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Lucien Clergue (continued)

A few years ago I wrote about the ARTA gallery in Den Haag, where limited edition graphic artworks were sold. In that post, I mentioned the purchase of a Lucien Clergue photograph from the gallery. It was from a series of photographs featuring a nude woman in the Mediterranean sea. The alluring body caught my attention not just because it was one of the first nude photographs offered to me, but also because of its exceptional quality.

At the time, I had no idea that photographs could be produced in limited editions, but upon seeing the stamp, signature, and edition number on the back of the photograph, I realized the reason for its affordability. It was a smart investment, as these photographs are now worth 200 times more and are sought after by photography collectors around the world.

Lucien Clergue (1934-2014) is a renowned photographer from the last century, and his series of naked women in the sea is considered among his best work. I still deeply appreciate this photograph and distinctly remember choosing the perfect copy to add to my collection. Although I no longer have a place to display it, I sometimes consider selling it in the future.

As a full-time antiquarian bookseller, I frequently come across Lucien Clergue publications, which I list for sale on www.ftn-books.com. Each time I do so, I am reminded of this captivating photograph of a woman in the sea by Lucien Clergue.

While there is still a great selection of photographs available for purchase on www.anneclergue.com, I have yet to see my particular photograph anywhere else on the web. Therefore, I would like to share it with you.

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Willem Sandberg must have admired Matisse

As a curator, Sandberg held a deep admiration for Matisse as an artist, and it can be assumed that Sandberg, as an artist himself, must have drawn inspiration from the older master. This is evident in Sandberg’s famous paper cuttings, which were created during a period when he was battling an illness. Matisse himself referred to this technique as “painting with scissors.” Could it be possible that Matisse’s cut-outs were the source of inspiration for Sandberg’s use of modeled torn papers in his book designs? These torn pieces of paper, combined with carefully crafted layouts, resulted in highly personal and iconic publications by Sandberg. While there are certainly differences between the two artists’ works, they both existed during the same artistic period, making it plausible that Matisse’s technique influenced Sandberg’s use of paper.

However, the survival of these two types of artworks has been vastly different. Sandberg’s paper publications, printed on paper, have easily lasted for 50 years or more. On the other hand, Matisse’s fragile cut-outs require restoration in order to preserve them for future generations. In the past 10 years, two significant restoration projects have been undertaken. One of these projects was the restoration of Matisse’s large cut-out composition “La Perruche et la Sirène,” from the collection of the Stedelijk Museum Amsterdam. The other was a project at the Beyeler Museum, in which visitors were able to witness the progress of restoring a large canvas titled “Acanthes.” These restored works are now on display at their respective museums, showcasing the true splendor of Matisse’s art.

These accomplishments serve as a testament to why Matisse is widely regarded as one of the greatest artists of the last century. To learn more about these two remarkable artists, visit www.ftn-books.com for a selection of publications. www.ftn-books.com recently added the Picasso Matisse publication from the Stedelijk MUseum to its collection

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Franz Ackermann (1963)

Hailing from the year 1963 in Germany, Franz Ackermann currently resides and operates within the bustling cities of Berlin and Miami. His creative pursuits are fueled by the concept of travel as an immersive encounter, coupled with themes of displacement and observation. Through his vibrant and dynamic works, Ackermann skillfully interweaves bursts of saturated colors with layers of overlapping forms, which seamlessly meld with fragments of imagery captured from the multifaceted and ever-changing urban landscape. Delving deeper into the complexities of globalization and the impact of tourism on our society, Ackermann’s artistic explorations continue to evolve and captivate audiences worldwide.

www.ftn-books.com has the Stedelijk Museum catalog now available.

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FTN books has moved to Oegstgeest

It took us over 3 months to move my inventory to Oegstgeest, but finally, today, i can say that we have moved the complete collection of Flight To Neverland books & collectibles. Some 280 boxes with books and 10 drawers of an architect cabinet filled with posters have now found a new location in Oegstgeest. We did not plan to move for another 5 years or so, because we thoroughly enjoyed our old home, but the opportunity to buy the new location was a once-in-a-lifetime opportunity. A home which will suit us for the coming years. So now it is business as usual and to celebrate this i offer you a discount code until the 6th of January 2025.

Use: MoveOegstgeest

to get an immediate 10% discount at checkout.

Thank you all for your patience and our best regards from OEGSTGEEST

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Jeff Wall (continued)

Revered as a leading contemporary Canadian photographer, Jeff Wall’s work delves into the complexities of images, representation, and memory. His larger-than-life photographs embody the visual style of advertisement, employing backlit transparencies and grandeur in their presentation. Known to recreate everyday moments, fiction, and art history in a “cinematographic” manner, he aptly dubs his work as “near documentary”. With a deep-rooted connection to his personal experiences, Wall explains, “[Near documentary] signifies that my pictures are inspired by my own encounters, and that I strive to capture those moments with utmost precision and accuracy.”

