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Walter de Maria (1935-2013)

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Wim Beeren was the first curator /director of the Stedelijk Museum who bought for the collection of the SM a Walter de Maria. Others in the Netherlands, ao the Museum Boymans van Beuningen, would follow, but still there are not many works by de Maria to be found in dutch collections. Probably the main reason is not their appeal, but these works are hard to collect because of their sheer size and complexity. They need space….. a lot of space……

Complete rooms or even outside spaces have to be dedicated to one work ( see lightning field, de Maria’s most famous work) and that is for many Museums and collectors the main reason not to include a de Maria. Still whenever there is a retrospective in a museum, visitors are impressed and one can easily see why. Look at the video and get a nice impression of his qualities of his form of LAND ART.

and of course visit www.ftn-books.com for some nice publications.

 

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Enzo Cucchi (1949)

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Enzo Cucchi was born in 1949 in Morro d‘Alba, a farming village in the province of Ancona in central Italy. As an autodidactic painter Cucchi won different prices already in his early years even though he was more interested in poetry at the time. He frequently visited poet Mino De Angelis, who was in charge of the magazine „Tau“. Through „La Nuova Foglio di Macerata“, a small publishing house, he met with art critic Achille Bonito Oliva, an important figure in the artist‘s prospective career. In its catalogues „La Nuova Foglio di Macerata“ published writings of artists such as Cucchi’s „Il veleno è stato sollevato e trasportato!“ in 1976. Frequent trips to Rome in the mid-seventies revived Cucchi’s interest in visual arts. He moved to Rome, temporarily abandoned poetry and dedicated himself exclusively to the visual arts. Here Cucchi met with different artists such as Sandro Chia, Francesco Clemente, Mimmo Paladino and Nicola de Maria with whom he began to work in close contact and to establish dialectical and intellectual dialogues.Achille Bonito Oliva was the first to see this young generation of Italian artists of the seventies as a group. Since this group of artists has frequently have ehibitions as a group or as an individual artists in the Netherlands. The Groninger Museum and the Stedelijk Museum had shows during the eighties and nineties and bought several works for their collections. Together with the exhibitions some excellent catalogues were published of which some are available at www.ftn-books.com