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Martin Monnickendam (1874-1943)

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Jewish born Martin Monnickendam never became known in the Netherlands until two decades ago (1999) the Joods Historisch Museum devoted a retropective exhibition to the artist. He painted every day life and some great interiors of Synagoges in the years just after WWI but with these only reached local fame within the Jewish community. It was not until the DE BERGENSE SCHOOL grew in popularity that the name Monnickendam surfaced again together with Kees Maks. Both artists were fond of depicting daily life of the “well to do” . Making paintings of people in theatres, circus and restaurants. These paintings reflect how the dutch spend their days and free time in the early decades of the 20th century. He died in 1945 of pneumonia leaving an oeuvre that deserves to be re discovered.

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Kees Maks (1876-1967) .

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Another painter of daily life in the Netherlands, but only known in the Netherlands , is Kees Maks. The same as Mondrian, Sluijter and Gestel, he tavelled to Paris in his younger years before the first World War. There he entered the Salon the Automne and became a member, where he met Kees van Dongen ( see blog yesterday) and became influenced by this painter. Maks was fully recognized as an important painter when his painting Nightcafe was purchased by the Musee de Luxembourg in 1927.

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Contemporaries often placed Maks’s modernity in his figures, who were clothed and coiffed according to the latest fashion and demonstrated the latest dances, such as the FURLANA. Maks himself chose the clothing for his models, undoubtedly assisted by his wife who worked at Hirsch and later became and independent fashion designer.

As DE TELEGRAAF put itin in 1920….MAKS proved himself a painter who dares to go into raptures over the fashion of time. But despite all this qualities Maks in only known in the Netherlands and is rarely encountered in collections outside our borders.

There are a few tiles on Maks available at www.ftn-books.com

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