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Jan Boom ( 1922-2001)

Jan Boom was born in Rotterdam and grew up in a Calvinist family. Religion, along with still life, would later become the common thread within his body of work. He painted still lifes, portraits, religious scenes, and cityscapes. Jan Boom was one of the promising young painters of Rotterdam.

The artist then decided to change course and move to the countryside. He settled in a small farmhouse in Leerbroek, located 50 kilometers away. For many, his decision was incomprehensible. Even Jan Boom himself occasionally had doubts about his choice. Suddenly, he was cut off from the city, from the government program for artists, and from other fellow artists. Despite his isolation, a few admirers continued to purchase his work.

Jan Boom’s departure to the countryside had a significant influence on his art. The tranquility of the rural surroundings seems to be reflected in his work. He continued to paint portraits, religious scenes, and landscapes, but still life became his main subject. He painted a small bouquet, fruits, jars, bottles, or other objects from “the kitchen cabinet.”

www.ftn-books.com has the Gorinchem catalog now available

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Eric Kengen (1952)

After a brief period of schooling, Eric Kengen embarked on a journey of exploring different occupations, all the while pursuing his passion for drawing.

In 1982, a series of events culminated in his inaugural exhibition, which paved the way for him to fully immerse himself in the realm of painting. This art form became a vehicle for constructing his own identity. With the passing of time, a distinctive world took shape, characterized by a unique blend of ancient gestures, intricate connections, and a human form positioned under the auspices of the enigmatic and indecisive.



Enigmatic allure, the paradoxical pursuit of truth.
Delicacy, loyalty, ancestry, sensuality, symbolic representations, and kinship: each element plays a significant role, eloquently expressed through lucid and unambiguous language.

www.ftn-books.com has the Pierre Hallet catalog now available.

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Mića Popović (1923-1996)

Born in Loznica on 12 June 1923, Mića Popović, a renowned painter from the second half of the 20th century, grew up in Belgrade after his family relocated there when he was four. He completed his primary and grammar school education in the city.
Following World War II, he started attending the Academy of Fine Arts in 1946 as a student of Nedeljko Gvozdenović, but later that same year, he transferred to the class of Ivan Tabaković. Alongside his classmates from Tabaković’s class, he formed the well-known Zadar Group in the spring of the following year. However, they were expelled from the Academy for neglecting their classes in the autumn. Although the others were eventually readmitted, Mića Popović continued his artistic journey as a freelance painter.

In 1950, Popović held an extraordinary solo exhibition featuring 160 paintings and accompanied by a catalogue containing his reflections on modern art. After the exhibition, he embarked on a journey to Paris with his wife, Vera Božičković Popović, exploring various Mediterranean destinations along the way. Upon their return to Belgrade in 1952, Popović curated an exhibition titled “The Village of Nepričava” at the Museum of Vuk and Dositej. During this period, he delved into the theory of art and published his first book on the subject, titled “Clashes and Harmonies,” in 1954. Subsequently, he showcased his exhibition “Fog to the Bones” at the Art Pavilion in Kalemegdan Park, followed by numerous exhibitions both in the country and abroad.

In the late 1950s, Popović began painting during his Informalism period, showcasing his works for the first time in 1960 at the Museum of Applied Arts in Belgrade. He became a regular exhibitor at the October Salon and joined the art group Lada in 1965. Throughout the 1960s, he received various awards for his artwork and expanded his horizons to theater and direction. In 1963, he directed his first feature film, “The Man from the Oak Forest,” followed by a theater production titled “Viktor or Children in Power” at Atelje 212 two years later. Additionally, he directed films such as “Roj,” “Kameni despot i jedina mogućnost narodne pesme,” “Hasanaginica,” “Delije,” and “Burduš.”

