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Jiří Georg Dokoupil (1954)

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We are from the dame generation and perhaps that is why i appreciate Dokoupil’s painting. Always extremely colorful and becoming more and more abstract.

The association is one of “stained glass” and i would not be surprised that in the end of his career he will be invited to make some church windows ( btw. Marc Mulders made some for the Chapel in the Gouda Museum). It takes some time to get  accustomed to the art of Dokoupil, but once you get know his paintings you only can admire them. Fled to Germany from Tsjechoslovakia in 1968, he soon joined the Mulheimer Freiheit group and participated in performances and group exhibitions together with Dahn and Adamski. In the Nethertlands he had his “one man” exhibitions at the iconic galerie Riekje Swart and became part of the exhibitions organized on the NEUE WILDEN by Frans Haks in the Groninger Museum and the Centraal Museum Utrecht. From these early days on his art developed into an abstract kind of art which is personal and typical for Dokoupil. An artist to keep following and see what his next step in art will be .

There are some Dokoupil publications available at www.ftn-books.com

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Walter Dahn (1954)….almost forgotten

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Beside a gifted painter and belonging to the JUNGE WILDEN movement and member of the Mülheimer Freiheit in Germany in the Eighties, Dahn is also known as a photographer and a musician. In the eighties he was invited for  exhibitions all over Europe and in the Netherland the Groninger Museum presented his works on several occasions, but in the Nineties and Zero’s the art of Dahn became almost extinct and the artist Walter Dahn disappeared from the art radar completely. Nowhere his art was shown and only an occasional gallery presented his new works. Personally i do not think this is fair, because his art is highly recognizable and sometimes shows great quality.

I like his art and maybe he will be appreciated once again when time passes and the JUNGE WILDEN painters like Fetting, Dahn and Bach will be reestablished as the great German painters they onmce were considered. Until that time you have to rely on the publications from the 80’s and 90’s that are available at www.ftn-books.com