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Gerard Petrus Fieret (continued)

If one were to inquire among the multitude of photo collectors in the Netherlands about the most significant photographer of the 60’s and 70’s in the country, it is almost certain that over 50% would mention Fieret.

In the last two decades of his life, Fieret secluded himself, distancing himself from ordinary society and spending his days feeding pigeons and creating numerous drawings. He even isolated himself for nearly a month to embellish an entire room in the Gemeentemuseum with his artwork.

However, during the 1960’s and 1970’s, Fieret’s primary focus was photography. He captured images from a unique and personal perspective, often “signing” them with studio stamps across the photos. Fieret had a discerning eye, always choosing to photograph from unconventional angles and perspectives, setting his work apart from other photos of the era. He particularly favored young women as subjects, along with street scenes, effectively documenting the essence of 1960’s Netherlands. For the past 15 years, Fieret’s work has been displayed in exhibitions beyond the Netherlands, including the United States where his first US exhibition was held at the Deborah Bell Gallery. The catalogue for this exhibition is available at www.ftn-books.com, among other resources.

In her reflection on her first encounter with Fieret’s work, Gaby Wood writes:

“Like most unfamiliar with Dutch culture, I had never seen Fieret’s work before. The examples displayed by the Rijksmuseum, however, are not entirely representative of his entire portfolio. Fieret is most renowned for his female nudes, yet the images I saw were more ethereal in nature. Nevertheless, I was immediately drawn to them: a large, obsidian print featuring a pale, milky-colored little girl, blurred almost to the point of abstraction; an aged interior, its contours so fuzzy it bordered on double-exposure; the self-portrait of a bearded man, captured in a manner appearing unintentional yet still conveying a sense of intense concentration.

The prints themselves were raw: uncropped, handled roughly and discolored along the edges; boldly signed with thick black marker. Some even contained small tears.

www.ftn-books.com has now a good selection of Fieret books and items available.

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Roman Cieslewicz (1930-1996)

One notable creator, omitted in my previous blog discussing Topor, is Roman Cieslewicz. Cieslewicz, a close acquaintance of Topor who resided in Paris, rose to prominence in the 1960s with his graphic design for prestigious publications such as Vogue and Elle, as well as for various event posters.

For the Dutch, the Stedelijk Museum presented his work for the first time in 1973. A superb catalogue, crafted by Wim Crouwel, was published in commemoration of the exhibition. This showcase demonstrated the remarkable talent of Cieslewicz, with the majority of the collection featuring his poster designs over the span of two decades.

Cieslewicz stands as an exceptional artist, whose recognition in his lifetime was far less than what he receives today. In recent years, his books have piqued the interest of graphic art students worldwide, a testament to his rising popularity. It is only a matter of time before books on Cieslewicz become scarce collectibles.

The catalogue is currently available at www.ftn-books.com, a valuable addition to any collection.

www.ftn-books.com has several titles on or with Roman Ciesliewicz available.

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Peter Struycken (1939)

Peter Struycken, born in The Hague in 1939, was one of the first artists in the Netherlands to incorporate computers into his artistic process around 1969. He was also among the first to create artwork on a large scale for public spaces and buildings.

Struycken’s work takes on various forms – paintings, drawings, installations, and moving images – characterized by abstract patterns and figures. These, along with color and light, play a significant role in his installations. In 1981, Struycken designed the well-known postage stamp featuring former Queen Beatrix, made up of countless tiny dots varying in size. This stands as a unique piece in Struycken’s body of work as figurative elements typically do not feature in his pieces.

Since 1987, Struycken has also designed lighting plans and theatrical sets. This is evident in his piece “Untitled” from 1993, which is a part of the colonnade beneath the archive building of Het Nieuwe Instituut in Rotterdam. “Untitled” illuminates the publicly accessible colonnade – the columns – after sunset.

Every ten minutes, the colors of the columns change, controlled by a computer program that ensures the red, green, and blue lamps display a different combination of primary and mixed colors each time. This theatrical passage becomes almost like a stage, an ambiguous space neither indoors nor fully outdoors.

Struycken studied at the Royal Academy of Art in The Hague (1957-1961). From 1964 to 1976, he led a department specializing in environmental art at the art academy in Arnhem. (Group) exhibitions of Struycken’s work have taken place at institutions such as Museum Boijmans Van Beuningen (Rotterdam), the Stedelijk Museum Amsterdam, Galerie De Expeditie (Amsterdam), and the Stedelijk Museum Schiedam.

www.ftn-books.com has many titles available on Peter Struycken.