Subsequently, in terms of painting, Popović returned to figuration but in a unique manner. In 1971, he organized a solo exhibition titled “Scene Painting” at the Museum of Modern Art. He then embarked on a series of international travels, visiting China, Thailand, India, and Iran. While exhibitions continued to follow, his major solo exhibition at the Cultural Centre of Belgrade in 1974 was unexpectedly cancelled just before its opening.

In 1980, Popović and his family headed to America, embarking on an extensive journey throughout the country.

www.ftn-books.com has the Belgrade book from1984 now available.

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Otfried Rautenbach (1942-2016)

Two drawing compilations were bequeathed by Otfried Rautenbach (1942-2016) to the Artist Archive of the Kunstfonds Foundation. Photographic works are set to follow.

Rautenbach initially completed an apprenticeship as a typesetter in Cologne. In 1962 and 1964, he attended the International Summer Courses for New Music in Darmstadt, studying with composers Stockhausen, Ligeti, Boulez, and Heinz-Klaus Metzger. Rautenbach garnered recognition as a typesetter, illustrator, photographer, and composer. In the publishing house he founded, “Hagar,” not only books are released, but also scores. Rautenbach often took charge of designing the artwork for publications by artist friends.

From 1963 to 1967, he published drawings under the pseudonym Friedrich Leinbereiter. These peculiar pencil drawings resemble functional sketches underlying inventions, despite the individual figures and motifs not forming a cohesive image.

For his photo series, the “Permanentschauen,” Rautenbach worked with a half-frame camera, which utilized a standard 35mm film but exposed it to 18 x 24mm, the original silent film cinema format. This effectively doubled the number of images. He showcased the slide series in the shop window of his Heidelberg apartment for passersby during the night.

Later, Rautenbach founded the OR-Film-Sound-Corporation. It led to several performances by the association in Munich, Heidelberg, and Berlin. Rautenbach now worked with 16mm films, which he exhibited along with specially composed live music. In Berlin, as well as later in other cities, he organized salon concerts featuring contemporary music.

www.ftn-books.com has a signed and numbered “38 PHOTOS” from 1980 available. Edition of only 300 copies , numbered 209

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RISSA (1938)

The painting style of Rissa is known for its reduction in style and focus on volume and form. Instead of relying on color transitions and light-dark gradations, she employs individual color areas that are placed alongside one another to create a spatial effect and a higher level of abstraction. The brush strokes used also give nods to Informalism as they break through the individual color areas.

Rissa’s subjects in her artwork encompass themes of sexuality, eroticism, emancipation, environmental dangers, and the animal kingdom. However, in the early 1990s, her focus shifted to include topics such as the Gulf War and Islam. Demonstrating this change, she painted veiled Bedouin men and women in pieces like ‘Wüstensohn’ from 1991 and ‘Wüstentochter’ from 1993. One notable painting from this period, ‘Am Golf’ from 1991, portrays a fish leaping out of an oil-infested and burning sea.

Aside from her paintings, Rissa has also released ink drawings and gouaches since the mid-1950s, often serving as accompaniments to poems by Karl Otto Götz.

www.ftn-books.com has several RISSA titles available.

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Albwert Oehlen (1954)

From 1978 to 1981, Oehlen pursued his studies at the Hochschule für bildende Künste Hamburg in Germany, establishing himself swiftly in the art scenes of Berlin and Cologne. He became a member of the Junge Wilde group, alongside Martin Kippenberger and Werner Büttner, who aimed to create art that defied categorization and challenged the existing artistic conventions. Oehlen’s artistic practice involved examining the fundamental aspects of painting – color, gesture, motion, and time – in order to deconstruct the medium. This approach led him to experiment with various styles and techniques.

Throughout his career, Oehlen continued to explore new possibilities by incorporating technology into his work. He embraced inkjet printers, computer-aided design programs, and referred to the pixelated lines of computer screens. By doing so, he constantly altered the parameters he had set for himself, presenting new obstacles and challenges. For instance, he imposed limitations on his palette and combined perambulating black lines with carefully blended gradations in his Baumbilder (Tree Paintings). Additionally, he utilized techniques such as erasure and layering to juxtapose bright and muddy colors in his Elevator Paintings, a nine-part work created in 2016. In the late 1990s, Oehlen even spray-painted over collaged imagery on canvas, using large industrial printers typically employed for billboards.