Having been born on September 29, 1946 in Vancouver, Canada, Wall attained his MA from the University of British Columbia in 1970. Dedicating his time to academia in the following decade, he pursued further education under the tutelage of renowned British historian T.J. Clark at the Courtauld Institute of Art in London. His background as a Conceptual artist and art historian paved the way for his exploration of diverse subjects, including Hokusai, Édouard Manet, and even novels like The Invisible Man. Garnering immense recognition, a print of his piece Dead Troops Talk (1993) shattered auction records at Christie’s in 2012 and was then the third highest-selling photograph ever.

Presently, his works are housed in the esteemed collections of Tate Gallery in London, the Art Institute of Chicago, the Hammer Museum in Los Angeles, and the Kunstmuseum Basel, to name a few. Holding steadfast to his roots, Wall continues to reside and create in his hometown of Vancouver, Canada.

www.ftn-books.com has some interesting Wall titles available.

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Charlotte Schleiffert (continued)

At the spot where one would typically expect a human head, there is instead a skull of an animal or an exotic mask. The attire is equally diverse, ranging from traditional clothing of far-off lands to futuristic uniforms, fur coats, and sharply tailored suits. Cowboy boots, pink pumps, or sandals on their feet and an assortment of objects in hand: spears, guns, a stylish handbag, or a falcon. It’s often impossible for the viewer to discern whether the figure is male or female.

Schleiffert predominantly depicts these figures on a large scale, making them larger than life. Her choice of materials is varied, from chalk to paint and from faux fur to aluminum foil. Schleiffert works with compositions of imagery, using collages as a starting point for her drawings and paintings. Redrawing is important to Schleiffert because, in her own words, it allows her to avoid creating everything from imagination.

Themes of oppression, freedom, power, and gender play a central role in Schleiffert’s body of work. By combining different styles, eras, and locations, her work raises questions about tolerance in life: her potential figures display a longing for what should be possible. Schleiffert says, “My figures are not always content with their lives and dream of an alternative.”

In addition to drawings and paintings, Schleiffert also creates installations and sculptures. She studied at the Academy of Arts and Design in ‘s-Hertogenbosch (1985-1990) and at De Ateliers (1990-1992). In 1999, Schleiffert won the Prix de Rome. Her work has been exhibited at places such as Heden (The Hague), Museum Het Domein (Sittard), and CBK Drenthe (Assen).

www.ftn-books.com has some Schleiffert publications available.

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Per Kirkeby (continued)

Per Kirkeby, a Danish creative, took inspiration from geology and natural surroundings, greatly influencing his paintings and brick sculptures. His devotion to the conceptual understanding of structures led him to work within specific parameters, containing the urgency of mark making. “A structure-less painting holds no significance to me. Structure reflects your level of responsibility towards the work,” he explained. “You can’t simply let it float around in pretty colors. It needs a core.”

Born on September 1, 1938, in Copenhagen, Denmark, Kirkeby pursued a degree in geology from the University of Copenhagen. However, he continued to cultivate his artistic practice, producing paintings, sculptures, films, and prints. In the 1960s, his performance art brought collaborations with Fluxus artists such as Joseph Beuys, Nam June Paik, and Charlotte Moorman. Tragically, in 2013, Kirkeby suffered a severe brain injury from a fall and was unable to paint before his passing on May 9, 2018, in his hometown of Copenhagen, Denmark.

Today, Kirkeby’s creations are held in esteemed collections, including the Art Institute of Chicago, The Museum of Modern Art in New York, the Tate Gallery in London, and the Louisiana Museum of Modern Art in Humlebæk, Denmark.

www. ftn-books.com has some nice Kirkeby titles available.

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James Lee Byars (continued)

As an artist, the late James Lee Byars was known for his unique approach that encompassed performance, sculpture, and installation, delving into themes such as memory, absence, and mystery. In a surprising turn of events, Byars achieved a significant moment in his career in 1958 when he convinced a curator at the Museum of Modern Art, despite showing up unannounced, to allow him to showcase his work in the museum’s stairwell. This event is now recognized as Byars’ first museum exhibition. In 2014, “James Lee Byars: 1/2 an Autobiography” was held at MoMA PS1, featuring a comprehensive collection of the artist’s work. Even as his health deteriorated from cancer, Byars continued to produce impactful pieces, such as his renowned performance work, The Death of James Lee Byars (1994). Alongside his exhibitions, Byars also published books and materials that encompassed his artistic endeavors.

www.ftn-books.com has some nice Lee Byars publications available