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Michael Parkes (continued)

Michael Parkes initially painted in the Abstract Expressionist style, as taught by his professors, but a period of introspection led him to switch to a meticulous representation style. This allowed him to fully express his inner world of images.

Michael Parkes is a renowned painter, sculptor, and lithographer known for his magical realism works. Despite the challenging nature of the art world, he has achieved success and his pieces are sought after by celebrities, private collectors, and galleries worldwide. He has been exhibiting his works since 1977, when he had his first one-man show in Amsterdam. His exhibitions have taken place at prestigious events such as the Basel in Switzerland, Art Chicago, and Art fair NY, among others.

While he studied graphic art and painting at the University of Kansas, Parkes’ unique style developed during a period of isolation when he temporarily stopped creating art and traveled to India in search of spiritual enlightenment. His style is rooted in realism but incorporates magical elements, earning him the title of a Magic Realism artist. Drawing from both Eastern and Western esoteric doctrines, Parkes’ imagery is a fusion of various wisdoms such as cabalistic and tantric teachings, translated through his own imagination. Within his work, strange creatures coexist with winged women, the eternal battle between good and evil rages on (though it is often unclear which side is which), and entire worlds are created and destroyed in an ethereal realm, closer to the desires of the heart.

www.ftn-books.com has several Michael Parkes collectibles now available.

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Hans Bellmer (continued)

Born in Poland, but having spent most of his life in Paris, he led a reclusive existence and passed away in solitude in 1975. Only after his demise did the world begin to appreciate his art. Published books, exhibitions, and numerous sales followed, spanning across the globe. However, during his lifetime, he remained relatively unknown and uncelebrated due to his choice of subject matter.

It wasn’t until the final decade of his life that he gained recognition as one of the foremost surrealist artists of his time, particularly for his series of photographs on the doll, “La poupée,” which garnered international acclaim. In practically every one of his creations, his main theme centered around an erotic approach to his subjects. Themes of fetishism, voyeurism, and sadomasochism were recurrent, but the overtly sexual elements were not always immediately apparent. Often, one must analyze the composition of his work to uncover the erotic undertones within.

In 1959 and 1964, Bellmer finally received some recognition when he was invited to participate in the Documenta exhibition in Kassel.

In 1953, Bellmer began living with the writer Unica Zürn. Their relationship was a somber one, marked by seclusion and devoid of any social activities. They resided in the Hotel de l’Esperance in Paris, where Unica tragically took her own life by jumping out of a window in 1970. Bellmer passed away five years later, a solitary man. A melancholic existence for a greatly gifted artist. If one is unfamiliar with Bellmer, a good place to start is with Wikipedia, learning about his life and exploring the surreal world he has created. Our collection at www.ftn-books.com features some excellent titles on this fascinating artist.

www.ftn-books.com has a great selection of titles on Bellmer available.

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Vera Molnar ( 1924- 2023)

In 1924, in the vibrant city of Budapest, Hungary, a young and talented artist by the name of Molnár embarked on her artistic journey. At the mere age of eight, she began developing her skills, relentlessly laboring to perfect her craft. Her education led her down the path of Art History and Aesthetics at the esteemed Hungarian University of Fine Arts.

Continuing to hone her craft, Molnár had already built a substantial portfolio of traditional artwork by the time she delved into the world of generative and computer art. These innovative mediums would later become her claim to fame, earning her recognition and acclaim in the art world.

After receiving a scholarship to Rome, Molnár and her partner François moved to Paris in 1947. It was here that she would continue to thrive as an artist, eventually marrying her beloved partner. Settling into the Hungarian artistic community in Paris, the couple often frequented the bustling streets, spending evenings at the popular café, Le Select. This is where she encountered some of her greatest contemporaries, including the likes of Victor Vasarely, Fernand Léger, Kandinsky, and Brancusi.

www.ftn-books.com has several Molnar items now available.

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Pierre Klossowski (1905-2001)

Pierre Klossowski, a Parisian native, departed this world on 12 August 2001, leaving behind a rich legacy as a novelist, visual artist, translator, philosopher, critic, and even an actor. Born into a family of noble Polish descent, he was joined by his brother Balthus, an accomplished painter, three years after his arrival on 9 August 1905. One of his mother’s lovers, Rainer Maria Rilke, introduced him to André Gide, for whom he served as secretary during the composition period of his novel, The Counterfeiters.

In collaboration with Pierre Jean Jouve, Klossowski also translated Holderlin’s works. His association with Georges Bataille led him to join his secret society and contribute to the review, Acéphale. During World War II, he contemplated entering a monastery, an experience he later incorporated into his first novel, The Suspended Vocation, in a satirical manner. In 1947, he married Marie-Roberte Morin-Sinclaire, a member of the Resistance who was lightly fictionalized in his trilogy of erotic-philosophical novels, collectively known as The Laws of Hospitality.