Notably, Oehlen embraced the concept of “bad” painting, which allowed for a deliberate embrace of awkwardness and ugliness in his work. He incorporated unsettling gestures, crudely drawn figures, visceral smears of artificial pigments, as well as bold hues and flesh tones. Through this approach, Oehlen demonstrated that painting offers infinite possibilities for exploring form, and highlighted the artist’s ability to manipulate these combinations to create new perceptual challenges for the viewer.

www.ftn-books.com has the Kunsthalle Zurich book ao available.

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Roger Bezombes (1913-1994)

Roger Bezombes, a French artist specializing in painting, sculpture, medal-making, and design, underwent his education at l’École des Beaux-Arts in Paris. In his artistic endeavors, Bezombes adopted the vibrant color palette famously used by Henri Matisse. His paintings and studies of landscapes and figures often drew inspiration from his observations of exotic cultures, particularly those in the Mediterranean and North Africa. Bezombes had a strong affinity for travel, exploring countries such as Belgium, Germany, Italy, Greece, Crete, Israel, North Africa, and the United States. His works received regular exhibitions in Paris through prestigious events like the Salon d’Automne, the Salon des Artistes Independants, and Les Tuileries. Influenced by notable artists like Gauguin, Van Gogh, and Matisse, Bezombes developed a distinctive and widely cherished style that has captivated audiences around the globe. Additionally, he contributed to various artistic ventures, including tapestry designs for Aubusson, posters (such as the notable image employed by Air France), and costumes and sets for ballet performances at the Metropolitan Opera House in New York. Bezombes represents the quintessential French artist of our time — passionate, dedicated, and continuously engaged. These exceptional qualities resonated profoundly in his artwork, leading to its high demand and collection both within France and internationally.

www.ftn-books.com has now the Documents publication on Bezombes available.

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Pierre Eugène Clairin (1897-1980)

Born in 1897, Pierre Eugene Clairin was a multifaceted artist, excelling in the fields of painting, illustration, and writing. His journey in the art world commenced under the tutelage of Fernand Cormon, studying painting in his studio. Furthering his education, in 1919, he embarked upon studies with Paul Serusier at the Academie Ranson. Exhibiting his works in both Pont Aven and New York, Clairin experienced immense success in the latter. Immersing himself in the cultural landscapes of Morocco and Algeria, he drew inspiration from these rich environments. Additionally, Clairin donned the hat of an aviator during the First World War. Later on, in the 1950s, he lent his artistic prowess to illustrate the works of Montherlant and Camus. Finally, in 1980, Pierre Eugene Clairin passed away.

www.ftn-books.com has the 1957 Cailler publication on Clairin available.

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Frans Baake (1958), Unveiling the Artistry and Rarity: Exploring Baake’s Limited Edition Artist Books

Introduction to Frans Baake and his limited edition artist books

Frans Baake is a renowned artist known for his exceptional talent in creating limited edition artist books. Born and raised in Delden the Netherlands, Baake’s passion for art  has culminated in the creation of unique and captivating works of art. His limited edition artist books have gained significant recognition in the art world for their exquisite craftsmanship and artistic vision.

Limited edition artist books are a special form of art that combines the aesthetics of visual arts with the written word. Unlike traditional books, limited edition artist books are produced in a limited quantity, making them highly sought after by collectors and art enthusiasts. These books are not mass-produced, ensuring that each copy is a masterpiece in its own right.

The significance of limited edition artist books in the art world

Limited edition artist books hold a special place in the art world due to their rarity and artistic value. These books bridge the gap between literature and visual arts, creating a unique and immersive experience for the reader. The limited quantity of these books adds to their allure, making them highly coveted by collectors.

