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Tony Scherman (1950)

Scherman’s upbringing was diverse, as he was born in Toronto in 1950 but spent his formative years in Paris, Europe, and later in London starting from 1955. It is worth noting that his father, Paul, pursued a successful career as a conductor and violinist across Canada, Europe, and England. After earning his MA from the Royal College of Art in London in 1974, Scherman decided to return to Toronto in 1976. Throughout his career, he has showcased his artwork in over 100 individual exhibitions, spanning across Canada, the United States, Europe, Beijing, and Hong Kong. In fact, his 2001-2002 solo exhibition, titled Chasing Napoleon, was displayed in several American university museums. Accompanying this exhibition was a book published by Cameron & Hollis in the UK in 1999, which was globally distributed by D.A.P. in North America and Thames and Hudson elsewhere. Additionally, Scherman’s artistic talent has been recognized through his participation in various group exhibitions worldwide. One notable example includes his involvement in The Human Clay, an exhibition curated by artist R.B. Kitaj at London’s Hayward Gallery in 1976. Kitaj’s selections for this groundbreaking exhibition showcased works by renowned artists such as Frank Auerbach, Francis Bacon, Lucian Freud, and Leon Kossoff. The exhibition successfully toured public galleries in the UK and Belgium. In 2012, Scherman’s painting titled Macbeth Witch #1 was chosen to represent the year 1994 in the Spotlight on 40 exhibition, held in Ottawa to commemorate the 40th anniversary of the Canada Council Art Bank.

www.ftn-books.com has currently the Barbara Farber publication available.

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Ray Smith (1959)

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I first encountered the paintings by Ray Smith in 1992 at the Barbara Farber gallery, which catalogue is also available at www.ftn-books.com. These paintings are intense and “Rock and Roll”. Ray Smith could easily be seen as the child of Picasso and Frida Kahlo.

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He is a contemporary American artist, best known for his segmented paintings and sculptures combining elements of Cubism, printmaking, art historical reference, and collage into postmodern compositions. Often relating to Surrealism in his unreal juxtapositions, Smith’s work is also characterized by a unique kind of magical realism. He frequently utilizes anthropomorphic animals in his work in a manner akin to Pablo Picasso’s Guernica, stating about the creatures in his work: “They are beasts, but they are directly attached to a blueprint of our own existence.” Born in 1959 in Brownsville, TX on family land that was part of Mexico before the Texas Annexation, Smith grew up in Central Mexico, and continued to retain a cultural and geographic tie to the country. After attending art schools in both the United and Mexico, Smith ultimately settled in Cuernavaca while continuing to travel regularly to New York. Smith’s work can be found among the collections and exhibition histories of the Whitney Museum of American Art in New York, the Centre Pompidou in Paris, and The Metropolitan Museum of Art in New York.