There is a long history between the art of Max Liebermann and the Netherlands, because Liebermann used to work for long periods of time in this country.
From 1874 until 1914 he stayed during the summer period in Holland and painted together with his friend Isaac Israels in Laren, Scheveningen and Noordwijk. This is the reason why so many of great Liebermann paintings can be found in this country. These were given, trade or sold to collectors and friends , building this way the largest collection of Liebermann paintings outside Germany.
It was therefore no problem for the Gemeentemuseum to organize some 40 years ago one of the first retrospektives on Liebermann ( catalogue available at www.ftn-books.com) and because it was so long ago the Gemeentemuseum organized this year another Libermann exhibition with the focus on the dutch paintings he made during the summers he stayed here.
Max Liebermann (1847-1935) enjoyed a special bond with the Netherlands. From the end of the 19th century the German artist would visit Holland every summer. The country inspired his paintings for many years and he established a number of close friendships with artists from the Hague School. Despite these ties, Liebermann’s work is rarely exhibited in the Netherlands, so it is high time for a change!
The Gemeentemuseum is organising a major exhibition on this famous German artist:Max Liebermann – Impressions of summer. Top items from Liebermann’s oeuvre will highlight how he developed from Realist tot Impressionist. The exhibition will also consider his important role in the European art world, and his extraordinary private life.
Between 1870 and 1914 Liebermann spent a number of summers in the Netherlands with his friend Jozef Israels. Together they painted the fashionable lifestyle emerging in that period: outdoor cafés teeming with patrons enjoying the sun, riders and bathers on the beach. By that time Liebermann was a celebrated artist both in his native Germany and abroad, famous for his paintings with ‘sunspots’. In 1920 he was even appointed director of the academy in Berlin, a position he would have to relinquish towards the end of his life, when Hitler came to power. Yet he continued to be a favourite with the public in Germany, even after his death.
Despite the political and social tensions, Liebermann remained a sunny Impressionist in his work, as you will see in this exhibition. Max Liebermann – Impressions of Summer is organised with partner the Liebermann-Villa am Wannsee museum, featuring highlights like Free Hour at the Amsterdam Orphanage (1881-1882) and The Parrot Man (1902), painted at Amsterdam’s Artis zoo. Special detail: Liebermann’s Free Hour at the Amsterdam Orphanage will for the first time be leaving Frankfurt since it gained a permanent home there at the city’s Städel Museum.