Artists like Frans Baake use limited edition artist books as a medium to express their creativity and push the boundaries of traditional storytelling. These books often incorporate various art forms such as painting, printmaking, collage, and sculpture, resulting in a multi-dimensional and visually stunning artwork. The fusion of different art forms within the pages of these books allows artists to convey their message in a truly distinctive and impactful manner.

Exploring the artistic process behind Frans Baake’s limited edition books

Frans Baake’s artistic process is meticulous and intricate, reflecting his dedication to creating exceptional limited edition artist books. Each book is a labor of love, with Baake meticulously handcrafting every aspect of the book, from the binding to the illustrations.

Baake begins his artistic process by carefully selecting the materials for his books. He values the tactile experience of holding a book, so he chooses high-quality paper, leather, and fabrics that enhance the overall aesthetic and durability of the book. The materials he selects often have a symbolic significance, adding another layer of meaning to the artwork.

Once the materials are chosen, Baake dives into the creation of the artwork. He employs various artistic techniques, including printmaking, painting, and collage, to bring his vision to life. Each page of his limited edition artist books is a masterpiece, showcasing his technical skill and artistic prowess. Baake’s attention to detail is evident in every stroke of the brush and every cut of the paper, resulting in a visually stunning and emotionally evocative artwork.

Limited edition artist books are highly coveted by collectors due to their rarity and artistic value. Unlike mass-produced books, limited edition artist books are produced in a limited quantity, making each copy a rare find. This limited availability adds to the collectability and value of these books.

Collectors are drawn to limited edition artist books as they offer a unique opportunity to own a piece of art that is not only visually stunning but also conceptually rich. The limited quantity ensures that each book is unique, making it a valuable addition to any art collection.

Furthermore, limited edition artist books often appreciate in value over time, making them an attractive investment for collectors. As the demand for these books increases and the editions become sold out, the value of the books can rise significantly. Collectors who acquire limited edition artist books not only have the pleasure of owning a beautiful piece of art but also have the potential to see their investment grow.

How to acquire Frans Baake’s limited edition artist books

Acquiring Frans Baake’s limited edition artist books can be a challenging task due to their limited availability. These books are often sold through specialized art galleries, art fairs, or directly through the artist’s studio. It is essential to stay informed about upcoming exhibitions or releases to have the opportunity to acquire one of Baake’s masterpieces.

Additionally, joining mailing lists or following art galleries and institutions that represent Baake can provide valuable information about the availability of his limited edition artist books. It is also worth considering reaching out to art dealers or art consultants who specialize in contemporary art and can assist in acquiring Baake’s books.

The impact of limited edition artist books on the art market

Limited edition artist books have had a significant impact on the art market, shaping the way we perceive and collect art. These books have become highly sought after by collectors, leading to an increase in demand and market value.

The rise of limited edition artist books has also led to a greater appreciation for the artistry and craftsmanship involved in their creation. Artists like Frans Baake are pushing the boundaries of what is possible within the medium, resulting in a renaissance of bookmaking as an art form.

Furthermore, limited edition artist books have democratized the art world by making art more accessible to a wider audience. These books offer an affordable entry point into collecting art, allowing individuals to own a piece of art without breaking the bank. This accessibility has expanded the reach and influence of artists like Frans Baake, making their work more widely recognized and appreciated.

Other notable artists and their limited edition artist books

Frans Baake is not the only artist creating limited edition artist books. Many other notable artists have embraced this medium to express their creativity and share their artistic vision.

One such artist is Anselm Kiefer, a German painter and sculptor known for his large-scale mixed-media works. Kiefer’s limited edition artist books often incorporate his signature use of unconventional materials, such as lead and straw. These books are highly sought after by collectors for their unique combination of visual and textual elements.

Another artist worth mentioning is Kara Walker, an American artist known for her provocative and thought-provoking artworks. Walker’s limited edition artist books explore themes of race, gender, and identity, challenging societal norms and expectations. Her books are visually stunning and intellectually stimulating, making them highly desirable among collectors.

