell. Miotte pays homage to white, which transforms into light and “radiates and erases limits,” according to him. The fluid space is bisected by vigorous flat areas, extending into hemmed waves that are torn apart in a spatial labyrinth, its complacent pitfalls suppressed.

His paintings display a return to polychromy, with a palette of pure tones, favoring the primaries that he exploits for their sounds. The use of brushes, spatulas, and knives allows for the effervescence of a cursive graphic design, with rich, vibrant, and sharp accents that create a dynamic universe governed by contradictory and dual forces. A dispersion emerged in the seventies and eighties, leading to a new cycle centered on metamorphosis. Between violence and refinement, density and transparency, fervor and revolt, Jean Miotte’s paintings achieve a quivering balance of life. The rhythmic arabesque of its forms echoes the dance that inspires it. The unity of his language is realized in this formless lyricism, reaching a pictorial plenitude by giving substance to his sensations of light and embodying an indefinable sacred energy of living.

Jean Miotte, who has exhibited in Paris alongside Joan Mitchell, Jean-Paul Riopelle, and Sam Francis, is a prominent figure in the world of art.

www.ftn-books.com has several publications on Miotte now available.

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Wols (1913-1951)

 

Schermafbeelding 2017-05-11 om 11.11.09

Wols is the pseudonym of Alfred Otto Wolfgang Schulze. Wols is not very well known by many, but if you ask among curators…. who is the the best Lyrical Abstract painter in the world?….. There is over 50% chance they will mention WOLS as being the most important one. Not only a painter , but also a very gifted photographer, Wols is possibly the artist which i learned to appreciate the most over the past 4 decades. In the beginning i did not understand his art at all, but when you see more of his art in relation to what others did at that time you notce that his art was “new” and intuitive and his photographs had a surreal quality in them. Wols is an artist you will discover in the coming years , because worldwide several shows with his art are planned . Wols is an artist to be discovered, his art is in many ways fascinating and even rooted in religious art. And because i myself am a Wols admirer i managed to collect a nice inventory with Wols publications There are some nice Wols publications which are  available at www.ftn-books.com . You may find an excellent article on Wols at http://glasstire.com/2013/12/06/wols-a-misinterpretation/