paralytic – FTN-blog

Schermafbeelding 2018-08-06 om 15.32.10

For me Barrie Cooke stands for the excellent taste Rudi Fuchs has in art and the beautiful designed catalogue Gracia Lebbink made for the Cooke exhibition in the Gemeentemuseum Den Haag in 1992. I can not remember if Cooke was present at the opening, but i still remember the first impression his paintings made on me when i first saw them in the exhibition rooms in the Gemeentemuseun. These paintings were personal and overwhelming and reminded me of the ones Francis Bacon made.

left Cooke and right Bacon

At that time Fuchs had become very interested in Irish art and presented Cooke shortly after he had had an exhibition with works by Jack B. Yeats

An artists’ artist, he won enormous respect from his peers over several generations for his utter commitment and the integrity of his vision. He was a passionate fisherman and the natural world was always at the heart of his work. His figure paintings and portraits are also exceptional.

His paintings are cherished for their dynamic, immediate, visceral connection with their subject matter. Early training at Skowhegan in the US and at Oskar Kokoschka’s School of Vision in Salzburg helped to shape the urgent vitality of his pictorial approach – a vitality reflected in the artist’s personality.

Having grown up in Bermuda and studied in the US, he went to England in 1954 to revisit his roots but found little to engage him. So he took a ferry to Ireland and, he said, felt at home even as he walked down the gangplank.

Irish life
He settled in rural Co Clare where he and his first wife, Harriet Cooke, lived in some poverty. Later he moved to Thomastown, Co Kilkenny, with ceramic artist Sonja Landweer, who introduced him to Rudolf Steiner’s ideas on natural processes. His next move was to a remote house overlooking Lough Arrow in Co Sligo.

The Barrie Cooke Gemeentemuseum catalogue designed by Gracia Lebbink is available at www.ftn-books.com

cooke a

If you ask me which artist was represented with the most beautiful and best catalogues published for every exhibition organized with his works…. the answer is Francis Bacon.

Oversized catalogues with several hundreds of pages, excellent print quality and because of its content in many cases with multiple fold out pages to show Bacon’s Triptych’s in the best possible way outside a museum.

I followed Bacon closely because in 2001 the Gemeentemuseum organized its most expensive and logistically one of the most difficult exhibitions ever ….the one on Francis Bacon. The plan was to print the catalogue in Singapore, but because of a promised book publication to the former director, he decided for a dutch publisher. An initial publication run was set in relation with the expected number of visitors. Soon after opening it proved a wrong estimate, because fortunately, the works by Bacon proved to be far more popular than expected. 3 editions of the catalogue were printed during the exhibition and in total almost 8.00o copies were sold . A huge commercial succes, but even more important a great succes for Bacon as one of the leading modern artists from the 20th century.

This was one of the last times so many large Bacon paintings ,including many Triptychs, were presented in one Bacon exhibition. The exhibition showed the importance of Bacon and because of this, the Gemeentemuseum got on loan the Bacon which is in the collection of the Museum Boijmans van Beuningen and one from the estate of Francis Bacon. Nowhere in the Netherlands so many Bacon paintings can be seen in one spot and and the sixties acquisition of the PARALYTIC CHILD WALKING ON ALL FOURS proved to be a worthy addition the collection of the Gemeentemuseum. ( in the JAARBOEK a study by Josephus Jitta is published on the “Paralytic child”)

wilfried

www.ftn-books.com