Another painter of daily life in the Netherlands, but only known in the Netherlands , is Kees Maks. The same as Mondrian, Sluijter and Gestel, he tavelled to Paris in his younger years before the first World War. There he entered the Salon the Automne and became a member, where he met Kees van Dongen ( see blog yesterday) and became influenced by this painter. Maks was fully recognized as an important painter when his painting Nightcafe was purchased by the Musee de Luxembourg in 1927.
Contemporaries often placed Maks’s modernity in his figures, who were clothed and coiffed according to the latest fashion and demonstrated the latest dances, such as the FURLANA. Maks himself chose the clothing for his models, undoubtedly assisted by his wife who worked at Hirsch and later became and independent fashion designer.
As DE TELEGRAAF put itin in 1920….MAKS proved himself a painter who dares to go into raptures over the fashion of time. But despite all this qualities Maks in only known in the Netherlands and is rarely encountered in collections outside our borders.
There are a few tiles on Maks available at www.ftn-books.com