Klossowski also ventured into the world of cinema, starring in Robert Bresson’s film Au hasard Balthazar. He even collaborated with Chilean expatriate Raúl Ruiz on two television films, one of which was an adaptation of The Suspended Vocation. In a unique twist, Klossowski played the role of Octave, his own character, in Pierre Zucca’s film Roberte, which depicts scenes from The Laws of Hospitality novels.

At the ripe age of ninety-six, Klossowski departed from this world, leaving behind a legacy that continues to inspire and intrigue to this day. www.ftn-books.com has several Klossowski titles available.

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Hermann Nitsch(1938-2022)

The title “Blood” holds a significant meaning for the Austrian artist Hermann Nitsch. Since the early 1960s, he has curated more than 100 performances as part of his Orgien Mysterien Theater cycle. These performances, although centered around blood, are executed with meticulous care and thoughtful consideration. Nitsch directs and documents these performances, which involve naked individuals, an audience, blood, and canvases, creating truly magnificent works of art.

The performance itself is only one part of the larger art piece. The other part consists of the canvases, which are created using materials from the performances and sold by galleries all over the world. If you happen to find yourself in Vienna, be sure to inquire at the Tourist Office about any upcoming performances. And when you visit Naples, Italy, keep in mind that it is home to the largest Nitsch collection outside of Austria, housed in the http://www.museonitsch.org.

While Nitsch is known for his use of blood in his art, he is not the only one. Other artists, such as Marc Quinn, have also utilized blood in their work, freezing it into sculptures of human heads. And Eric Orr has used blood as paint for his paintings. Instead of being appalled by the use of blood in art, appreciate the beauty that can be created through its incorporation.

www.ftn-books.com has several Nitsch publications available

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Francis Bacon (continued)

In my opinion, Francis Bacon stands out as the artist whose exhibitions have been accompanied by the most captivating and splendidly curated catalogues. From oversized volumes with hundreds of pages to impeccable print quality, these catalogues truly do justice to Bacon’s masterpieces, often including multiple fold-out pages to showcase his iconic Triptychs with the utmost precision, just as one would experience in a prestigious museum

I have followed Bacon’s work closely over the years, and in 2001, I was particularly intrigued by the Gemeentemuseum’s ambitious exhibition on the artist, which also happened to be their most expensive and logistically challenging one to date. The plan was to have the catalogue printed in Singapore, but due to a previous commitment to the former museum director, the decision was made to entrust a Dutch publisher with the task. The initial print run was based on an estimate of the expected number of visitors, which unfortunately turned out to be significantly underestimated. Thanks to Bacon’s mesmerizing artworks, the catalogue proved to be a commercial triumph, with three editions being published and close to 8,000 copies sold in total. This success not only brought in considerable profit, but more importantly, it solidified Bacon’s status as one of the greatest modern artists of the 20th century.

This exhibition was also one of the last opportunities for art enthusiasts to view a large selection of Bacon’s works, including numerous Triptychs, all in one place. The Gemeentemuseum was fortunate enough to secure loans from both the Museum Boijmans van Beuningen and the estate of Francis Bacon, allowing for the display of a truly comprehensive collection of his paintings. It was during this exhibition that the masterpiece PARALYTIC CHILD WALKING ON ALL FOURS, acquired in the sixties, proved to be a valuable addition to the Gemeentemuseum’s impressive catalogue. In fact, the JAARBOEK even features a study by Josephus Jitta dedicated to this thought-provoking work.

www.ftn-books.com has many Francis Bacon related items available.

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Anni Albers (1899-1994)

In the world of art, Anni Albers forged her own unique path, always overshadowed by her husband, Josef Albers. Upon first glance, her works exude an enigmatic complexity far beyond that of her husband’s. While Josef’s art centers on squares and rectangles, Anni delves into more intricate and elaborate patterns reminiscent of fabric, expertly woven and knitted with exceptional balance and symmetry. It’s no surprise that Anni Albers stands as one of the most prominent textile artists of the 20th century. Although the Josef Albers Museum in Bottrop displays some noteworthy pieces, the majority of her oeuvre can be found in the USA, where she garnered a dedicated following. www.ftn-books.com houses an impressive collection of titles on both Anni and Josef Albers, but for this instance, the focus will be solely on Anni Albers – for she deserves recognition as the true pioneer of her craft.

www.ftn-books.com has several Anni Albers items now available.