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Johan Thorn-Prikker (1868-1932)

Johan Thorn Prikker assumed the role of Professor for Painting at Kölner Werkschule (predecessor of KISD) from 1926 to 1932. Despite the time frame of his work predating the current century, Prikker’s life and artistic output still present us with profound insights into the intricate connections between art and craftsmanship, art and society, and art and spirituality. Drawing upon the wisdom of Aristotle, Giambattista Vico, and Friedrich von Schiller – intellectuals whose discourse features prominently in my KISD seminar, “The Eye Is Part Of The Mind” – I contend that Prikker’s comprehensive perspective offers a thought-provoking lens through which to view the realms of art and politics, particularly in light of contemporary reinventions of the therapeutic potential of art. Indeed, Prikker’s seemingly ornamental paintings and designs were never intended to simply serve as aesthetically pleasing decorations. Prikker’s vast artistic repertoire, coupled with his endeavors as an educator, curator, and designer, stem from his (romantic) conviction that art has the power to liberate the human imagination, ignite euphoric states and chaos, and that these experiences are crucial for true emancipation of creativity!

www.ftn-books.com has several Thorn Prikker pulbications available.

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Jacek Malczewski (1854-1929)

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There are not many Polish artists who have made a name for themselves in the western art world. But since a few decades some Polish artists emerge in the established museums in western Europe and Malczewski is one of them. He was presented in a retropective exhibition at the Drents Museum in 2003 and for me it was the first time i heard of this Polish artis and saw some of his better works. He is considered to be a symbolist painter and he certainly is, but in my opnion he more is a realistic artist who paints and draws every day life and people from his surroundings but frames them in a symbolistic way.

There is hardly any symbolism in the foreground of his art and the people he depicts, but look at his paintings and you will discover that there is symbolism and symbolistic elements, everywhere and even at some moments complete symbolic scenes in the background. This is how good art has to be and this is certainly true for Malczewski’s art. To discover this Polish artist the Drents Museum catalogue is a perfect starting point.

The Drents Museum catalogue is now available at www.ftn-books.com

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