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Andras Gal (1968)

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This is the kind of painting that appeals to me. Monochrome, well not completely MONOCHROME, since there is a fine kind of structure in the upper layer. It is a bit like the miniimal paintings of Tomas Rajlich , who uses the surface of the paint to form a pattern on the canvas, making the painting not flat but finely structured. Combining his Monochrome canvasses in a way that makes them a composition on their own and there you have it , beautiful paintings by this young Hungarian artist.

Max Imdahl said about Gal.

„The painting finds its way behind every order, whether innate or trained, defined conceptually, mathematically, geometrically or by a (formal) aesthetic: it finds the ground of (absolute emotion )as a kind of elementary capacity.” (Max Imdahl)

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The above publication is available at www.ftn-books.com

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