The value of investing in limited edition artist books

Investing in limited edition artist books can be a rewarding endeavor both personally and financially. These books offer a unique opportunity to own a piece of art that is not only visually captivating but also conceptually rich. As the demand for limited edition artist books continues to rise, the value of these books can appreciate significantly over time.

Moreover, collecting limited edition artist books allows individuals to support and promote the work of talented artists like Frans Baake. By acquiring these books, collectors become custodians of art, ensuring that these masterpieces are preserved and appreciated for generations to come.

Conclusion: Celebrating the artistry and rarity of Frans Baake’s limited edition artist books

Frans Baake’s limited edition artist books are a testament to the artistry and creativity that can be found within the pages of a book. His meticulous craftsmanship and attention to detail have resulted in visually stunning and emotionally evocative artworks that captivate and inspire.

Limited edition artist books, like those created by Frans Baake, hold a special place in the art world due to their rarity and artistic value. These books bridge the gap between literature and visual arts, creating a unique and immersive experience for the reader. The limited quantity of these books adds to their allure, making them highly coveted by collectors.

Collecting limited edition artist books is not only a way to acquire beautiful and meaningful works of art but also an opportunity to support and promote the work of talented artists. By investing in these books, collectors become custodians of art, ensuring that these masterpieces are preserved and appreciated for generations to come.

CTA: If you’re interested in exploring the world of limited edition artist books, I encourage you to visit Frans Baake’s website or contact your local art gallery to inquire about the availability of his works. Acquiring one of Baake’s masterpieces is a unique opportunity to own a piece of art that celebrates the artistry and rarity of limited edition artist books.

www.ftn-books.com holds currently several titles by Frans Baake in sites inventory

artists books by Frans Baake
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Leon Adriaans (1944-2004)

Leon A. Adriaans was a Dutch painter widely known as the “last true Brabander” and the “inventor of Brabant art”, according to Maarten Beks (1994). Born in Helmond in 1944, he was the fifth child of Leo and Alberta Adriaans. Leo’s father was a factory manager in a textile mill. Unfortunately, their family had to endure the loss of their third child, Winus in September 1946. Years later, Leo decided to change his name to Leowinus, which he later shortened to Leon.

During his time in primary school, one of his teachers, Harry Crijns, recognized his talent for drawing. Additionally, stonecutter André Driessen also encouraged Leon Adriaans to become an artist. However, his parents sent him to a secondary school, after which he applied to attend the art academy in ‘s-Hertogenbosch. He was accepted on the condition that he would get his secondary school diploma while attending evening classes. Leon Adriaans studied there from 1963-1967, but was ultimately disappointed with the prevailing art theories at that time.

Adriaans’ artistic growth was largely influenced by the “zware Van Nelle club,” which consisted of his colleagues from his student days, including Henk van der Rijdt, John van der Rijdt, Richard Menken, and Frans Schouten. Henk van der Rijdt also introduced the group to Jacques van der Heyden, who was known as JCJvanderheyden. The group frequently experimented with various mediums of art, such as video, film, and sound. Adriaans interpreted Arte Povera within the context of the “zware Van Nelle club,” working primarily with inexpensive and easily obtainable materials to create a new kind of visual language.

From 1970 onwards, Adriaans used animal feed bags as his painting canvas. In the mid-70s, Adriaans rented out a stable and field in the Sterrenbos, just south of Den Bosch. This allowed him to pursue his love for animals. Aside from being an artist, he also managed to live as a farmer. In 1975, Adriaans had his first exhibition at the Utrecht cultural center ‘t Hoogt. He described his work in the following words: “My very first exhibition has begun. It is centered around black, white, suffering, women, my work, animals, and the unknown” (Van den Hoven, 2008, 64).

www.ftn-books.com has the important GESMOLTEN RIJP IN DOOLBROEK book now available.