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Sorel Etrog (1933-2014)

Schermafbeelding 2021-07-11 om 10.10.54

For us in Europe this is a lesser known artist/sculptor. But it appears that Etrog had his exhibitions at the Marlborough gallery and Galerie d’Eendt in the mid Seventies.

In 2000, a Toronto newspaper dubbed artist Sorel Etrog the “Grand Old Man of Canadian Sculpture.” It was an apt description, after a career spanning five decades including the installation of outdoor sculptures across Toronto, Canada and beyond. Yet Etrog was much more – a painter, draughtsman, film maker and not least, a literary man. He was keen to collaborate with the great thinkers of his generation, including playwrights Samuel Beckett and Eugene Ionesco, Toronto media guru Marshall McLuhan and composer John Cage.

Etrog was born into a Jewish family in Romania in 1933. After a childhood spent in flight from the Nazis and Soviets, he immigrated with his family to Israel in 1950 where he began to study art and exhibit. In 1958 he won a scholarship to the Brooklyn Museum of Art School and moved to New York City. There, he had a chance encounter with Toronto collector and AGO patron Sam Zacks, who invited him to Canada.

Etrog permanently settled in Toronto in 1963. Recognition came quickly with museum purchases, international exhibitions such as the Venice Biennale (1966), and a commission to design the Canadian Film Award statue, now known as the Genie (1968). Etrog resided in our city until his death in early 2014.

www,ftn-books.com has the Marlborough publication available

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Romano Frea (1945)

frea portret

An artist who had no connection in the Netherlands was known by Will Hoogstraate from gallery d’Eendt , but according to my information had no exhibitions at this gallery, but……. just look at the similarities with Will Leewens . Here is a work by Will Leewens (on the right) from roughly the same period. (Frea on the left)

Artist who worked over 1500 km apart from each other and were progressing and developing their works into the same world of abstraction. I still find this fascinating to discover and see that artists , working apart from eachother and probably not knowing the other person, are developing their art into the same direction.

I recently added two scarce Frea publications to my inventory. Both are still available at www.ftn-books.com