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Franco Pinna (1925-1978)

pinna self

Without knowing who the photographer was i have encountered , many, many photographs by Pinna in the time i read the PARIS MATCH. Studying french i had to read the language, which meant that i bought weekly the Paris Match. Pinna’s photographs are easily recognizable and have a signature of their own.

He was born in La Maddalena, on July 29, 1925. In 1952 he moved to Rome and, after a brief experience as a cinedocumentary operator, constituted the cooperative Fotografi Associati together with Plinio De Martiis, Caio Mario Garrubba, Nicola Sansone, Pablo Volta, which was dissolved in 1954 due to economic difficulties. He followed the anthropologist Ernesto De Martino during several research expeditions in southern Italy (Lucania, 1952, 1956, 1959, Salento 1959), obtaining documents of great artistic and cultural value. In 1959 he published his first book, entitled La Sila, which was followed by Sardegna una civiltà di pietra (Sardinia, a stone civilization) (1961). Meanwhile, his photos appear in the magazines Life, Stern, Sunday Times, Vogue, Paris Match, Epoca, L’espresso, Panorama. From 1965 Pinna became the trusted photographer of Federico Fellini and made scene photos of his films Giulietta degli spiriti, 1965, up to Fellini’s Casanova in 1976; he also publishes some photo books (I ClownsFellini’s Film) inspired by his films. He died suddenly in Rome on April 2, 1978.

http://www.ftn-books.compinna has a nice italian publication on Pinna available.

 

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Giovanni Tommasi Ferroni (1967)

Schermafbeelding 2019-08-05 om 15.41.02

I have never met the painter, but i have followed his career from the time he had his first exhibition at Steltman gallery / Amsterdam. It was a blend of realism and the fantastic what appealed to met at that time. Fassoni and Parkes were 2 other painters attached to the gallery who made paintings somewhat in the same way. Fantasy combined with a fabulous technique produced some of the nicest paintings in the early Eighties. Ferroni was one of the artists at the gallery, but what his paintings made special was the scenes he created within his paintings . Scenes that reminded me of the the chaotic scenes fellini created within his movies. Here is the text that comes from the Steltman site on Ferroni:

Giovanni Tommasi Ferroni was born in Rome in 1967.
When he started painting in his father’s studio as a child, he carried on the tradition of a family of artists that goes back many generations. By working in the studio of his father Riccardo Tommasi Ferroni he was educated in much the same way his ancestors were during the baroque tradition / period.

Giovanni later studied Literature as well and specialized in Art History at the University of Rome. Both are still a source of great inspiration in his paintings today. His paintings create a beautiful fantasy world that is inhabited by all kinds of mytho-logical, historical and contemporary creatures. While Tommasi’s style and choice of subjects is influenced by the style of his ancestors, contemporary icons intrigue him as well. The resulting synthesis of classical style and subjects and contemporary analytical perspective is sometimes slightly ironic but always fantastic and delirious.

 

http://www.ftn-books.com / ftn-art has a beautiful etching by Ferroni for sale. a UNIQUE ( edition of 1 ) which is handcolored by the artist / please inquire at wvdelshout@ziggo.nl