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Bert Loerakker (1948)

Dutch Minimalism is a distinctive style in art and design that emerged in the Netherlands in the 1960s. It is characterized by a pared-down aesthetic that emphasizes simplicity, clarity, and functionality. One of the most prominent figures in Dutch Minimalism is Bert Loerakker, whose work has been celebrated for its precision, elegance, and understated beauty. This essay will explore the background and development of Dutch Minimalism, analyze the artistic style of Bert Loerakker, and assess the impact and significance of his work on contemporary art and design.

Background and Overview of Dutch Minimalism emerged in the context of the broader Minimalist movement that swept through Europe and the United States in the 1960s. It was a reaction against the excesses of Abstract Expressionism and sought to strip art and design of any extraneous elements. In the Netherlands, Dutch Minimalism was influenced by the country’s long tradition of design excellence, as well as the influence of other minimalist styles such as the Bauhaus and De Stijl. The characteristics of Dutch Minimalism include a focus on geometric shapes, primary colors, and simple forms. It emphasizes the use of industrial materials such as steel, concrete, and glass, and values functionality and practicality over ornamentation. Compared to other minimalist styles, Dutch Minimalism is known for its precision, attention to detail, and subtle use of color and texture.

Bert Loerakker was born in 1948 in the Netherlands and trained as a goldsmith before turning to sculpture and design. He has become one of the most celebrated Dutch Minimalist artists, known for his exquisite craftsmanship and minimalist aesthetic. Loerakker’s work is characterized by its geometric shapes, clean lines, and use of industrial materials such as stainless steel, aluminum, and glass. Loerakker’s signature style involves a meticulous attention to detail and a focus on precision and balance. He often works with modular forms that can be combined in different ways to create complex, multi-dimensional structures. His sculptures and installations are often site-specific, designed to interact with the surrounding environment and create a sense of harmony and balance.

www.ftn-books.com has several Loerakker titles now available and a painting from the former Salco Tromp Meesters for sale.

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Piet Dirkx…the new acquisition “l’Idee”

This is what if ound on this 1991 Piet Dirkx. Signed by Piet and titled “l’idee”.

This work belonged for a long time to the collection of Otto Schaap, who purchaseed it at Galerie Loerakker around 1991. It was part of this collection for nearly 3 decades and now it has found a new home in our collection. This is what we had when unpacked.

 

and this is the complete work presented on two nails as indicated by Piet. 51 cm apart, with the yellow “sandwich” on the right.

dirkx idee a

and here it is between some other works by Piet Dirkx.

dirkx idee c

for those interested in Piet Dirkx , please note that publications, cigar boxes and paintings are for sale. Please inquire at ftnbooksandart@gmail.com

 

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Oey Tjeng Sit (1917-1987)

Schermafbeelding 2019-12-11 om 12.16.34

I thought i had, but i just discovered that i had not written a blog on Oey Tjeng Sit before and there is now every reason to write a blog on this self taught artist, because i recently added a wonderful multiple to the collection of www.ftn-books.com. It is the Loerakker multiple on the occasion of the presentation of the monograph on the artist.

Amsterdam based pharmacist-artist Oey Tjeng Sit (1917-1987) invited visitors of an art fair to throw paper balls toward tin cans, decided to set fire to cages filled with balls of newspapers, or to fill warehouses with the same second hand paper material. He liked to add bizar titles to his works such as ‘Bicycling against the wind one might forget the invention of the wheel’, ‘An artist who is fashionable is a victim of good taste’ or ‘The only thing I know is that I trust blindly a feeling that promises me secrets.’
Oey Tjeng Sit, whose name means Yellow Clear Solid was born in Purwokerto (Java) at the foot of the Klud Volcano, that erupted just at the time of Oey’s birth. Born in the Year of the Dragon he found himself released of the duty to take care of his parents; that is why – after visiting high school in Bandung – he traveled to the Netherlands in 1938 in order to study pharmacy. Twenty years later he opened Apotheek Oey (Oey Pharmacy) at the Prinsengracht opposite the Anne Frank House. He took away the pills and potions out of the window display and started a small art gallery there. One of his nicknames was a ‘Dragon Man with a Dada Passion’ who showed the art work of colleagues and friends which gave him another epitheton: ‘the nestor of Amsterdam window art’. Oey’s work as an autodidact is characterized by a wide artistic range of disciplines: after a period of surrealistic drawings and paintings he started making wood and linoleum cuts, collages, assemblages and editing books through his own editorial ‘The Finger Press’.
In his collages, often together with Chinese ink and brush, as well as in his installations he used frequently news papers, of which he wanted to extend their short life, tied as they are to daily actuality. The newspaper was a source for many questions for Oey ‘Can we measure the weight of printed news?’ and ‘What contains more wood than newspaper letters?’ ‘If there is an order, then is it a temporary one.’

Oeys oeuvre – light-hearted, playful with a subtle feeling for the hidden esthetic quality of daily life – can be a long lasting confirmation of these words.

Beside the multiple i have more collectable books by the artist in my inventory

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Piet Dirkx weekly

Invitation by Loerakker gallery. On the invitation the multi colored designed facades by Piet Dirkx in Veldhoven. exhibition in 1994

dirkx loerakker x